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1-42 of 253 results for Tommaso Mercandetti
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In Honor of the Poet Metastasio
Tommaso Mercandetti
19th century
Man of Sorrows, Niccolò di Tommaso Italian, Fresco transferred to canvas, Italian
Man of Sorrows
Niccolò di Tommaso
ca. 1370
Boy holding a dog, Tommaso Fiamberti, Marble (Verde di Prato), Italian, Florence
Boy holding a dog
Tommaso Fiamberti
late 15th century
Portrait of a Man, Tommaso Fiorentino (Tommaso di Stefano Lunetti) Italian, Oil on wood
Portrait of a Man
Tommaso Fiorentino (Tommaso di Stefano Lunetti)
1521
The Betrayal of Christ, Bartolomeo di Tommaso Italian, Tempera on wood
The Betrayal of Christ
Bartolomeo di Tommaso
ca. 1445–50
The Lamentation and the Entombment, Bartolomeo di Tommaso Italian, Tempera on wood, gold ground
The Lamentation and the Entombment
Bartolomeo di Tommaso
ca. 1445–50
Frescoes from the Villa Stati-Mattei, Baldassarre Tommaso Peruzzi Italian, Fresco, transferred to canvas
Frescoes from the Villa Stati-Mattei
Baldassarre Tommaso Peruzzi
Portrait of an Olivetan Monk, Baldassarre Tommaso Peruzzi Italian, Oil on canvas
Portrait of an Olivetan Monk
Baldassarre Tommaso Peruzzi
The Entombment, Tommaso Piroli Italian, Engraving
The Entombment
Tommaso Piroli
Caravaggio (Michelangelo Merisi)
1772–1824
Last Judgment, after Michelangelo, Tommaso Piroli Italian, Ink and graphite
Last Judgment, after Michelangelo
Tommaso Piroli
Michelangelo Buonarroti
1752–1824
The Adoration of the Shepherds, Tommaso Minardi Italian, Pen and brown ink, brush and brown wash, over graphite
The Adoration of the Shepherds
Tommaso Minardi
1837
Tasso Contemplating Beauty, Tommaso Minardi Italian, Watercolor, pen and brown ink, over graphite; framing lines in pen and brown ink
Tasso Contemplating Beauty
Tommaso Minardi
1823
Seated John the Baptist with a Lamb in a Landscape, Tommaso Minardi Italian, Pen and brown ink, brush and pale brown wash
Seated John the Baptist with a Lamb in a Landscape
Tommaso Minardi
1787–1871
The Virgin and Child with the Infant John the Baptist and a Lamb in a Landscape, Tommaso Minardi Italian, Pen and brown ink, brush and pale brown wash
The Virgin and Child with the Infant John the Baptist and a Lamb in a Landscape
Tommaso Minardi
1787–1871
Hercules chasing Avarice from the Temple of the Muses, Ugo da Carpi Italian, Chiaroscuro woodcut from two blocks in green
Hercules chasing Avarice from the Temple of the Muses
Ugo da Carpi
Baldassarre Tommaso Peruzzi
ca. 1520–27
Design for an Elaborate Barrel-Vaulted Chapel, Baldassarre Tommaso Peruzzi Italian, Pen and brown ink, over graphite; ruler and compass construction
Design for an Elaborate Barrel-Vaulted Chapel
Baldassarre Tommaso Peruzzi
1481–1536
Crouching Figure of Atlas, Baldassarre Tommaso Peruzzi Italian, Pen and brown ink, over leadpoint or black chalk
Crouching Figure of Atlas
Baldassarre Tommaso Peruzzi
1501–36
