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Showing 1,575 results for Stephen Hannock

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Vortex at Dawn: Collapsed, Stephen Hannock American, Polished oil on canvas, mounted on board — Vortex at Dawn: Collapsed
Stephen Hannock
1992

Kaaterskill Falls for Frank Moore and Dan Hodermarsky (Mass MoCA #11), Stephen Hannock American, Acrylic, alkyd and oil glazes with collage elements on canvas — Kaaterskill Falls for Frank Moore and Dan Hodermarsky (Mass MoCA #11)
Stephen Hannock
2005

The Oxbow: After Church, After Cole, Flooded (Flooded River for the Matriarchs E. & A. Mongan), Green Light, Stephen Hannock American, Acrylic, alkyd and oil glazes with collage elements on canvas — The Oxbow: After Church, After Cole, Flooded (Flooded River for the Matriarchs E. & A. Mongan), Green Light
Stephen Hannock
2000

Preliminary composition for The Oxbow: After Church, After Cole, Flooded (Flooded River for the Matriarchs E. & A. Mongan), Green Light, Stephen Hannock American, Pen and blue ink, colored pencil, and graphite on tracing paper — Preliminary composition for The Oxbow: After Church, After Cole, Flooded (Flooded River for the Matriarchs E. & A. Mongan), Green Light
Stephen Hannock
1993

Final Composition for The Oxbow: After Church, After Cole, Flooded (Flooded River for the Matriarchs E. & A. Mongan), Green Light, Stephen Hannock American, Pen and blue ink and white colored pencil on tracing paper — Final Composition for The Oxbow: After Church, After Cole, Flooded (Flooded River for the Matriarchs E. & A. Mongan), Green Light
Stephen Hannock
1993

Henry in the Hamptons, Stephen Hannock American, Oil on dye diffusion transfer print and wood panel — Henry in the Hamptons
Stephen Hannock
1992

Titan's Goblet at the Approach of the Third Millennium, Stephen Hannock American, Polished oil and alkyd over acrylic on illustration board in artist frame — Titan's Goblet at the Approach of the Third Millennium
Stephen Hannock
1995

Prelimiary Composition for The Oxbow: After Church, After Cole, Flooded (Flooded River for the Matriarchs E. & A. Mongan), Green Light

Stephen Hannock

1993

Final Composition for The Oxbow: After Church, After Cole, Flooded (Flooded River for the Matriarchs E. & A. Mongan), Green Light

Stephen Hannock

1993

The Last Ship from the River of the Northern City

Stephen Hannock

Gordon "Sting" Sumner

2015

Dress, Stephen Burrows American, wool, American — Dress
Stephen Burrows
ca. 1971

Candlestick (one of a pair), Stephen Pilcherd or British, Brass, partly enameled, British, London — Candlestick (one of a pair)
Stephen Pilcherd
Anthony Hatch
ca. 1660–80

Tracery Arcade from the Great South Window of Canterbury Cathedral, Master Mason Stephen Lote and/or, Caen stone, British — Tracery Arcade from the Great South Window of Canterbury Cathedral
Master Mason Stephen Lote
Master Mason Thomas Mapilton
ca. 1426–1435

Satyr, British Museum, Stephen Thompson British, Albumen silver print from glass negative — Satyr, British Museum
Stephen Thompson
1869–72

Amarillo—Tall in Texas, Stephen Shore American, Photomechanical prints — Amarillo—Tall in Texas
Stephen Shore
Dexter Press
1972

Candlestick (one of a pair), Stephen Pilcherd or British, Brass, partly enameled, traces of gilding, British, London — Candlestick (one of a pair)
Stephen Pilcherd
Anthony Hatch
ca. 1660–80

Pair-case watch and key, Stephen Gibbs British, Silver; painted enamel; brass and steel, British, London — Pair-case watch and key
Stephen Gibbs
John Higginbotham
1770

Clovis, New Mexico, Stephen Shore American, Chromogenic print — Clovis, New Mexico
Stephen Shore
June 12, 1972

Henderson, North Carolina, Stephen Shore American, Chromogenic print — Henderson, North Carolina
Stephen Shore
June 3, 1972

Santa Fe, New Mexico, Stephen Shore American, Chromogenic print — Santa Fe, New Mexico
Stephen Shore
June 13, 1972

Marshall, Texas, Stephen Shore American, Chromogenic print — Marshall, Texas
Stephen Shore
June 9, 1972

Clovis, New Mexico, Stephen Shore American, Chromogenic print — Clovis, New Mexico
Stephen Shore
June 12, 1972

Santa Rosa, New Mexico, Stephen Shore American, Chromogenic print — Santa Rosa, New Mexico
Stephen Shore
June 13, 1972

Amarillo, Texas, Stephen Shore American, Chromogenic print — Amarillo, Texas
Stephen Shore
July 4, 1972

Canyon, Texas, Stephen Shore American, Chromogenic print — Canyon, Texas
Stephen Shore
July 1972

Amarillo, Texas, Stephen Shore American, Chromogenic print — Amarillo, Texas
Stephen Shore
July 1972

Granite, Oklahoma, Stephen Shore American, Chromogenic print — Granite, Oklahoma
Stephen Shore
July 8, 1972

Oklahoma City, Oklahoma, Stephen Shore American, Chromogenic print — Oklahoma City, Oklahoma
Stephen Shore
July 9, 1972

Rolla, Missouri, Stephen Shore American, Chromogenic print — Rolla, Missouri
Stephen Shore
July 11, 1972

Sandusky, Ohio, Stephen Shore American, Chromogenic print — Sandusky, Ohio
Stephen Shore
July 16, 1972

Sneden's Landing, New York, Stephen Shore American, Chromogenic print — Sneden's Landing, New York
Stephen Shore
July 1972

Dayton, Ohio, Stephen Shore American, Chromogenic print — Dayton, Ohio
Stephen Shore
September 1972

New York City, Stephen Shore American, Chromogenic print — New York City
Stephen Shore
September 1972

New York City, Stephen Shore American, Chromogenic print — New York City
Stephen Shore
October 1972

New York City, Stephen Shore American, Chromogenic print — New York City
Stephen Shore
October 1972

New York City, Stephen Shore American, Chromogenic print — New York City
Stephen Shore
October 1972

New York City, Stephen Shore American, Chromogenic print — New York City
Stephen Shore
October 1972

New York City, Stephen Shore American, Chromogenic print — New York City
Stephen Shore
October 1972

Astoria, Queens, New York, Stephen Shore American, Chromogenic print — Astoria, Queens, New York
Stephen Shore
April 1972

Jamaica Hills, Queens, New York, Stephen Shore American, Chromogenic print — Jamaica Hills, Queens, New York
Stephen Shore
April 1972