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Showing 64 results for Uindogahōsha ウヰンド画報社, Tokyo 東京

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The Show Window – ウヰンド画報 (Uindo gahō)

Uindogahōsha ウヰンド画報社, Tokyo 東京

June–August 1915

The Show Window – ウヰンド画報 (Uindo gahō)

Uindogahōsha ウヰンド画報社, Tokyo 東京

September–December 1915

The Show Window – ウヰンド画報 (Uindo gahō)

Uindogahōsha ウヰンド画報社, Tokyo 東京

February–April 1916

The Handmade Papers of Japan, Tindale, Thomas & Harriet R., Illustrated books, envelope containing fiber samples, Rutland & Tokyo, 1952 — The Handmade Papers of Japan
Tindale, Thomas & Harriet R.
Dard Hunter
1952

A New Record Comparing the Handwriting of the Courtesans of the Yoshiwara (Yoshiwara keisei shin bijin jihitsu kagami) 吉原傾城新美人自筆鏡, Kitao Masanobu (Santō Kyōden) 北尾政演 (山東京伝) Japanese, Woodblock printed book; ink and color on paper, Japan — A New Record Comparing the Handwriting of the Courtesans of the Yoshiwara (Yoshiwara keisei shin bijin jihitsu kagami) 吉原傾城新美人自筆鏡
Kitao Masanobu (Santō Kyōden) 北尾政演 (山東京伝)
1784, early spring (Tenmei 4)

Newly Selected Fifty Poets of the Tenmei Era, One Poem Each (Tenmei shinsen gojūnin isshu) 天明新鐫五十人一首; 吾妻曲狂歌文庫(あずまぶり), Kitao Masanobu (Santō Kyōden) 北尾政演 (山東京伝) Japanese, Woodblock printed book; ink and color on paper, Japan — Newly Selected Fifty Poets of the Tenmei Era, One Poem Each (Tenmei shinsen gojūnin isshu) 天明新鐫五十人一首; 吾妻曲狂歌文庫(あずまぶり)
Kitao Masanobu (Santō Kyōden) 北尾政演 (山東京伝)
1786

Yoshiwara Courtesans: A New Mirror Comparing the Calligraphy of Beauties (Yoshiwara keisei: Shin bijin awase jihitsu kagami)吉原傾城」新美人合自筆鏡, Kitao Masanobu (Santō Kyōden) 北尾政演 (山東京伝) Japanese, Polychrome woodblock printed book; ink and color on paper, Japan — Yoshiwara Courtesans: A New Mirror Comparing the Calligraphy of Beauties (Yoshiwara keisei: Shin bijin awase jihitsu kagami)吉原傾城」新美人合自筆鏡
Kitao Masanobu (Santō Kyōden) 北尾政演 (山東京伝)
1784, first month

Untitled Album of Seventeen Sketches of Birds, Fowers and Landscapes, Shōfusai Tōsen 東泉? Japanese, Woodblock printed book; ink and color on paper, Japan — Untitled Album of Seventeen Sketches of Birds, Fowers and Landscapes
Shōfusai Tōsen 東泉?
mid-19th century

Sword Guard (Tsuba), Joka , after Yasuchika Japanese, Iron, lacquer, gold, Japanese, Tokyo — Sword Guard (Tsuba)
Joka
early 19th century

Taiko, Nambuya Keikichi, Tokyo, Asakuja, Kamejima-cho Japanese, Wood, hide, metal, Japanese — Taiko
Nambuya Keikichi, Tokyo, Asakuja, Kamejima-cho
19th century

Tōkei Picture Album (Tōkei gafu, fusatsu), Supplementary Series 東渓画譜附冊, Ogura Tōkei 小倉東渓 Japanese, Woodblock printed book; ink on paper, Japan — Tōkei Picture Album (Tōkei gafu, fusatsu), Supplementary Series 東渓画譜附冊
Ogura Tōkei 小倉東渓
1809

Three Scrolls Containing a Reproduction of 13th-Century Pictorial Records of the Heiji Monogatari, Sumiyoshi Keion Japanese, Ink on paper, Japanese — Three Scrolls Containing a Reproduction of 13th-Century Pictorial Records of the Heiji Monogatari
Multiple artists/makers
1911

