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1-42 of 88 results for Taddeo Gaddi
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Madonna and Child Enthroned with Saints, Taddeo Gaddi Italian, Tempera on wood, gold ground
Madonna and Child Enthroned with Saints
Taddeo Gaddi
ca. 1340, updated ca. 1480
Saint Julian, Taddeo Gaddi Italian, Tempera on wood, gold ground
Saint Julian
Taddeo Gaddi
1340s
Plate 2: Job and his friends, after the fresco by Taddeo Gaddi in the Campo Santo, Pisa, from the 'Pitture a fresco del Campo Santo di Pisa' (published 1812)
Multiple artists/makers
ca. 1808–12
Plate 1: the story (misfortunes) of Job, after the fresco by Taddeo Gaddi in the Campo Santo, Pisa, from the 'Pitture a fresco del Campo Santo di Pisa' (published 1812)
Multiple artists/makers
ca. 1808–12
Plate 2: the story (misfortunes) of Job, after the frescoes by Taddeo Gaddi in the Campo Santo, Pisa, from "Pitture a fresco del Campo Santo di Pisa"
Multiple artists/makers
ca. 1808–12
The Martyrdom of Saint Paul, Taddeo Zuccaro Italian, Pen and brown and gray ink, brown wash, over black chalk, heightened with white, on buff paper.
The Martyrdom of Saint Paul
Taddeo Zuccaro
ca. 1557–58
Jesus on the Cross, volume 2, plate 65 from "Monuments des Arts du Dessin"
Multiple artists/makers
1829
Christ and the Twelve Apostles, Taddeo di Bartolo Italian, Tempera on wood, gold ground
Christ and the Twelve Apostles
Taddeo di Bartolo
ca. 1400
The Trinity, Agnolo Gaddi Italian, Tempera on wood, gold ground
The Trinity
Agnolo Gaddi
ca. 1390–96
Saint Margaret and the Dragon, Agnolo Gaddi Italian, Tempera on wood, gold ground
Saint Margaret and the Dragon
Agnolo Gaddi
ca. 1390
Head of an Angel in Full Face, Taddeo di Bartolo Italian, Tempera on wood (paint around head scraped away and vacant area gessoed)
Head of an Angel in Full Face
Taddeo di Bartolo
ca. 1415–18
Head of the Virgin, Taddeo di Bartolo Italian, Tempera on wood (paint around head scraped away and vacant area gessoed)
Head of the Virgin
Taddeo di Bartolo
ca. 1415–18
Head of an Angel in Left Profile, Taddeo di Bartolo Italian, Tempera on wood (paint around head scraped away and vacant area gessoed)
Head of an Angel in Left Profile
Taddeo di Bartolo
ca. 1415–18
Joseph and Potiphar's Wife, Taddeo Zuccaro Italian, Pen and brown ink, brush and brown wash, highlighted with white gouache, over traces of black chalk, on blue paper; traces of framing lines in pen and brown ink along upper and right borders
Joseph and Potiphar's Wife
Taddeo Zuccaro
ca. 1550
Studies for a Circular Composition of Diana and Her Nymphs Bathing (recto); Studies for the Same Composition (verso), Taddeo Zuccaro Italian, Pen and brown ink, brush and brown wash
Studies for a Circular Composition of Diana and Her Nymphs Bathing (recto); Studies for the Same Composition (verso)
Taddeo Zuccaro
1529–66
Standing Nude Man (recto); Three Studies of Soldiers (verso), Taddeo Zuccaro Italian, Red chalk, highlighted with traces of white gouache (recto); red chalk (verso)
Standing Nude Man (recto); Three Studies of Soldiers (verso)
Taddeo Zuccaro
1550
Group of Six Reclining Nude Women (Nymphs Bathing) (recto); Sketch of a Leg (verso), Taddeo Zuccaro Italian, Pen and brown ink, brush and brown wash, traces of red chalk (recto), red chalk (verso)
Group of Six Reclining Nude Women (Nymphs Bathing) (recto); Sketch of a Leg (verso)
Taddeo Zuccaro
1529–66
Study for the Armistice between King Francis I of France and Emperor Charles V, fresco in the Palazzo Farnese, Caprarola, Taddeo Zuccaro Italian, Pen and brown ink, brush and brown wash, over black chalk
Study for the Armistice between King Francis I of France and Emperor Charles V, fresco in the Palazzo Farnese, Caprarola
Taddeo Zuccaro
16th century
Design for a Cartouche with a Religious Subject in the Central Compartment, Taddeo Zuccaro Italian, Pen and brown ink, brush and brown wash, over leadpoint (?)
Design for a Cartouche with a Religious Subject in the Central Compartment
Taddeo Zuccaro
Federico Zuccaro (Zuccari)
16th century
Roman Triumph, Taddeo Zuccaro Italian, Pen and brown ink, brush and brown wash
Roman Triumph
Taddeo Zuccaro
16th century
Saint Paul Restoring Eutychus to Life, Taddeo Zuccaro Italian, Pen and brown ink, brush and brown wash, heightened with white gouache, over black chalk, on gray paper
Saint Paul Restoring Eutychus to Life
Taddeo Zuccaro
1529–66
Standing Prophet in a Niche, Holding a Book, Taddeo Zuccaro Italian, Pen and brown ink, brush and brown wash, over black chalk
Standing Prophet in a Niche, Holding a Book
Taddeo Zuccaro
1529–66
The Sea Battle in the Gulf of Morbihan, Taddeo Zuccaro Italian, Brush and red wash, highlighted with white gouache, over black chalk, and some compass construction
The Sea Battle in the Gulf of Morbihan
Taddeo Zuccaro
16th century
The Birth of Christ, who is held by the Virgin against a penumbra of light, adoring angels, and Joseph leading a donkey at left , Cherubino Alberti (Zaccaria Mattia) Italian, Engraving

