Search the collection

Filter By

Object Type / Material
Geographic Location
Department
Date
Show Only:
  • As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
    APIPublic domain data for this object can also be accessed using the Met's Open Access API
  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
Showing 161 results for Taddeo Zuccaro
Sort by:
The Martyrdom of Saint Paul, Taddeo Zuccaro  Italian, Pen and brown and gray ink, brown wash, over black chalk, heightened with white, on buff paper.
Taddeo Zuccaro
ca. 1557–58
Design for a Cartouche with a Religious Subject in the Central Compartment, Taddeo Zuccaro  Italian, Pen and brown ink, brush and brown wash, over leadpoint (?)
Taddeo Zuccaro
Federico Zuccaro (Zuccari)
16th century
Standing Nude Man (recto); Three Studies of Soldiers (verso), Taddeo Zuccaro  Italian, Red chalk, highlighted with traces of white gouache (recto); red chalk (verso)
Taddeo Zuccaro
1550
Standing Prophet in a Niche, Holding a Book, Taddeo Zuccaro  Italian, Pen and brown ink, brush and brown wash, over black chalk
Taddeo Zuccaro
1529–66
Saint Paul Restoring Eutychus to Life, Taddeo Zuccaro  Italian, Pen and brown ink, brush and brown wash, heightened with white gouache, over black chalk, on gray  paper
Taddeo Zuccaro
1529–66
Studies for a Circular Composition of Diana and Her Nymphs Bathing (recto); Studies for the Same Composition (verso), Taddeo Zuccaro  Italian, Pen and brown ink, brush and brown wash
Taddeo Zuccaro
1529–66
Study for the Armistice between King Francis I of France and Emperor Charles V, fresco in the Palazzo Farnese, Caprarola, Taddeo Zuccaro  Italian, Pen and brown ink, brush and brown wash, over black chalk
Taddeo Zuccaro
16th century
Joseph and Potiphar's Wife, Taddeo Zuccaro  Italian, Pen and brown ink, brush and brown wash, highlighted with white gouache, over traces of black chalk, on blue paper; traces of framing lines in pen and brown ink along upper and right borders
Taddeo Zuccaro
ca. 1550
The Sea Battle in the Gulf of Morbihan, Taddeo Zuccaro  Italian, Brush and red wash, highlighted with white gouache, over black chalk, and some compass construction
Taddeo Zuccaro
16th century
Group of Six Reclining Nude Women (Nymphs Bathing) (recto); Sketch of a Leg (verso), Taddeo Zuccaro  Italian, Pen and brown ink, brush and brown wash, traces of red chalk (recto), red chalk (verso)
Taddeo Zuccaro
1529–66
Roman Triumph, Taddeo Zuccaro  Italian, Pen and brown ink, brush and brown wash
Taddeo Zuccaro
16th century
Assumption of the Virgin, Aliprando Caprioli  Italian, Engraving
Aliprando Caprioli
Taddeo Zuccaro
1574–99
Quarter Plan for a Coved Ceiling, Antenore Ridolfi  Italian, Pen and brown ink, brush and two shades of brown and gray wash, and turquoise and green watercolor, over traces of red chalk
Antenore Ridolfi
Taddeo Zuccaro
ca. 1561
Spring (Primavera) represented as a woman bearing a billowing drape and garlands, a spandrel-shaped composition from "The Four Seasons", Cherubino Alberti (Zaccaria Mattia)  Italian, Engraving
Cherubino Alberti (Zaccaria Mattia)
Taddeo Zuccaro
ca. 1570–1615
Summer (Estate), represented as a robed woman bearing a horn of plenty, a spandrel-shaped composition from "The Four Seasons", Cherubino Alberti (Zaccaria Mattia)  Italian, Engraving
Cherubino Alberti (Zaccaria Mattia)
Taddeo Zuccaro
ca. 1570–1615
Autumn (Autumnus), represented as a seated male figure bearing grapes in his right hand and a lidded vessel in his left hand, with a billowing drape and grape wreath, a spandrel-shaped composition from "The Four Seasons", Cherubino Alberti (Zaccaria Mattia)  Italian, Engraving
Cherubino Alberti (Zaccaria Mattia)
Taddeo Zuccaro
ca. 1570–1615
Winter (Hyems), represented as a seated man crossing his arms across his chest, a spandrel-shaped composition from "The Four Seasons", Cherubino Alberti (Zaccaria Mattia)  Italian, Engraving
Cherubino Alberti (Zaccaria Mattia)
Taddeo Zuccaro
ca. 1570–1615
The Birth of Christ, who is held by the Virgin against a penumbra of light, adoring angels, and Joseph leading a donkey at left

, Cherubino Alberti (Zaccaria Mattia)  Italian, Engraving
Cherubino Alberti (Zaccaria Mattia)
Taddeo Zuccaro
1570–1615
The Conversion of Saint Paul with God the Father and Angels above
, Cherubino Alberti (Zaccaria Mattia)  Italian, Engraving; second state of two (Bartsch)
Multiple artists/makers
1575
Cornelis Cort
Taddeo Zuccaro
1570
Cornelis Cort
Taddeo Zuccaro
1570
Cornelis Cort
Taddeo Zuccaro
1569
Cornelis Cort
Taddeo Zuccaro
1567
Bartolomeo Passerotti
Taddeo Zuccaro
1550–60
The Coronation of the Virgin with St Lawrence, St Paul, St Peter and St Sixtus, Cornelis Cort  Netherlandish, Engraving
Multiple artists/makers
1576
Multiple artists/makers
1570
Madonna and Child Enthroned with Saints, Taddeo Gaddi  Italian, Tempera on wood, gold ground
Taddeo Gaddi
ca. 1340, updated ca. 1480
Multiple artists/makers
1568
Multiple artists/makers
after 1569
Alexander the Great freeing Timoclea; from 'Recueil d'estampes d'après les plus beaux tableaux et d'après les plus beaux desseins qui sont en France, Cabinet Crozat', Anne Claude Philippe de Tubières, comte de Caylus  French, Etching and aquatint with tone woodblock
Multiple artists/makers
ca. 1729–40
Multiple artists/makers
1576
Multiple artists/makers
1600–1650
Christ and the Twelve Apostles, Taddeo di Bartolo  Italian, Tempera on wood, gold ground
Taddeo di Bartolo
ca. 1400
Multiple artists/makers
1576
Multiple artists/makers
1829
Multiple artists/makers
1748
Saint Julian, Taddeo Gaddi  Italian, Tempera on wood, gold ground
Taddeo Gaddi
1340s
Head of an Angel in Full Face, Taddeo di Bartolo  Italian, Tempera on wood (paint around head scraped away and vacant area gessoed)
Taddeo di Bartolo
ca. 1397
Head of the Virgin, Taddeo di Bartolo  Italian, Tempera on wood (paint around head scraped away and vacant area gessoed)
Taddeo di Bartolo
ca. 1397
Head of an Angel in Left Profile, Taddeo di Bartolo  Italian, Tempera on wood (paint around head scraped away and vacant area gessoed)
Taddeo di Bartolo
ca. 1397