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Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

Showing 1,027 results for Vicente Salvador Gómez

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Madonna and Child Seated on Clouds (recto); Madonna and Child in Reverse (verso), Vicente Salvador Gómez Spanish, Pen and brown ink on off-white paper (recto); black chalk (verso); squared in black chalk; framing lines in pen and brown ink — Madonna and Child Seated on Clouds (recto); Madonna and Child in Reverse (verso)
Vicente Salvador Gómez
1637–1700

The Vision of Saint Anthony of Padua, Vicente Salvador Gómez Spanish, Pen and brown ink over traces of leadpoint (?) — The Vision of Saint Anthony of Padua
Vicente Salvador Gómez
n.d.

Dialogos de la pintvra : sv defensa, origen, essecia, definicion, modos y diferencias, Vicente Carducho Italian — Dialogos de la pintvra : sv defensa, origen, essecia, definicion, modos y diferencias
Multiple artists/makers
1633

The Accommodations of Desire, Salvador Dalí Spanish, Oil and cut-and-pasted printed paper on wood — The Accommodations of Desire
Salvador Dalí
1929

Madonna, Salvador Dalí Spanish, Oil on canvas — Madonna
Salvador Dalí
1958

Crucifixion (Corpus Hypercubus), Salvador Dalí Spanish, Oil on canvas — Crucifixion (Corpus Hypercubus)
Salvador Dalí
1954

Mandrágora, Braulio Arenas Chilean — Mandrágora
Multiple artists/makers
1941

Woman and Child (Maternity), from "Eight Studies by Mexican Masters of Graphic Arts" (1952), Andrea Gómez Mexican, Linocut — Woman and Child (Maternity), from "Eight Studies by Mexican Masters of Graphic Arts" (1952)
Andrea Gómez
Latin American Research Bureau, New York
ca. 1952

Snuffers tray, Vicente Gavilanis, Silver, Spanish, Madrid — Snuffers tray
Vicente Gavilanis
1754

Snuffers, Vicente Gavilanis, Silver, Spanish, Madrid — Snuffers
Vicente Gavilanis
1754

Untitled, Esteban Vicente American, born Spain, Oil on canvas — Untitled
Esteban Vicente
1966

Untitled, Esteban Vicente American, born Spain, Oil on canvas — Untitled
Esteban Vicente
1972

Alison Series: One November Day, Esteban Vicente American, born Spain, Oil on canvas — Alison Series: One November Day
Esteban Vicente
1976

Untitled, Esteban Vicente American, born Spain, Acrylic on paper, mounted to canvas — Untitled
Esteban Vicente
1986

Number One, Esteban Vicente American, born Spain, Oil, newspaper transfer, charcoal, and graphite on canvas — Number One
Esteban Vicente
1951

Berthe David-Weill, Salvador Dalí Spanish, Oil on canvas, Spanish — Berthe David-Weill
Salvador Dalí
1952

The Lacemaker (after Vermeer), Salvador Dalí Spanish, Oil on canvas — The Lacemaker (after Vermeer)
Salvador Dalí
1955

Three Nudes, Salvador Dalí Spanish, Brush and black ink on pink paper — Three Nudes
Salvador Dalí
1944

Bathers at the Beach, Salvador Dalí Spanish, Brush and black ink and opaque watercolor on illustration board — Bathers at the Beach
Salvador Dalí
1939

Study for "Don Quixote", Salvador Dalí Spanish, Pen and black ink on paper — Study for "Don Quixote"
Salvador Dalí
ca. 1945

Study for "Vogue" cover, Salvador Dalí Spanish, Cut and pasted papers and black ink, watercolor, opaque watercolor and graphite on board — Study for "Vogue" cover
Salvador Dalí
1944

Return of Ulysses, Salvador Dalí Spanish, Black ink on paper — Return of Ulysses
Salvador Dalí
1936

Collage Number 12

Esteban Vicente

1956

Esteban Vicente

ca. 1950–60

Head of a Woman, Vicente do Rego Monteiro Brazilian, Oil on canvas — Head of a Woman
Vicente do Rego Monteiro
1928

Madonna and Child, Vicente do Rego Monteiro Brazilian, Oil on canvas — Madonna and Child
Vicente do Rego Monteiro
1926 (?)