A Tumultuous Assembly. Numerical Sensibility (Une Assemblée tumultueuse. Sensibilité numérique), from "Les mots en liberté futuristes", Filippo Tommaso Marinetti Italian, Letterpress
A Tumultuous Assembly. Numerical Sensibility (Une Assemblée tumultueuse. Sensibilité numérique), from "Les mots en liberté futuristes"
Filippo Tommaso Marinetti
Milano: Edizioni Futuriste di "Poesia"
1919
Study for a Colonnade in Perspective, Baldassarre Tommaso Peruzzi , or workshop Italian, Pen and brown ink, over an armature of leadpoint, ruling, pin-pricks and compass work, on six fragments of paper
Study for a Colonnade in Perspective
Baldassarre Tommaso Peruzzi
ca. 1530
Design for the Right-hand Section of the Tomb of Cardinal Francesco Armellini, Baldassarre Tommaso Peruzzi or workshop Italian, Pen and brown ink, over faint traces of leadpoint, or black chalk, and stylus-ruling
Design for the Right-hand Section of the Tomb of Cardinal Francesco Armellini
Baldassarre Tommaso Peruzzi
ca. 1523–27
In the Evening, Lying on Her Bed, She Reread the Letter from Her Artilleryman at the Front (Le Soir, couchée dans son lit, elle relisait la lettre de son artilleur au front), from "Les Mots en liberté futuristes", Filippo Tommaso Marinetti Italian, Letterpress
In the Evening, Lying on Her Bed, She Reread the Letter from Her Artilleryman at the Front (Le Soir, couchée dans son lit, elle relisait la lettre de son artilleur au front), from "Les Mots en liberté futuristes"
Filippo Tommaso Marinetti
Milano: Edizioni Futuriste di "Poesia"
created 1917, published 1919
Two Friezes with Moresque Designs
Tommaso Barlacchi
Master F
ca. 1530–45
Frieze with a Moresque Pattern
Tommaso Barlacchi
Master F
ca. 1530–45
The Entombment
Tommaso Piroli
Caravaggio (Michelangelo Merisi)
1770–73
St. John the Evangelist
Multiple artists/makers
1750–1800
Venus Mourning the Death of Adonis
Tommaso Piroli
Guercino (Giovanni Francesco Barbieri)
ca. 1772–1824
(XXIV) Peintures de la Sala Borgia au Vatican de l'invention de Raphael recueilles par les Piranesi et Dessinées par Thomas Piroli, Paris (Pietro and Francesco Piranesi and Leblanc) and Rome (Piroli) (1803); (XXV) Peintures de la Villa Lante, à Rome, de l'Invention de Jules Romain, Recueillies par les Piranesi, et Dessinées par Thomas Piroli, Paris (Pietro and Francesco Piranesi and Leblanc) and Rome (Piroli) (1803); Peintures du Cabinet de Jules II, au Vatican de l'Invention de Raphael, Recueillies par les Piranesi, et Dessinées par Thomas Piroli, Paris (Pietro and Francesco Piranesi and Leblanc) and Rome (Piroli) (1804); La fable de Psyché; (XXVI) Peintures de la Ville Altoviti à Rome, inventées par Michelange, Peintes par Giorgio Vasari et Gravées par Thomas Piroli. faisant partie de la Calcographie Piranesi (1807)
Multiple artists/makers
1803–07
L'Isole piu famose del Mondo
Multiple artists/makers
1576
Esequie della Maesta Caesarea Dell'Imperatore Leopoldo I
Multiple artists/makers
1705
Funerali Antichi di diversi Popoli, et Nationi...
