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  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
Showing 40 results for Suemura Shōbun
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Cabinet for Sencha Tea Ceremony (Kikyoku), Suemura Shōbun  Japanese, Black bamboo and rattan, Japan
Suemura Shōbun
ca. 1950–70s
The Rape of Tamar, Eustache Le Sueur  French, Oil on canvas
Eustache Le Sueur
probably ca. 1640
"At the Edge of the River Akutagawa" from the Tales of Ise (Ise monogatari), Sugimura Jihei  Japanese, Monochrome woodblock print; ink on paper, Japan
Sugimura Jihei
Sword guard (<i>Tsuba</i>) Depicting Hanshan and Shide (寒山拾得図鐔), Sugiura Joi  Japanese, Iron, gold, copper, copper-silver alloy (shibuichi), Japanese
Sugiura Joi
18th century
Promontory, Kunié Sugiura  Japanese, Photographic emulsion, acrylic on canvas, wood
Kunié Sugiura
1980
Where to, Kunié Sugiura  Japanese, Photographic emulsion, acrylic on canvas, wood
Kunié Sugiura
1980
Promontory Study, Kunié Sugiura  Japanese, Gelatin silver print with acrylic and applied media
Kunié Sugiura
1980
Samurai and Courtesan Seated; A Servant Beside Them, Sugimura Jihei Masataka  Japanese, Monochrome woodblock print; ink on paper, Japan
Sugimura Jihei Masataka
ca. 1685
God the Father, Eustache Le Sueur  French, Black and white chalk on brown paper. Framing lines in pen and brown ink.
Eustache Le Sueur
mid-17th century
Study for Saint Gervasius, Eustache Le Sueur  French, Black chalk heightened with white chalk, on gray-beige paper; framing lines in pen and brown ink
Eustache Le Sueur
ca. 1652
Design for a Medallion: Huntress Kneeling before an Armed Goddess, Eustache Le Sueur  French, Black chalk; squared in black chalk; framing lines in pen and brown ink
Eustache Le Sueur
17th century
Minerva Presenting Two Portraits to Apollo, Eustache Le Sueur  French, Black chalk, squared in red chalk. Contours incised for transfer; framing lines in pen and brown ink
Eustache Le Sueur
17th century
Saint Philip Neri, kneeling at left, with the Virgin and child appearing at upper right, Nicolas Le Sueur  French, Etching and aquatint in blue-gray
Nicolas Le Sueur
Luigi Garzi
ca. 1729
The invention of the cross; three men lifting a cross from a trench; from 'Recueil d'estampes d'après les plus beaux tableaux et d'après les plus beaux desseins qui sont en France, Cabinet Crozat' after a drawing by Pinturicchio, Nicolas Le Sueur  French, Etching and aquatint with tone woodblock
Nicolas Le Sueur
Bernardo di Betto Pinturicchio
ca. 1729–64
Assumption of the Virgin; from 'Recueil d'estampes d'après les plus beaux tableaux et d'après les plus beaux desseins qui sont en France, Cabinet Crozat' after Giuseppe Passeri, Nicolas Le Sueur  French, Aquatint imitating a chiaroscuro woodcut printed in green and brown over etching
Multiple artists/makers
ca. 1729–40
Louis Le Sueur
1776
Louis Le Sueur
1760–1803
Louis Le Sueur
1776
Louis Le Sueur
1760–1803
Eustache Le Sueur
René Cousinet
[ca. 1660]
Multiple artists/makers
1773–82
Multiple artists/makers
1720
Multiple artists/makers
1829
The Four Evangelists, Robert Nanteuil  French, Engraving; third state of five (Petitjean & Wickert)
Robert Nanteuil
Eustache Le Sueur
ca. 1653
Figure Studies, Anonymous, French, 17th century  French, Black chalk with traces of white chalk on brownish paper
Anonymous, French, 17th century
Eustache Le Sueur
17th century
Enrique Chagoya
Segura Publishing Company, Inc.
1999
Paul Ponce Antoine Robert-de-Seri
Nicolas Le Sueur
ca. 1729–33
Paul Ponce Antoine Robert-de-Seri
Nicolas Le Sueur
ca. 1729–33
Anne Claude Philippe de Tubières, comte de Caylus
Nicolas Le Sueur
ca. 1729–33
Three angels carrying Gideon's fleece;  from 'Recueil d'estampes d'après les plus beaux tableaux et d'après les plus beaux desseins qui sont en France, Cabinet Crozat' after a drawing by Orazi, Anne Claude Philippe de Tubières, comte de Caylus  French, Aquatint imitating a chiaroscuro woodcut printed in green and brown over etching
Multiple artists/makers
ca. 1729–64
Pharaoh's army engulfed by the Red Sea; from 'Recueil d'estampes d'après les plus beaux tableaux et d'après les plus beaux desseins qui sont en France, Cabinet Crozat' after Giovanni Francesco Penni, Anne Claude Philippe de Tubières, comte de Caylus  French, Aquatint imitating a chiaroscuro woodcut printed in green and brown over etching
Multiple artists/makers
ca. 1729–40
A shepherd holding a lion on a leash in the foreground, in the middle ground the shepherd stands in a meadow surrounded by wild beasts, in the background the shepherd is seated on a rock with the lion at his side; from 'Recueil d'estampes d'après les plus beaux tableaux et d'après les plus beaux desseins qui sont en France, Cabinet Crozat' after a drawing by Baldassare Peruzzi, Anne Claude Philippe de Tubières, comte de Caylus  French, Etching and aquatint with tone woodblock
Multiple artists/makers
ca. 1729–64
The Virgin and Child seated on a pedestal at center, to the right a monk offers a flower, and in the foreground a saint kneels before them while Saint Lawrence rests his hands on a gridiron; from 'Recueil d'estampes d'après les plus beaux tableaux et d'après les plus beaux desseins qui sont en France, Cabinet Crozat' after a drawing by Pietro Antonio de' Pietri, Anne Claude Philippe de Tubières, comte de Caylus  French, Aquatint imitating a chiaroscuro woodcut printed in green over etching
Multiple artists/makers
ca. 1729
Multiple artists/makers
1766
Multiple artists/makers
1769
Multiple artists/makers
1769
Multiple artists/makers
ca. 1729–1764
Alexander the Great freeing Timoclea; from 'Recueil d'estampes d'après les plus beaux tableaux et d'après les plus beaux desseins qui sont en France, Cabinet Crozat', Anne Claude Philippe de Tubières, comte de Caylus  French, Etching and aquatint with tone woodblock
Multiple artists/makers
ca. 1729–40
Multiple artists/makers
1829
Multiple artists/makers
1798