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Queen Charlotte, Thomas Gainsborough  British, Oil on canvas
Thomas Gainsborough
Wooded Upland Landscape, Thomas Gainsborough  British, Oil on canvas
Thomas Gainsborough
probably 1783
A Boy with a Cat—Morning, Thomas Gainsborough  British, Oil on canvas
Thomas Gainsborough
1787
Charles Rousseau Burney (1747–1819), Thomas Gainsborough  British, Oil on canvas
Thomas Gainsborough
ca. 1780
The Painter's Daughter Mary (1750–1826), Thomas Gainsborough  British, Oil on canvas
Copy after Thomas Gainsborough
mid-19th century
Wooded Landscape with a Man Crossing a Bridge, Thomas Gainsborough  British, Black and white chalk, brush and gray ink, gray wash and with body color on tan paper
Thomas Gainsborough
early 1780s
Portrait of a young woman seated, Thomas Gainsborough  British, Black chalk with touches of red wash
Thomas Gainsborough
ca. 1760
Wooded Landscape with Herdsmen and Cows, Thomas Gainsborough  British, Aquatint (sugar-lift process), printed in brown ink
Thomas Gainsborough
Publisher Republished by John & Josiah Boydell
August 1, 1797
Mountain Landscape with a Castle and a Boatman, Thomas Gainsborough  British, Black and white chalk with stumping on blue wove paper
Thomas Gainsborough
mid-to-late 1780s
Mountain Landscape with Figures and Buildings, Thomas Gainsborough  British, Black and white chalk with stumping, on blue-gray paper
Thomas Gainsborough
mid-to-late 1780s
A clump of trees, Thomas Gainsborough  British, Graphite, brush and gray wash
Thomas Gainsborough
ca. 1757
Wooded Landscape with Riders, Thomas Gainsborough  British, Aquatint; second state of two
Thomas Gainsborough
Publisher Republished by John & Josiah Boydell
August 1, 1797
Wooded Landscape with Figures and Cows at a Watering Place (The Watering Place), Thomas Gainsborough  British, Soft-ground etching with aquatint; second state of two
Thomas Gainsborough
Publisher John & Josiah Boydell
August 1, 1797
Landscape, Thomas Gainsborough  British, Soft-ground etching on blue paper with touches of white chalk
After Thomas Gainsborough
18th–19th century
Wooded Landscape with Herdsmen Driving Cattle over a Bridge, Rustic Lovers and Ruined Castle, Thomas Gainsborough  British, Hand-colored soft-ground etching and aquatint; third state of three
Thomas Gainsborough
Publisher Republished by John & Josiah Boydell
1797
Wooded Landscape with Peasant Reading Tombstone, Rustic Lovers and Ruined Church, Thomas Gainsborough  British, Hand-colored soft-ground etching and aquatint; fourth state of four
Thomas Gainsborough
Publisher Republished by John & Josiah Boydell
August 1, 1797
Wooded Landscape with Two Country Carts and Figures, Thomas Gainsborough  British, Hand-colored soft-ground etching and aquatint; second state of two
Thomas Gainsborough
Publisher Republished by John & Josiah Boydell
August 1, 1797
Wooded Landscape with a Peasant Reading a Tombstone, Rustic Lovers and a Ruined Church, Thomas Gainsborough  British, Soft-ground etching; third state
Thomas Gainsborough
Publisher Republished by John & Josiah Boydell
August 1, 1797
Wooded Landscape with Herdsmen and Cows, Thomas Gainsborough  British, Aquatint with soft-ground etching, printed in gray ink; third state of three
Thomas Gainsborough
Publisher John & Josiah Boydell
August 1, 1797
Wooded Landscape with Two Country Carts and Figures, Thomas Gainsborough  British, Soft-ground etching, printed in gray ink; second state of two
Thomas Gainsborough
Publisher John & Josiah Boydell
August 1, 1797
Landscape with cattle and figures; sketch for the Rustic Courtship, Gainsborough Dupont  British, Graphite
Gainsborough Dupont
Formerly attributed to Thomas Gainsborough
1755–97
Master Rees Goring Thomas, Ralph Earl  American, Oil on canvas, American
Attributed to Ralph Earl
ca. 1783–84
Wooded Scene With Figures at the Door of a Cottage, Thomas Rowlandson  British, Soft-ground etching and aquatint
Etcher Thomas Rowlandson
After Thomas Gainsborough
1783–88
Shore scene with cattle, boats in shallow water behind, or, Cattle, River side, Thomas Rowlandson  British, Soft-ground etching with aquatint
Etcher Thomas Rowlandson
After Thomas Gainsborough
1783–89
Landscape with Figures, George Frost  British, Graphite, brush and gray wash
Possibly by George Frost
Formerly attributed to Thomas Gainsborough
18th or early 19th century
Man in a Green Coat, Gilbert Stuart  American, Oil on canvas, American
Gilbert Stuart
ca. 1779–85
Octagonal box with arms of Henry Somerset-Scudamore, 3rd Duke of Beaufort (1707–1745), John White  British, Gilded silver, British, London
John White
Engraver Engraving attributed to Charles Gardiner
1729