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Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

Showing 161 results for Taddeo Zuccaro

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The Martyrdom of Saint Paul, Taddeo Zuccaro Italian, Pen and brown and gray ink, brown wash, over black chalk, heightened with white, on buff paper. — The Martyrdom of Saint Paul
Taddeo Zuccaro
ca. 1557–58

Design for a Cartouche with a Religious Subject in the Central Compartment, Taddeo Zuccaro Italian, Pen and brown ink, brush and brown wash, over leadpoint (?) — Design for a Cartouche with a Religious Subject in the Central Compartment
Taddeo Zuccaro
Federico Zuccaro (Zuccari)
16th century

Standing Nude Man (recto); Three Studies of Soldiers (verso), Taddeo Zuccaro Italian, Red chalk, highlighted with traces of white gouache (recto); red chalk (verso) — Standing Nude Man (recto); Three Studies of Soldiers (verso)
Taddeo Zuccaro
1550

Standing Prophet in a Niche, Holding a Book, Taddeo Zuccaro Italian, Pen and brown ink, brush and brown wash, over black chalk — Standing Prophet in a Niche, Holding a Book
Taddeo Zuccaro
1529–66

Saint Paul Restoring Eutychus to Life, Taddeo Zuccaro Italian, Pen and brown ink, brush and brown wash, heightened with white gouache, over black chalk, on gray paper — Saint Paul Restoring Eutychus to Life
Taddeo Zuccaro
1529–66

Studies for a Circular Composition of Diana and Her Nymphs Bathing (recto); Studies for the Same Composition (verso), Taddeo Zuccaro Italian, Pen and brown ink, brush and brown wash — Studies for a Circular Composition of Diana and Her Nymphs Bathing (recto); Studies for the Same Composition (verso)
Taddeo Zuccaro
1529–66

Study for the Armistice between King Francis I of France and Emperor Charles V, fresco in the Palazzo Farnese, Caprarola, Taddeo Zuccaro Italian, Pen and brown ink, brush and brown wash, over black chalk — Study for the Armistice between King Francis I of France and Emperor Charles V, fresco in the Palazzo Farnese, Caprarola
Taddeo Zuccaro
16th century

Joseph and Potiphar's Wife, Taddeo Zuccaro Italian, Pen and brown ink, brush and brown wash, highlighted with white gouache, over traces of black chalk, on blue paper; traces of framing lines in pen and brown ink along upper and right borders — Joseph and Potiphar's Wife
Taddeo Zuccaro
ca. 1550

The Sea Battle in the Gulf of Morbihan, Taddeo Zuccaro Italian, Brush and red wash, highlighted with white gouache, over black chalk, and some compass construction — The Sea Battle in the Gulf of Morbihan
Taddeo Zuccaro
16th century

Group of Six Reclining Nude Women (Nymphs Bathing) (recto); Sketch of a Leg (verso), Taddeo Zuccaro Italian, Pen and brown ink, brush and brown wash, traces of red chalk (recto), red chalk (verso) — Group of Six Reclining Nude Women (Nymphs Bathing) (recto); Sketch of a Leg (verso)
Taddeo Zuccaro
1529–66

Roman Triumph, Taddeo Zuccaro Italian, Pen and brown ink, brush and brown wash — Roman Triumph
Taddeo Zuccaro
16th century

Assumption of the Virgin, Aliprando Caprioli Italian, Engraving — Assumption of the Virgin
Aliprando Caprioli
Taddeo Zuccaro
1574–99

Quarter Plan for a Coved Ceiling, Antenore Ridolfi Italian, Pen and brown ink, brush and two shades of brown and gray wash, and turquoise and green watercolor, over traces of red chalk — Quarter Plan for a Coved Ceiling
Antenore Ridolfi
Taddeo Zuccaro
ca. 1561

Spring (Primavera) represented as a woman bearing a billowing drape and garlands, a spandrel-shaped composition from "The Four Seasons", Cherubino Alberti (Zaccaria Mattia) Italian, Engraving — Spring (Primavera) represented as a woman bearing a billowing drape and garlands, a spandrel-shaped composition from "The Four Seasons"
Cherubino Alberti (Zaccaria Mattia)
Taddeo Zuccaro
ca. 1570–1615

Summer (Estate), represented as a robed woman bearing a horn of plenty, a spandrel-shaped composition from "The Four Seasons", Cherubino Alberti (Zaccaria Mattia) Italian, Engraving — Summer (Estate), represented as a robed woman bearing a horn of plenty, a spandrel-shaped composition from "The Four Seasons"
Cherubino Alberti (Zaccaria Mattia)
Taddeo Zuccaro
ca. 1570–1615

