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Nazi-era provenance
Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

Showing 2,088 results for Sue Fuller

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String Composition No. 50, Sue Fuller American, Plastic thread, painted Masonite, and aluminum frame — String Composition No. 50
Sue Fuller
1952–53

Hen, Sue Fuller American, Soft-ground etching and engraving — Hen
Sue Fuller
1945

Zebra, Sue Fuller American, Relief print — Zebra
Sue Fuller
1946

Sue Fuller

1949

Sue Fuller

1950

New York, New York!

Sue Fuller

1950

Sue Fuller

1946

Sue Fuller

1946

The Emperor's Jewels

Sue Fuller

1944

Sue Fuller

1944

Untitled (Christmas Card)

Sue Fuller

1946

Letter from Sue Fuller to Hyatt Mayor

Sue Fuller

1946

Sue Fuller

1947

The Coiffure, after Mary Cassatt, Janet Lee Kadesky Ruttenberg, Drypoint and soft-ground etching, printed in color, on heavy ivory wove paper — The Coiffure, after Mary Cassatt
Multiple artists/makers
1975

In the Omnibus, after Mary Cassatt, Janet Lee Kadesky Ruttenberg, Drypoint printed in black with touch of red on white wove (Arches) paper ("master plate"), with corrections in pencil — In the Omnibus, after Mary Cassatt
Multiple artists/makers
1975–77

In the Omnibus, after Mary Cassatt, Janet Lee Kadesky Ruttenberg, Drypoint and soft-ground etching, printed in black, ochre, yellow, and blue on white wove (Arches) paper: Master plate and second color plate — In the Omnibus, after Mary Cassatt
Multiple artists/makers
1975–77

In the Omnibus, after Mary Cassatt, Janet Lee Kadesky Ruttenberg, Soft-ground etching printed in black and yellow — In the Omnibus, after Mary Cassatt
Multiple artists/makers
1975–77

The Coiffure, after Mary Cassatt, Janet Lee Kadesky Ruttenberg, Soft-ground etching, printed in ochre on wove paper; (impression from first soft-ground plate) — The Coiffure, after Mary Cassatt
Multiple artists/makers
1975

The Coiffure, after Mary Cassatt, Janet Lee Kadesky Ruttenberg, Soft-ground etching, printed in red on wove paper (impression from the second soft-ground plate) — The Coiffure, after Mary Cassatt
Multiple artists/makers
1975

The Coiffure, after Mary Cassatt, Janet Lee Kadesky Ruttenberg, Soft-ground etching, printed in ochre and rose on wove paper (impression of first and second soft-ground plates) — The Coiffure, after Mary Cassatt
Multiple artists/makers
1975

The Coiffure, after Mary Cassatt, Janet Lee Kadesky Ruttenberg, Soft-ground etching and drypoint, printed in brown, ochre, and rose on wove paper — The Coiffure, after Mary Cassatt
Multiple artists/makers
1975

In the Omnibus, after Mary Cassatt, Janet Lee Kadesky Ruttenberg, Soft-ground etching printed in brown, blue, yellow, red, and black on white wove (Arches) paper: Second color plate — In the Omnibus, after Mary Cassatt
Multiple artists/makers
1975–77

In the Omnibus, after Mary Cassatt, Janet Lee Kadesky Ruttenberg, Soft-ground etching printed in color on white wove paper (Arches) from three plates — In the Omnibus, after Mary Cassatt
Multiple artists/makers
1975–77

In the Omnibus, after Mary Cassatt, Janet Lee Kadesky Ruttenberg , artist/engraver/printer, Drypoint and soft-ground etching, printed in color — In the Omnibus, after Mary Cassatt
Multiple artists/makers
1975–77

In the Omnibus, after Mary Cassatt, Janet Lee Kadesky Ruttenberg, Soft-ground etching printed in black, green, brown, and red on white wove (Arches) paper (First color plate) — In the Omnibus, after Mary Cassatt
Multiple artists/makers
1975–77

The Quadroon, George Fuller American, Oil on canvas, American — The Quadroon
George Fuller
1880

Mr. Pierce, Augustus Fuller American, Watercolor on ivory, American — Mr. Pierce
Augustus Fuller
1843

Desk, Louis Süe French, Ebonized wood (probably beech), oak, zebrawood, gilt bronze, leather — Desk
Multiple artists/makers
ca. 1925

Desk Chair, Louis Süe French, Ebonized wood (possibly walnut or beech), pigskin — Desk Chair
Multiple artists/makers
ca. 1925

Claude Terrasse, Louis Süe French, Oil on canvas — Claude Terrasse
Louis Süe
1897

Commode, Louis Süe French, Oak, lumber-core plywood, chestnut, marble, paint, gold leaf, French — Commode
Multiple artists/makers
ca. 1918

Mirror, Louis Süe French, Cherry or pearwood, mirror glass, paint, gold leaf, French — Mirror
Multiple artists/makers
Designed ca. 1919; manufactured 1923

Side Chair, Louis Süe French, Walnut, silk velvet — Side Chair
Multiple artists/makers
designed 1912; manufactured ca. 1920

"Bouquets" Textile, Louis Süe French, Silk — "Bouquets" Textile
Louis Süe
ca. 1919

"Paris" Textile, Louis Süe French, Silk — "Paris" Textile
Louis Süe
ca. 1919

Carpet, Louis Süe French, Wool — Carpet
Multiple artists/makers
1925

“David-Weill” Chair (model no. 45), with “Tulipes et Œillets” (Tulips and Carnations, possibly pattern no. 2513) Upholstery, Louis Süe French, Mahogany, oak, wool — “David-Weill” Chair (model no. 45), with “Tulipes et Œillets” (Tulips and Carnations, possibly pattern no. 2513) Upholstery
Multiple artists/makers
designed 1923; manufactured probably late 1920s

U.S. Military Successfully Bombs A Mental Hospital in Grenada, Sue Coe British, Oil paint and opaque watercolor over graphite on paper — U.S. Military Successfully Bombs A Mental Hospital in Grenada
Sue Coe
1984

Rosa, Sue Coe British, Watercolor, opaque watercolor, cut and pasted paper, graphite, and chalk on paper — Rosa
Sue Coe
1976

Going Toward the Epicenter, Sue Coe British, Gouache, watercolor, and graphite on paper — Going Toward the Epicenter
Sue Coe
1984