Multiple artists/makers
1574
Entombment, after Caravaggio, plate 25 from "Raccolta di Alcuni Disegni del Barberi da Cento detto il Guernico, incisi in Rame, e presentati al singolar merito del Sig. Tommaso Jenkins pittore, ed accademico di S. Luca, in atto di respetto e d'amicizia dall'architetto e suo coaccademio: Gio. Battista Piranesi" (Collection of several drawings after Barbieri da Cento (known as Guercino) etched on copper and presented to Thomas Jenkins, painter and member of the Academy of St. Luke, out of respect and friendship from his fellow member, the architect Gio. Battista Piranesi)
Multiple artists/makers
1764
Venus Distraught over the Death of Adonis, plate 28 from "Raccolta di Alcuni Disegni del Barberi da Cento detto il Guernico, incisi in Rame, e presentati al singolar merito del Sig. Tommaso Jenkins pittore, ed accademico di S. Luca, in atto di respetto e d'amicizia dall'architetto e suo coaccademio: Gio. Battista Piranesi" (Collection of several drawings after Barbieri da Cento (known as Guercino) etched on copper and presented to Thomas Jenkins, painter and member of the Academy of St. Luke, out of respect and friendship from his fellow member, the architect Gio. Battista Piranesi)
Multiple artists/makers
1764
Chariot of Jupiter (Char de Jupiter), plate 3 from "Peintures de la Sala Borgia au Vatican de l'invention de Raphael recueilles par les Piranesi et Dessinées par Thomas Piroli" (Paintings from the Sala Borgia in the Vatican by Raphael)
Multiple artists/makers
1803
Chariot of Venus (Char de Venus), plate 4 from "Peintures de la Sala Borgia au Vatican de l'invention de Raphael recueilles par les Piranesi et Dessinées par Thomas Piroli" (Paintings from the Sala Borgia in the Vatican by Raphael)
Multiple artists/makers
1803
Chariot of Mars (Char de Mars), plate 5 from "Peintures de la Sala Borgia au Vatican de l'invention de Raphael recueilles par les Piranesi et Dessinées par Thomas Piroli" (Paintings from the Sala Borgia in the Vatican by Raphael)
Multiple artists/makers
1803
Chariot of Mercury (Char de Mercure), plate 6 from "Peintures de la Sala Borgia au Vatican de l'invention de Raphael recueilles par les Piranesi et Dessinées par Thomas Piroli" (Paintings from the Sala Borgia in the Vatican by Raphael)
Multiple artists/makers
1803
The eight other Signs of the Zodiac, with Cancer represented as a crab, rather than as a crayfish, plate 12 from "Peintures de la Sala Borgia au Vatican de l'invention de Raphael recueilles par les Piranesi et Dessinées par Thomas Piroli" (Paintings from the Sala Borgia in the Vatican by Raphael)
Multiple artists/makers
1803
The Triumph of Cupid (Amour triomphant), plate 1 from "Peintures de la Villa Lante, à Rome, de l'Invention de Jules Romain, Recueillies par les Piranesi, et Dessinées par Thomas Piroli" (Paintings from the Villa Lante by Giulio Romano, published by the Piranesi brothers and drawn by Thomas Piroli)
Multiple artists/makers
1803
Genius of Mysteries (Génie des Mystères), plate 2 from "Peintures de la Villa Lante, à Rome, de l'Invention de Jules Romain, Recueillies par les Piranesi, et Dessinées par Thomas Piroli" (Paintings from the Villa Lante by Giulio Romano, published by the Piranesi brothers and drawn by Thomas Piroli)
Multiple artists/makers
1803
The Genius of Mars (Génie de Mars), plate 3 from "Peintures de la Villa Lante, à Rome, de l'Invention de Jules Romain, Recueillies par les Piranesi, et Dessinées par Thomas Piroli" (Paintings from the Villa Lante by Giulio Romano, published by the Piranesi brothers and drawn by Thomas Piroli)
Multiple artists/makers
1803
The Genius of Apollo (Génie d'Apollon), plate 4 from "Peintures de la Villa Lante, à Rome, de l'Invention de Jules Romain, Recueillies par les Piranesi, et Dessinées par Thomas Piroli" (Paintings from the Villa Lante by Giulio Romano, published by the Piranesi brothers and drawn by Thomas Piroli)
Multiple artists/makers
1803
The Genius of Bacchus (Génie de Bacchus), plate 5 from "Peintures de la Villa Lante, à Rome, de l'Invention de Jules Romain, Recueillies par les Piranesi, et Dessinées par Thomas Piroli" (Paintings from the Villa Lante by Giulio Romano, published by the Piranesi brothers and drawn by Thomas Piroli)
Multiple artists/makers
1803