Autumn (Autumnus), represented as a seated male figure bearing grapes in his right hand and a lidded vessel in his left hand, with a billowing drape and grape wreath, a spandrel-shaped composition from "The Four Seasons", Cherubino Alberti (Zaccaria Mattia) Italian, Engraving — Autumn (Autumnus), represented as a seated male figure bearing grapes in his right hand and a lidded vessel in his left hand, with a billowing drape and grape wreath, a spandrel-shaped composition from "The Four Seasons"
Cherubino Alberti (Zaccaria Mattia)
Taddeo Zuccaro
ca. 1570–1615

Winter (Hyems), represented as a seated man crossing his arms across his chest, a spandrel-shaped composition from "The Four Seasons", Cherubino Alberti (Zaccaria Mattia) Italian, Engraving — Winter (Hyems), represented as a seated man crossing his arms across his chest, a spandrel-shaped composition from "The Four Seasons"
Cherubino Alberti (Zaccaria Mattia)
Taddeo Zuccaro
ca. 1570–1615

The Birth of Christ, who is held by the Virgin against a penumbra of light, adoring angels, and Joseph leading a donkey at left

, Cherubino Alberti (Zaccaria Mattia) Italian, Engraving — The Birth of Christ, who is held by the Virgin against a penumbra of light, adoring angels, and Joseph leading a donkey at left
Cherubino Alberti (Zaccaria Mattia)
Taddeo Zuccaro
1570–1615

The Conversion of Saint Paul with God the Father and Angels above
, Cherubino Alberti (Zaccaria Mattia) Italian, Engraving; second state of two (Bartsch) — The Conversion of Saint Paul with God the Father and Angels above
Multiple artists/makers
1575

The Presentation of the Virgin in the Temple

Cornelis Cort

Taddeo Zuccaro

1570

The Presentation of the Virgin in the Temple

Cornelis Cort

Taddeo Zuccaro

1570

Holy Family with St Anne and St John the Baptist

Cornelis Cort

Taddeo Zuccaro

1569

The Lamentation

Cornelis Cort

Taddeo Zuccaro

1567

Wilton album, folio 51: A Pagan Religious Ceremony; eight male figures standing around a flaming altar, the figure on the right pouring libations on the flames

Bartolomeo Passerotti

Taddeo Zuccaro

1550–60

The Coronation of the Virgin with St Lawrence, St Paul, St Peter and St Sixtus, Cornelis Cort Netherlandish, Engraving — The Coronation of the Virgin with St Lawrence, St Paul, St Peter and St Sixtus
Multiple artists/makers
1576

The Presentation of the Virgin in the Temple

Multiple artists/makers

1570

Madonna and Child Enthroned with Saints, Taddeo Gaddi Italian, Tempera on wood, gold ground — Madonna and Child Enthroned with Saints
Taddeo Gaddi
ca. 1340, updated ca. 1480

The Birth of Mary

Multiple artists/makers

1568

Holy Family with Saint Anne and Saint John the Baptist

Multiple artists/makers

after 1569

Alexander the Great freeing Timoclea; from 'Recueil d'estampes d'après les plus beaux tableaux et d'après les plus beaux desseins qui sont en France, Cabinet Crozat', Anne Claude Philippe de Tubières, comte de Caylus French, Etching and aquatint with tone woodblock — Alexander the Great freeing Timoclea; from 'Recueil d'estampes d'après les plus beaux tableaux et d'après les plus beaux desseins qui sont en France, Cabinet Crozat'
Multiple artists/makers
ca. 1729–40

The Coronation of the Virgin with St Lawrence, St Paul, St Peter and St Sixtus

Multiple artists/makers

1576

Wilton album, folio 11c: Joseph and the Wife of Potiphar; Joseph on the right extricating himself from the woman's embrace

Multiple artists/makers

1600–1650

Christ and the Twelve Apostles, Taddeo di Bartolo Italian, Tempera on wood, gold ground — Christ and the Twelve Apostles
Taddeo di Bartolo
ca. 1400

The Coronation of the Virgin with St Lawrence, St Paul, St Peter and St Sixtus

Multiple artists/makers

1576

Adoration of the Shepherds, volume 2, plate 107 from "Monuments des Arts du Dessin"

Multiple artists/makers

1829

Illustri Fatti Farnesiani Coloriti Nel Real Palazzo di Caprarola

Multiple artists/makers

1748

Saint Julian, Taddeo Gaddi Italian, Tempera on wood, gold ground — Saint Julian
Taddeo Gaddi
1340s

Head of an Angel in Full Face, Taddeo di Bartolo Italian, Tempera on wood (paint around head scraped away and vacant area gessoed) — Head of an Angel in Full Face
Taddeo di Bartolo
ca. 1397

Head of the Virgin, Taddeo di Bartolo Italian, Tempera on wood (paint around head scraped away and vacant area gessoed) — Head of the Virgin
Taddeo di Bartolo
ca. 1397

Head of an Angel in Left Profile

Taddeo di Bartolo

ca. 1397