The Birth of Christ, who is held by the Virgin against a penumbra of light, adoring angels, and Joseph leading a donkey at left

Cherubino Alberti (Zaccaria Mattia)
Taddeo Zuccaro
1570–1615
Assumption of the Virgin, Aliprando Caprioli Italian, Engraving
Assumption of the Virgin
Aliprando Caprioli
Taddeo Zuccaro
1574–99
Spring (Primavera) represented as a woman bearing a billowing drape and garlands, a spandrel-shaped composition from "The Four Seasons", Cherubino Alberti (Zaccaria Mattia) Italian, Engraving
Spring (Primavera) represented as a woman bearing a billowing drape and garlands, a spandrel-shaped composition from "The Four Seasons"
Cherubino Alberti (Zaccaria Mattia)
Taddeo Zuccaro
ca. 1570–1615
Summer (Estate), represented as a robed woman bearing a horn of plenty, a spandrel-shaped composition from "The Four Seasons", Cherubino Alberti (Zaccaria Mattia) Italian, Engraving
Summer (Estate), represented as a robed woman bearing a horn of plenty, a spandrel-shaped composition from "The Four Seasons"
Cherubino Alberti (Zaccaria Mattia)
Taddeo Zuccaro
ca. 1570–1615
Autumn (Autumnus), represented as a seated male figure bearing grapes in his right hand and a lidded vessel in his left hand, with a billowing drape and grape wreath, a spandrel-shaped composition from "The Four Seasons", Cherubino Alberti (Zaccaria Mattia) Italian, Engraving
Autumn (Autumnus), represented as a seated male figure bearing grapes in his right hand and a lidded vessel in his left hand, with a billowing drape and grape wreath, a spandrel-shaped composition from "The Four Seasons"
Cherubino Alberti (Zaccaria Mattia)
Taddeo Zuccaro
ca. 1570–1615
Winter (Hyems), represented as a seated man crossing his arms across his chest, a spandrel-shaped composition from "The Four Seasons", Cherubino Alberti (Zaccaria Mattia) Italian, Engraving
Winter (Hyems), represented as a seated man crossing his arms across his chest, a spandrel-shaped composition from "The Four Seasons"
Cherubino Alberti (Zaccaria Mattia)
Taddeo Zuccaro
ca. 1570–1615
Quarter Plan for a Coved Ceiling, Antenore Ridolfi Italian, Pen and brown ink, brush and two shades of brown and gray wash, and turquoise and green watercolor, over traces of red chalk
Quarter Plan for a Coved Ceiling
Antenore Ridolfi
Taddeo Zuccaro
ca. 1561
The Conversion of Saint Paul with God the Father and Angels above , Cherubino Alberti (Zaccaria Mattia) Italian, Engraving; second state of two (Bartsch)

The Conversion of Saint Paul with God the Father and Angels above

Multiple artists/makers
1575
Holy Family with St Anne and St John the Baptist
Cornelis Cort
Taddeo Zuccaro
1569
The Lamentation
Cornelis Cort
Taddeo Zuccaro
1567
The Presentation of the Virgin in the Temple
Cornelis Cort
Taddeo Zuccaro
1570
The Presentation of the Virgin in the Temple
Cornelis Cort
Taddeo Zuccaro
1570
Wilton album, folio 51: A Pagan Religious Ceremony; eight male figures standing around a flaming altar, the figure on the right pouring libations on the flames
Bartolomeo Passerotti
Taddeo Zuccaro
1550–60
The Coronation of the Virgin with St Lawrence, St Paul, St Peter and St Sixtus, Cornelis Cort Netherlandish, Engraving
The Coronation of the Virgin with St Lawrence, St Paul, St Peter and St Sixtus
Multiple artists/makers
1576
Prophet from the Old Testament
Multiple artists/makers
ca. 1760–90
The Presentation of the Virgin in the Temple
Multiple artists/makers
1570
Holy Family with Saint Anne and Saint John the Baptist
Multiple artists/makers
after 1569
The Birth of Mary
Multiple artists/makers
1568
Alexander the Great freeing Timoclea; from 'Recueil d'estampes d'après les plus beaux tableaux et d'après les plus beaux desseins qui sont en France, Cabinet Crozat', Anne Claude Philippe de Tubières, comte de Caylus French, Etching and aquatint with tone woodblock
Alexander the Great freeing Timoclea; from 'Recueil d'estampes d'après les plus beaux tableaux et d'après les plus beaux desseins qui sont en France, Cabinet Crozat'
Multiple artists/makers
ca. 1729–40