Results for "Stephen Hannock" - The Metropolitan Museum of Art

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1-42 of 1,576 results for Stephen Hannock

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Henry in the Hamptons, Stephen Hannock American, Oil on dye diffusion transfer print and wood panel — Henry in the Hamptons
Stephen Hannock
1992

Titan's Goblet at the Approach of the Third Millennium, Stephen Hannock American, Polished oil and alkyd over acrylic on illustration board in artist frame — Titan's Goblet at the Approach of the Third Millennium
Stephen Hannock
1995

The Oxbow: After Church, After Cole, Flooded (Flooded River for the Matriarchs E. & A. Mongan), Green Light, Stephen Hannock American, Acrylic, alkyd and oil glazes with collage elements on canvas — The Oxbow: After Church, After Cole, Flooded (Flooded River for the Matriarchs E. & A. Mongan), Green Light
Stephen Hannock
2000

Kaaterskill Falls for Frank Moore and Dan Hodermarsky (Mass MoCA #11), Stephen Hannock American, Acrylic, alkyd and oil glazes with collage elements on canvas — Kaaterskill Falls for Frank Moore and Dan Hodermarsky (Mass MoCA #11)
Stephen Hannock
2005

Preliminary composition for The Oxbow: After Church, After Cole, Flooded (Flooded River for the Matriarchs E. & A. Mongan), Green Light, Stephen Hannock American, Pen and blue ink, colored pencil, and graphite on tracing paper — Preliminary composition for The Oxbow: After Church, After Cole, Flooded (Flooded River for the Matriarchs E. & A. Mongan), Green Light
Stephen Hannock
1993

Final Composition for The Oxbow: After Church, After Cole, Flooded (Flooded River for the Matriarchs E. & A. Mongan), Green Light, Stephen Hannock American, Pen and blue ink and white colored pencil on tracing paper — Final Composition for The Oxbow: After Church, After Cole, Flooded (Flooded River for the Matriarchs E. & A. Mongan), Green Light
Stephen Hannock
1993

Vortex at Dawn: Collapsed, Stephen Hannock American, Polished oil on canvas, mounted on board — Vortex at Dawn: Collapsed
Stephen Hannock
1992

Prelimiary Composition for The Oxbow: After Church, After Cole, Flooded (Flooded River for the Matriarchs E. & A. Mongan), Green Light

Stephen Hannock

1993

Final Composition for The Oxbow: After Church, After Cole, Flooded (Flooded River for the Matriarchs E. & A. Mongan), Green Light

Stephen Hannock

1993

The Last Ship from the River of the Northern City

Stephen Hannock

Gordon "Sting" Sumner

2015

Dress, Stephen Burrows American, wool, American — Dress
Stephen Burrows
ca. 1971

Candlestick (one of a pair), Stephen Pilcherd or British, Brass, partly enameled, British, London — Candlestick (one of a pair)
Stephen Pilcherd
Anthony Hatch
ca. 1660–80

Tracery Arcade from the Great South Window of Canterbury Cathedral, Master Mason Stephen Lote and/or, Caen stone, British — Tracery Arcade from the Great South Window of Canterbury Cathedral
Master Mason Stephen Lote
Master Mason Thomas Mapilton
ca. 1426–1435

Fred Shore, Stephen Shore American, Gelatin silver print — Fred Shore
Stephen Shore
1969

Desert Street, Van Horn, Texas, Stephen Shore American, Chromogenic print — Desert Street, Van Horn, Texas
Stephen Shore
1975

Giverny, Stephen Shore American, Chromogenic print — Giverny
Stephen Shore
1977

Giverny, Stephen Shore American, Chromogenic print — Giverny
Stephen Shore
1977

Giverny, Stephen Shore American, Chromogenic print — Giverny
Stephen Shore
1977

Giverny, Stephen Shore American, Chromogenic print — Giverny
Stephen Shore
1977

Giverny, Stephen Shore American, Chromogenic print — Giverny
Stephen Shore
1977

Giverny, Stephen Shore American, Chromogenic print — Giverny
Stephen Shore
1977

Wilde Street and Colonization Avenue, Dryden, Ontario, Stephen Shore American, Chromogenic print — Wilde Street and Colonization Avenue, Dryden, Ontario
Stephen Shore
1974

Lincoln Street and Riverside Street, Spokane, Washington, Stephen Shore American, Chromogenic print — Lincoln Street and Riverside Street, Spokane, Washington
Stephen Shore
1974

Proton Avenue, Gull Lake, Saskatchewan, Stephen Shore American, Chromogenic print — Proton Avenue, Gull Lake, Saskatchewan
Stephen Shore
1974

Giverny, Stephen Shore American, Chromogenic print — Giverny
Stephen Shore
1977

Giverny, Stephen Shore American, Chromogenic print — Giverny
Stephen Shore
1977

Giverny, Stephen Shore American, Chromogenic print — Giverny
Stephen Shore
1977

Giverny, Stephen Shore American, Chromogenic print — Giverny
Stephen Shore
1977

Giverny, Stephen Shore American, Chromogenic print — Giverny
Stephen Shore
1977

Giverny, Stephen Shore American, Chromogenic print — Giverny
Stephen Shore
1977

Giverny, Stephen Shore American, Chromogenic print — Giverny
Stephen Shore
1977

Giverny, Stephen Shore American, Chromogenic print — Giverny
Stephen Shore
1977

Giverny, Stephen Shore American, Chromogenic print — Giverny
Stephen Shore
1977

Giverny, Stephen Shore American, Chromogenic print — Giverny
Stephen Shore
1977

Giverny, Stephen Shore American, Chromogenic print — Giverny
Stephen Shore
1977

Giverny, Stephen Shore American, Chromogenic print — Giverny
Stephen Shore
1977

Giverny, Stephen Shore American, Chromogenic print — Giverny
Stephen Shore
1977

Giverny, Stephen Shore American, Chromogenic print — Giverny
Stephen Shore
1977

Giverny, Stephen Shore American, Chromogenic print — Giverny
Stephen Shore
1977

Giverny, Stephen Shore American, Chromogenic print — Giverny
Stephen Shore
1977

Giverny, Stephen Shore American, Chromogenic print — Giverny
Stephen Shore
1977

Giverny, Stephen Shore American, Chromogenic print — Giverny
Stephen Shore
1977

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