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1-42 of 17,015 results for Turkish, in the style of Turkman armor
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Helmet with Aventail, Steel, iron, silver, copper alloy, Turkish, in the style of Turkman armor
Turkish, in the style of Turkman armor
late 15th–16th century
Turban Helmet, Steel, iron, silver, Turkish, in the style of Turkman armor
Turkish, in the style of Turkman armor
16th century
Turban Helmet, Steel, iron, silver, Turkish, possibly Istanbul, in the style of Turkman armor
Turkish, possibly Istanbul, in the style of Turkman armor
late 15th century
Turban Helmet, Steel, iron, gold, silver, copper alloy, Turkish, possibly Istanbul, in the style of Turkman armor
Turkish, possibly Istanbul, in the style of Turkman armor
late 15th century–1st quarter 16th century
Turban Helmet, Steel, iron, silver, gold, Turkish, possibly Istanbul, in the style of Turkman armor
Turkish, possibly Istanbul, in the style of Turkman armor
late 15th–16th century
Turban Helmet, Steel, silver, copper alloy, Turkish or Iranian, in the style of Turkman armor
Turkish or Iranian, in the style of Turkman armor
15th century
Helmet, Steel, iron, gold, copper alloy, possibly Turkish, Istanbul, in the style of Turkman armor
possibly Turkish, Istanbul, in the style of Turkman armor
ca. 1500–1525
Turban Helmet, Steel, iron, silver, copper alloy, Western Iranian, in the style of Turkman armor
Western Iranian, in the style of Turkman armor
late 15th century
Double-eagle pendant, Initial Style artist(s), Gold, Initial Style
Initial Style artist(s)
1–500 CE
Helmet, Steel, iron, silver, copper alloy, Turkey, possibly Istanbul, in the style of Turkman armor
Turkey, possibly Istanbul, in the style of Turkman armor
late 15th–16th century
Hercules and Achelous, Master of the Martyrdom of St. Sebastian  Austrian, Ivory, probably Austrian
Master of the Martyrdom of St. Sebastian
probably mid-17th century
The Crucifixion, Master of the Codex of Saint George  Italian, Tempera on wood, gold ground, Italian
Master of the Codex of Saint George
ca. 1330–35
Revolving Chair, United Society of Believers in Christ’s Second Appearing (“Shakers”)  American, Maple, white oak, pine, birch, American, Shaker
United Society of Believers in Christ’s Second Appearing (“Shakers”)
1840–70
Terracotta volute-krater (bowl for mixing wine and water), Painter of the Woolly Satyrs (namepiece), Terracotta, Greek, Attic
Painter of the Woolly Satyrs
ca. 450 BCE
Surrealism : the octopus-typewriter, Surrealist Movement in the United States
Surrealist Movement in the United States
1978
Grandguard (Reinforcing Shoulder Defense), The Metropolitan Museum of Art, Armor Workshop  American, Steel, American, New York
Multiple artists/makers
1925
Head of Saint John the Baptist (one of a pair), Master of the Life of Saint John the Baptist  French, Colored, stained, and enemaled glass, French, possibly Rouen
Master of the Life of Saint John the Baptist
Arnold of Nijmegen
ca. 1500–1510
Head of Christ (one of a pair), Master of the Life of Saint John the Baptist  French, Colored, stained, and enameled glass, French, possibly Rouen
Master of the Life of Saint John the Baptist
Arnold of Nijmegen
ca. 1500–1510
Madonna and Child with the Young Saint John the Baptist, Italy, In the manner of Raphael, Pen and brown ink, Italian
Italy, In the manner of Raphael
late 18th–early 19th century (?)
