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1-42 of 2,444 results for Sue Fuller
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String Composition No. 50, Sue Fuller American, Plastic thread, painted Masonite, and aluminum frame
String Composition No. 50
Sue Fuller
1952–53
Hen, Sue Fuller American, Soft-ground etching and engraving
Hen
Sue Fuller
1945
Zebra, Sue Fuller American, Relief print
Zebra
Sue Fuller
1946
New York, New York!
Sue Fuller
1950
Cityscape
Sue Fuller
1950
The Emperor's Jewels
Sue Fuller
1944
Untitled
Sue Fuller
1944
Untitled (Christmas Card)
Sue Fuller
1946
Fancy Fowl
Sue Fuller
1946
Bat
Sue Fuller
1946
Letter from Sue Fuller to Hyatt Mayor
Sue Fuller
1946
Christmas '47
Sue Fuller
1947
Fabulous City
Sue Fuller
1949
The Coiffure, after Mary Cassatt, Janet Lee Kadesky Ruttenberg, Drypoint and soft-ground etching, printed in color, on heavy ivory wove paper
The Coiffure, after Mary Cassatt
Multiple artists/makers
1975
The Coiffure, after Mary Cassatt, Janet Lee Kadesky Ruttenberg, Soft-ground etching, printed in ochre on wove paper; (impression from first soft-ground plate)
The Coiffure, after Mary Cassatt
Multiple artists/makers
1975
The Coiffure, after Mary Cassatt, Janet Lee Kadesky Ruttenberg, Soft-ground etching, printed in red on wove paper (impression from the second soft-ground plate)
The Coiffure, after Mary Cassatt
Multiple artists/makers
1975
The Coiffure, after Mary Cassatt, Janet Lee Kadesky Ruttenberg, Soft-ground etching, printed in ochre and rose on wove paper (impression of first and second soft-ground plates)
The Coiffure, after Mary Cassatt
Multiple artists/makers
1975
The Coiffure, after Mary Cassatt, Janet Lee Kadesky Ruttenberg, Soft-ground etching and drypoint, printed in brown, ochre, and rose on wove paper
The Coiffure, after Mary Cassatt
Multiple artists/makers
1975
In the Omnibus, after Mary Cassatt, Janet Lee Kadesky Ruttenberg, Drypoint printed in black with touch of red on white wove (Arches) paper ("master plate"), with corrections in pencil
In the Omnibus, after Mary Cassatt
Multiple artists/makers
1975–77
In the Omnibus, after Mary Cassatt, Janet Lee Kadesky Ruttenberg, Soft-ground etching printed in black, green, brown, and red on white wove (Arches) paper (First color plate)
In the Omnibus, after Mary Cassatt
Multiple artists/makers
1975–77
In the Omnibus, after Mary Cassatt, Janet Lee Kadesky Ruttenberg, Soft-ground etching printed in brown, blue, yellow, red, and black on white wove (Arches) paper: Second color plate
In the Omnibus, after Mary Cassatt
Multiple artists/makers
1975–77
In the Omnibus, after Mary Cassatt, Janet Lee Kadesky Ruttenberg, Drypoint and soft-ground etching, printed in black, ochre, yellow, and blue on white wove (Arches) paper: Master plate and second color plate
In the Omnibus, after Mary Cassatt
Multiple artists/makers
1975–77
In the Omnibus, after Mary Cassatt, Janet Lee Kadesky Ruttenberg, Soft-ground etching printed in black and yellow
In the Omnibus, after Mary Cassatt
Multiple artists/makers
1975–77
In the Omnibus, after Mary Cassatt, Janet Lee Kadesky Ruttenberg, Soft-ground etching printed in color on white wove paper (Arches) from three plates
In the Omnibus, after Mary Cassatt
Multiple artists/makers
1975–77
In the Omnibus, after Mary Cassatt, Janet Lee Kadesky Ruttenberg , artist/engraver/printer, Drypoint and soft-ground etching, printed in color
In the Omnibus, after Mary Cassatt
Multiple artists/makers
1975–77
"David-Weill" Chair (model no. 45), with "Tulipes et Œillets" (Tulips and Carnations, possibly pattern no. 2513) Upholstery, Louis Süe French, Mahogany, oak, wool
"David-Weill" Chair (model no. 45), with "Tulipes et Œillets" (Tulips and Carnations, possibly pattern no. 2513) Upholstery
Multiple artists/makers
designed 1923; manufactured probably late 1920s
Claude Terrasse, Louis Süe French, Oil on canvas
Claude Terrasse
Louis Süe
1897
Carpet, Louis Süe French, Wool
Carpet
Multiple artists/makers
1925
"Bouquets" Textile, Louis Süe French, Silk
"Bouquets" Textile
Louis Süe
ca. 1919
Desk, Louis Süe French, Ebonized wood (probably beech), oak, zebrawood, gilt bronze, leather
Desk
Multiple artists/makers
ca. 1925
Desk Chair, Louis Süe French, Ebonized wood (possibly walnut or beech), pigskin
Desk Chair
Multiple artists/makers
ca. 1925
Commode, Louis Süe French, Oak, lumber-core plywood, chestnut, marble, paint, gold leaf, French
Commode
Multiple artists/makers
ca. 1918
Mirror, Louis Süe French, Cherry or pearwood, mirror glass, paint, gold leaf, French
Mirror
Multiple artists/makers
Designed ca. 1919; manufactured 1923
Side Chair, Louis Süe French, Walnut, silk velvet
Side Chair
Multiple artists/makers
designed 1912; manufactured ca. 1920
"Paris" Textile, Louis Süe French, Silk
"Paris" Textile
Louis Süe
ca. 1919
Going Toward the Epicenter, Sue Coe British, Gouache, watercolor, and graphite on paper
Going Toward the Epicenter
Sue Coe
1984
Windstorm, Sue Coe British, Gouache, graphite, and brush and black ink on paper
Windstorm
Sue Coe
1984
U.S. Military Successfully Bombs A Mental Hospital in Grenada, Sue Coe British, Oil paint and opaque watercolor over graphite on paper
U.S. Military Successfully Bombs A Mental Hospital in Grenada
Sue Coe
1984
Rosa, Sue Coe British, Watercolor, opaque watercolor, cut and pasted paper, graphite, and chalk on paper
Rosa
Sue Coe
1976
Portrait of a Boy, Augustus Fuller American, Watercolor on ivory, American
Portrait of a Boy
Augustus Fuller
And She Was a Witch, George Fuller American, Oil on canvas, American
And She Was a Witch
George Fuller
1877–84
Ideal Head of a Boy (George Spencer Fuller), George Fuller American, Oil on canvas, American
Ideal Head of a Boy (George Spencer Fuller)
George Fuller
ca. 1867–73