伴大納言絵詞 <i>Ban Dainagon Ekotoba</i> (The Tale of Great Minister Ban), Mitsunaga Kasuga Japanese, Ink on paper, Japanese — 伴大納言絵詞 Ban Dainagon Ekotoba (The Tale of Great Minister Ban)
Multiple artists/makers
1910

Arashi Rikan II as Miyamoto Musashi, Gigadō Ashiyuki 戯画堂芦幸 Japanese, Woodblock print (nishiki-e); vertical ōban, Japan — Arashi Rikan II as Miyamoto Musashi
Gigadō Ashiyuki 戯画堂芦幸
1832

金工絵 Copy book of Toshiyoshi (also called Kōsō, Seijō, or Toshinaga), 紫原壽良画 Murasakibara Toshiyoshi Japanese, Ink on bound paper, Japanese — 金工絵 Copy book of Toshiyoshi (also called Kōsō, Seijō, or Toshinaga)
紫原壽良画 Murasakibara Toshiyoshi
late 19th century

藻に白魚図小柄 Knife Handle (<i>Kozuka</i>), 嵐山常行画 Ranzan Tsuneyuki Japanese, Copper-gold alloy (<i>shakudō</i>), silver, gold, copper, Japanese — 藻に白魚図小柄 Knife Handle (Kozuka)
嵐山常行画 Ranzan Tsuneyuki
19th century

富嶽雲烟図小柄 Knife Handle (<i>Kozuka</i>) with Blade, 嵐山常行画 Ranzan Tsuneyuki Japanese, Steel, copper-gold alloy (<i>shakudō</i>), gold, Japanese — 富嶽雲烟図小柄 Knife Handle (Kozuka) with Blade
嵐山常行画 Ranzan Tsuneyuki
19th century

彫鐫画譜 Album of Designs for Metal Carving (<i>Chōsen Gafu</i>), 嵐山常行画 Ranzan Tsuneyuki Japanese, Ink on paper, pasted into a bound volume, Japanese — 彫鐫画譜 Album of Designs for Metal Carving (Chōsen Gafu)
嵐山常行画 Ranzan Tsuneyuki
mid-19th century

秋草に鹿図鐔 Sword Guard (<i>Tsuba</i>), 紫原壽良画 Murasakibara Toshiyoshi Japanese, Copper, copper-silver alloy (<i>shibuichi</i>), copper-gold alloy (<i>shakudō</i>), gold, silver, Japanese — 秋草に鹿図鐔 Sword Guard (Tsuba)
紫原壽良画 Murasakibara Toshiyoshi
19th century

The Actors Arashi Kitsusaburō II as the Hairdresser Kamiyui Tasuke, and Arashi Koroku IV as Gonza the Lancer (Yari no Gonza), Gigadō Ashiyuki 戯画堂芦幸 Japanese, Woodblock print (nishiki-e); ink and color on paper; vertical ōban, Japan — The Actors Arashi Kitsusaburō II as the Hairdresser Kamiyui Tasuke, and Arashi Koroku IV as Gonza the Lancer (Yari no Gonza)
Gigadō Ashiyuki 戯画堂芦幸
1824

Relation – Time: Frottage of Time: Fossil

Tatsuo Kawaguchi

Tokyo Publishing House

1998

Tokyo Rose at home, Chicago, Illinois , Diane Arbus American, Gelatin silver print — Tokyo Rose at home, Chicago, Illinois
Multiple artists/makers
1969, printed later

Sword Guard (Tsuba), Kanō Natsuo Japanese, Copper-silver alloy (shibuichi), copper-gold alloy (shakudō), gold, silver, copper, Japanese — Sword Guard (Tsuba)
Kanō Natsuo
紫原壽良画 Murasakibara Toshiyoshi
mid-19th century

Picture Book on the Communication of Home Precepts part III (Ehon teikin ōrai gehen) 絵本庭訓往来下編, Katsushika Hokusai 葛飾北斎 Japanese, Set of three woodblock printed books; ink on paper, Japan — Picture Book on the Communication of Home Precepts part III (Ehon teikin ōrai gehen) 絵本庭訓往来下編
Katsushika Hokusai 葛飾北斎
Eirakuya Tōshirō 永楽屋東四郎
ca. 1848

Weighing the Goods of Love (Enshoku shinasadame) 艶色品定女, Utagawa Kunimori II 二代歌川国盛画 Japanese, Set of three woodblock-printed books (hanshibon); ink and color on paper, Japan — Weighing the Goods of Love (Enshoku shinasadame) 艶色品定女
Utagawa Kunimori II 二代歌川国盛画
ca. 1852