The Esoteric Buddhist Goddess Karmavajri, Silver inlaid with copper and gold, Kashmir style in Western Tibet
Kashmir style in Western Tibet
11th Century
October from a set of The Months of Lucas, Master of the Months of Lucas  Netherlandish, Wool, silk (20-21 warps per inch, 8-9 per cm.), French, Paris
Multiple artists/makers
designed ca. 1535, woven 1732–37
April from a set of The Months of Lucas, Master of the Months of Lucas  Netherlandish, Wool, silk (20-21 warps per inch, 8-9 per cm.), French, Paris
Multiple artists/makers
designed ca. 1535, woven 1732–37
The Nativity and Circumcision of Christ, Workshop of the Master of the High Foreheads, Painted enamel on copper, partly gilded, French, Limoges
Workshop of the Master of the High Foreheads
probably early 16th century
The Adoration of the Shepherds, Workshop of the Master of the High Foreheads (Atelier aux Grands Fronts), Painted enamel on copper, partly gilt, French, Limoges
Workshop of the Master of the High Foreheads
probably early 16th century
Short Sword (Yatagan) from the Court of Süleyman the Magnificent (reigned 1520–66), Ahmed Tekelü  possibly Iranian, Steel, gold, ivory (walrus), silver, turquoise, pearls, rubies, Turkish, Istanbul
Ahmed Tekelü
ca. 1525–30
Seahorse pendant, International Style artist(s), Gold, International Style
International Style artist(s)
400–900 CE
Close Helmet for Foot Combat, the Master of the Castle Mark  Italian, Steel, gold, leather, Italian, Milan
the Master of the Castle Mark
ca. 1600–1610
Tazza, Glasshouse of the Duke of Buckingham  British, Glass, British, London
Glasshouse of the Duke of Buckingham
ca. 1665–70
Joseph Interpreting the Dreams of His Fellow Prisoners, Master of the Story of Joseph  Netherlandish, Oil on wood
Master of the Story of Joseph
The Martyrdom of Saint Lawrence; (reverse) Giving Drink to the Thirsty, Master of the Acts of Mercy  Austrian, Oil on fir, (obverse) gold ground
Master of the Acts of Mercy
Saint Sebastian, Master of the Furies  Austrian, Ivory; kingwood socle, Austrian, possibly Salzburg
Master of the Furies
17th century
Aeneas Erects a Tomb to his Nurse, Caieta, and Flees the Country of Circe (Aeneid, Book VII), Master of the Aeneid, Painted enamel on copper, partly gilt, French, Limoges
Master of the Aeneid
probably ca. 1530–35
Aeneas Departs from Carthage (Aeneid, Book IV), Master of the Aeneid, Painted enamel on copper, partly gilt, French, Limoges
Master of the Aeneid
ca. 1530–35
The Trojans Defend Their City; They Kill Androgeos (Aeneid, Book II), Master of the Aeneid, Painted enamel on copper, partly gilt, French, Limoges
Master of the Aeneid
ca. 1530–35
Aeneas Builds a Fleet Near Antandrus, at the Foot of Mount Ida (Aeneid, Book III), Master of the Aeneid, Painted enamel on copper, partly gilt, French, Limoges
Master of the Aeneid
ca. 1530–35
Trojans Land Near Mount Etna; Beneath Lies the Giant Enceladus (Aeneid, Book III), Master of the Aeneid, Painted enamel on copper, partly gilt, French, Limoges
Master of the Aeneid
ca. 1530–35
Nisus and Euryalus Surprise the Rutuli in their Camp (Aeneid, Book IX), Master of the Aeneid, Painted enamel on copper, partly gilt, French, Limoges
Master of the Aeneid
ca. 1530–35
Helenus and Andromache Give Presents to Aeneas (Aeneid, Book III), Master of the Aeneid, Painted enamel on copper, partly gilt, French, Limoges
Master of the Aeneid
ca. 1530–35
The Fleet of Aeneas Arrives in Sight of Italy (Aeneid, Book III), Master of the Aeneid, Painted enamel on copper, partly gilt, French, Limoges
Master of the Aeneid
ca. 1530–35
The Fall of Troy; Helen Takes Refuge in the Sanctuary of Vesta; Venus Counsels Aeneas; Juno Encourages the Greeks (Aeneid, Book II), Master of the Aeneid, Painted enamel on copper, partly gilt, French, Limoges
Master of the Aeneid
ca. 1530–35
Aeneas Fleeing Troy with Anchises, Creusa, and Ascanias (Aeneid, Book II), Master of the Aeneid, Painted enamel on copper, partly gilt, French, Limoges
Master of the Aeneid
probably ca. 1530–35
Pandarus and Bitias Fight the Rutuli Before the Trojan Camp (Aeneid, Book IX), Master of the Aeneid, Painted enamel on copper, partly gilded, French, Limoges
Master of the Aeneid
ca. 1530–35