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1-42 of 2,444 results for Sue Fuller
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String Composition No. 50, Sue Fuller  American, Plastic thread, painted Masonite, and aluminum frame
Sue Fuller
1952–53
Hen, Sue Fuller  American, Soft-ground etching and engraving
Sue Fuller
1945
Zebra, Sue Fuller  American, Relief print
Sue Fuller
1946
Sue Fuller
1950
Sue Fuller
1950
Sue Fuller
1944
Sue Fuller
1944
Sue Fuller
1946
Sue Fuller
1946
Sue Fuller
1946
Sue Fuller
1946
Sue Fuller
1947
Sue Fuller
1949
The Coiffure, after Mary Cassatt, Janet Lee Kadesky Ruttenberg, Drypoint and soft-ground etching, printed in color, on heavy ivory wove paper
Multiple artists/makers
1975
The Coiffure, after Mary Cassatt, Janet Lee Kadesky Ruttenberg, Soft-ground etching, printed in ochre on wove paper; (impression from first soft-ground plate)
Multiple artists/makers
1975
The Coiffure, after Mary Cassatt, Janet Lee Kadesky Ruttenberg, Soft-ground etching, printed in red on wove paper (impression from the second soft-ground plate)
Multiple artists/makers
1975
The Coiffure, after Mary Cassatt, Janet Lee Kadesky Ruttenberg, Soft-ground etching, printed in ochre and rose on wove paper (impression of first and second soft-ground plates)
Multiple artists/makers
1975
The Coiffure, after Mary Cassatt, Janet Lee Kadesky Ruttenberg, Soft-ground etching and drypoint, printed in brown, ochre, and rose on wove paper
Multiple artists/makers
1975
In the Omnibus, after Mary Cassatt, Janet Lee Kadesky Ruttenberg, Drypoint printed in black with touch of red on white wove (Arches) paper ("master plate"), with corrections in pencil
Multiple artists/makers
1975–77
In the Omnibus, after Mary Cassatt, Janet Lee Kadesky Ruttenberg, Soft-ground etching printed in black, green, brown, and red on white wove (Arches) paper (First color plate)
Multiple artists/makers
1975–77
In the Omnibus, after Mary Cassatt, Janet Lee Kadesky Ruttenberg, Soft-ground etching printed in brown, blue, yellow, red, and black on white wove (Arches) paper:  Second color plate
Multiple artists/makers
1975–77
In the Omnibus, after Mary Cassatt, Janet Lee Kadesky Ruttenberg, Drypoint and soft-ground etching, printed in black, ochre, yellow, and blue on white wove (Arches) paper: Master plate and second color plate
Multiple artists/makers
1975–77
In the Omnibus, after Mary Cassatt, Janet Lee Kadesky Ruttenberg, Soft-ground etching printed in black and yellow
Multiple artists/makers
1975–77
In the Omnibus, after Mary Cassatt, Janet Lee Kadesky Ruttenberg, Soft-ground etching printed in color on white wove paper (Arches) from three plates
Multiple artists/makers
1975–77
In the Omnibus, after Mary Cassatt, Janet Lee Kadesky Ruttenberg , artist/engraver/printer, Drypoint and soft-ground etching, printed in color
Multiple artists/makers
1975–77
"David-Weill" Chair (model no. 45), with "Tulipes et Œillets" (Tulips and Carnations, possibly pattern no. 2513) Upholstery, Louis Süe  French, Mahogany, oak, wool
Multiple artists/makers
designed 1923; manufactured probably late 1920s
Claude Terrasse, Louis Süe  French, Oil on canvas
Louis Süe
1897
Carpet, Louis Süe  French, Wool
Multiple artists/makers
1925
"Bouquets" Textile, Louis Süe  French, Silk
Louis Süe
ca. 1919
Desk, Louis Süe  French, Ebonized wood (probably beech), oak, zebrawood, gilt bronze, leather
Multiple artists/makers
ca. 1925
Desk Chair, Louis Süe  French, Ebonized wood (possibly walnut or beech), pigskin
Multiple artists/makers
ca. 1925
Commode, Louis Süe  French, Oak, lumber-core plywood, chestnut, marble, paint, gold leaf, French
Multiple artists/makers
ca. 1918
Mirror, Louis Süe  French, Cherry or pearwood, mirror glass, paint, gold leaf, French
Multiple artists/makers
Designed ca. 1919; manufactured 1923
Side Chair, Louis Süe  French, Walnut, silk velvet
Multiple artists/makers
designed 1912; manufactured ca. 1920
"Paris" Textile, Louis Süe  French, Silk
Louis Süe
ca. 1919
Going Toward the Epicenter, Sue Coe  British, Gouache, watercolor, and graphite on paper
Sue Coe
1984
Windstorm, Sue Coe  British, Gouache, graphite, and brush and black ink on paper
Sue Coe
1984
U.S. Military Successfully Bombs A Mental Hospital in Grenada, Sue Coe  British, Oil paint and opaque watercolor over graphite on paper
Sue Coe
1984
Rosa, Sue Coe  British, Watercolor, opaque watercolor, cut and pasted paper, graphite, and chalk on paper
Sue Coe
1976
Portrait of a Boy, Augustus Fuller  American, Watercolor on ivory, American
Augustus Fuller
And She Was a Witch, George Fuller  American, Oil on canvas, American
George Fuller
1877–84
Ideal Head of a Boy (George Spencer Fuller), George Fuller  American, Oil on canvas, American
George Fuller
ca. 1867–73