Drawing for Metalwork (Toshiyoshi also called Kosō, Seijō, or Toshinaga)

紫原壽良画 Murasakibara Toshiyoshi

late 19th century

Three Scrolls Containing a Reproduction of 14th-Century Pictorial Records of the 6th-Century Gosannen Battle, Korehisa Hidanokami Japanese, Ink on paper, Japanese — Three Scrolls Containing a Reproduction of 14th-Century Pictorial Records of the 6th-Century Gosannen Battle
Multiple artists/makers
1913

The Nanpo Album (Nanpo jō) 南畝帖, Nagayama Kōin (Hirotora) 長山孔寅画・蜀山人 Japanese, Woodblock printed book; ink and color on paper, Japan — The Nanpo Album (Nanpo jō) 南畝帖
Nagayama Kōin (Hirotora) 長山孔寅画・蜀山人
1824

Salt in the form of a coffee pot, Silver, Japanese, Yokohama or Tokyo, for European market — Salt in the form of a coffee pot
Japanese, Yokohama or Tokyo, for European market
1880–1900

V-Idea, a priori, Nam June Paik American, born Korea, Etching and aquatint — V-Idea, a priori
Multiple artists/makers
1984

Inrō with Ducks on Swirls, Tōyō Japanese, Inrō: four cases; gold, silver takamaki-e, hiramaki-e, gold foil application, mother-of-pearl inlay on red lacquer ground; ojime: fire agate bead; netsuke: Kappa; carved wood, Japan — Inrō with Ducks on Swirls
Tōyō
second half 19th century

Case (Inrō) with Design of Shells, Tōyō Japanese, Lacquer, roiro, gyobu, gold, black, silver and brown hiramakie, takamakie; Interior: nashiji and fundame, Japan — Case (Inrō) with Design of Shells
Tōyō
19th century

Case (Inrō) with Design of Persons with Mortar Making Mochi (obverse); Two Persons Shooting with Bow and Arrow (reverse), Tōyō Japanese, Lacquer, silver brown ground, incised; Interior: gyobu nashiji and fundame, Japan — Case (Inrō) with Design of Persons with Mortar Making Mochi (obverse); Two Persons Shooting with Bow and Arrow (reverse)
Tōyō
18th–19th century

Case (Inrō) with Design of Buddhist Angel (obverse); Pine Forest (reverse), Tōyō Japanese, Silver shibuichi lacquer decorated with roiro (waxen) lacquer and gold sprinkled and polished hiramakie lacquer; Ojime: coral bead; Netsuke: metal zogan inlay pine tree, Japan — Case (Inrō) with Design of Buddhist Angel (obverse); Pine Forest (reverse)
Tōyō
late 18th century

Inrō with the Seven Sages of the Bamboo Grove, Tōyō Japanese, Three cases; lacquered wood with gold and silver hiramaki-e, togidashimaki-e, and gold foil cutouts on black lacquer ground Netsuke: box with flowers; lacquered wood with hiramaki-e Ojime: coral bead, Japan — Inrō with the Seven Sages of the Bamboo Grove
Tōyō
second half of the 18th century

Shoes, Tokio Kumagaï Japanese, a,b) leather, French — Shoes
Tokio Kumagaï
late 1980s

Shoes, Tokio Kumagaï Japanese, Leather, French — Shoes
Tokio Kumagaï
ca. 1988

Pumps, Tokio Kumagaï Japanese, leather, French — Pumps
Tokio Kumagaï
ca. 1986

Case (Inrō) with Design of Momotarō and Dog on the way to the Island of the Devils (obverse); Monkey with Pheasant (reverse), Kogyoku Tokayo Japanese, Lacquer with sprinkled, polished, and relief makie gold and silver, metal inlay; Interior: gyobu nashiji and fundame; Netsuke: Eight masks, Japan — Case (Inrō) with Design of Momotarō and Dog on the way to the Island of the Devils (obverse); Monkey with Pheasant (reverse)
Kogyoku Tokayo
19th century

Fish in Summer and Autumn, Maruyama Ōkyo Japanese, Pair of hanging scrolls; ink, gold, and color on silk, Japan — Fish in Summer and Autumn
Maruyama Ōkyo
1785