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Showing 1,573 results for Stephen Hannock

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Henry in the Hamptons, Stephen Hannock American, Oil on dye diffusion transfer print and wood panel — Henry in the Hamptons
Stephen Hannock
1992

The Oxbow: After Church, After Cole, Flooded (Flooded River for the Matriarchs E. & A. Mongan), Green Light, Stephen Hannock American, Acrylic, alkyd and oil glazes with collage elements on canvas — The Oxbow: After Church, After Cole, Flooded (Flooded River for the Matriarchs E. & A. Mongan), Green Light
Stephen Hannock
2000

Preliminary composition for The Oxbow: After Church, After Cole, Flooded (Flooded River for the Matriarchs E. & A. Mongan), Green Light, Stephen Hannock American, Pen and blue ink, colored pencil, and graphite on tracing paper — Preliminary composition for The Oxbow: After Church, After Cole, Flooded (Flooded River for the Matriarchs E. & A. Mongan), Green Light
Stephen Hannock
1993

Vortex at Dawn: Collapsed, Stephen Hannock American, Polished oil on canvas, mounted on board — Vortex at Dawn: Collapsed
Stephen Hannock
1992

Final Composition for The Oxbow: After Church, After Cole, Flooded (Flooded River for the Matriarchs E. & A. Mongan), Green Light, Stephen Hannock American, Pen and blue ink and white colored pencil on tracing paper — Final Composition for The Oxbow: After Church, After Cole, Flooded (Flooded River for the Matriarchs E. & A. Mongan), Green Light
Stephen Hannock
1993

Kaaterskill Falls for Frank Moore and Dan Hodermarsky (Mass MoCA #11), Stephen Hannock American, Acrylic, alkyd and oil glazes with collage elements on canvas — Kaaterskill Falls for Frank Moore and Dan Hodermarsky (Mass MoCA #11)
Stephen Hannock
2005

Titan's Goblet at the Approach of the Third Millennium, Stephen Hannock American, Polished oil and alkyd over acrylic on illustration board in artist frame — Titan's Goblet at the Approach of the Third Millennium
Stephen Hannock
1995

Prelimiary Composition for The Oxbow: After Church, After Cole, Flooded (Flooded River for the Matriarchs E. & A. Mongan), Green Light

Stephen Hannock

1993

Final Composition for The Oxbow: After Church, After Cole, Flooded (Flooded River for the Matriarchs E. & A. Mongan), Green Light

Stephen Hannock

1993

The Last Ship from the River of the Northern City

Stephen Hannock

Gordon "Sting" Sumner

2015

Dress, Stephen Burrows American, wool, American — Dress
Stephen Burrows
ca. 1971

Chocolate Pot, Stephen Richard American, Silver, American — Chocolate Pot
Stephen Richard
ca. 1825

Table Spoon, Stephen Emery American, Silver, American — Table Spoon
Stephen Emery
ca. 1790

Cann, Stephen Emery American, Silver, American — Cann
Stephen Emery
ca. 1785

Creampot, Stephen Reeves American, Silver, American — Creampot
Stephen Reeves
Samuel Richards Jr.
1775–1800

Candlestick (one of a pair), Stephen Pilcherd or British, Brass, partly enameled, British, London — Candlestick (one of a pair)
Stephen Pilcherd
Anthony Hatch
ca. 1660–80

Tongs, Stephen Hardy American, Silver, American — Tongs
Stephen Hardy
1810–30

Tray, Stephen Richard American, Silver, American — Tray
Stephen Richard
ca. 1826

Bracket Clock, Stephen Van Wyck American, Mahogany, white oak, brass, American — Bracket Clock
Stephen Van Wyck
ca. 1800

Stephen Badlam

ca. 1770

Tracery Arcade from the Great South Window of Canterbury Cathedral, Master Mason Stephen Lote and/or, Caen stone, British — Tracery Arcade from the Great South Window of Canterbury Cathedral
Master Mason Stephen Lote
Master Mason Thomas Mapilton
ca. 1426–1435

Basin, Stephen Maxwell Scottish, Pewter, Scottish — Basin
Stephen Maxwell
18th century

Puritan spoon, Stephen Venables, Silver, British, London — Puritan spoon
Stephen Venables
1652–53

Pair of andirons, Stephen Pilcherd or British, Brass, partly enameled, on a wrought-iron frame, British, London — Pair of andirons
Stephen Pilcherd
Anthony Hatch
probably 1660–80

Pair-case watch and key, Stephen Gibbs British, Silver; painted enamel; brass and steel, British, London — Pair-case watch and key
Stephen Gibbs
John Higginbotham
1770

Giverny, Stephen Shore American, Chromogenic print — Giverny
Stephen Shore
1977

Giverny, Stephen Shore American, Chromogenic print — Giverny
Stephen Shore
1977

Giverny, Stephen Shore American, Chromogenic print — Giverny
Stephen Shore
1977

Giverny, Stephen Shore American, Chromogenic print — Giverny
Stephen Shore
1977

Giverny, Stephen Shore American, Chromogenic print — Giverny
Stephen Shore
1977

Giverny, Stephen Shore American, Chromogenic print — Giverny
Stephen Shore
1977

Giverny, Stephen Shore American, Chromogenic print — Giverny
Stephen Shore
1977

Giverny, Stephen Shore American, Chromogenic print — Giverny
Stephen Shore
1977

Giverny, Stephen Shore American, Chromogenic print — Giverny
Stephen Shore
1977

Giverny, Stephen Shore American, Chromogenic print — Giverny
Stephen Shore
1977

Giverny, Stephen Shore American, Chromogenic print — Giverny
Stephen Shore
1977

Giverny, Stephen Shore American, Chromogenic print — Giverny
Stephen Shore
1977

Giverny, Stephen Shore American, Chromogenic print — Giverny
Stephen Shore
1977

Giverny, Stephen Shore American, Chromogenic print — Giverny
Stephen Shore
1977

Giverny, Stephen Shore American, Chromogenic print — Giverny
Stephen Shore
1977