Cat and Turtle, Vicente do Rego Monteiro Brazilian, Oil on canvas — Cat and Turtle
Vicente do Rego Monteiro
1925

Penitent St. Jerome (recto); Notes and Accounts (verso), Vicente Carducho Italian, Pen and brown ink (recto and verso) — Penitent St. Jerome (recto); Notes and Accounts (verso)
Vicente Carducho
Bartolomé Carducho
ca. 1600

The Kingdom of Aragon, Vicente Carducho Italian, Pen and brown ink, brown wash over black chalk. Squared for transfer in black chalk — The Kingdom of Aragon
Vicente Carducho
1560–1638

The Visible Woman, Salvador Dalí Spanish, Heliogravure — The Visible Woman
Salvador Dalí
Lacourière
1930

A Christmas card to the Lucas family, a kneeling angel and two other figures, Salvador Dalí Spanish, Etching — A Christmas card to the Lucas family, a kneeling angel and two other figures
Salvador Dalí
1967

Profile of a man facing left, from the portfolio 'Los pequeños grabadores en madera, alumnos de la Escuela Preparatoria de Jalisco' (Guadalajara, Mexico 1925).

Salvador Negrete

ca. 1924

A seated man and a standing woman in front of a building, from the portfolio 'Los pequeños grabadores en madera, alumnos de la Escuela Preparatoria de Jalisco' (Guadalajara, Mexico 1925)., Salvador Negrete Mexican, Woodcut — A seated man and a standing woman in front of a building, from the portfolio 'Los pequeños grabadores en madera, alumnos de la Escuela Preparatoria de Jalisco' (Guadalajara, Mexico 1925).
Salvador Negrete
ca. 1924

Publisher's proof for the cover of Maurice Sandoz, 'La Limite' (Paris 1951), Salvador Dalí Spanish, Chromolithograph (?) — Publisher's proof for the cover of Maurice Sandoz, 'La Limite' (Paris 1951)
Salvador Dalí
1950

Salvador Dalí, George Platt Lynes American, Gelatin silver print with applied pigment — Salvador Dalí
George Platt Lynes
Salvador Dalí
1939

Sculpture involontaire: enroulement élémentaire, obtenu chez un 'débile mental’
[Involuntary Sculpture: Rudimentary [Paper] Roll Obtained from a Mentally Disabled Person], Brassaï French, born Romania (Transylvania), Gelatin silver print — Sculpture involontaire: enroulement élémentaire, obtenu chez un 'débile mental’ [Involuntary Sculpture: Rudimentary [Paper] Roll Obtained from a Mentally Disabled Person]
Brassaï
Salvador Dalí
1932

Pair of Italian comedy actors (Mezzetin and Elizabeth (?)), Real Fabrica de Buen Retiro Spanish, Soft-paste porcelain, Spanish, Madrid (Buen Retiro) — Pair of Italian comedy actors (Mezzetin and Elizabeth (?))
Real Fabrica de Buen Retiro
Vicente Roco
ca. 1770–80

Pair of Italian comedy actors (Pulcinella and Elizabeth (?)), Real Fabrica de Buen Retiro Spanish, Soft-paste porcelain, Spanish, Madrid (Buen Retiro) — Pair of Italian comedy actors (Pulcinella and Elizabeth (?))
Real Fabrica de Buen Retiro
Vicente Roco
ca. 1770–80

Poster celebrating the twentieth anniversary of Taller de Gráfica Popular, Anonymous, Mexican, Color screenprint — Poster celebrating the twentieth anniversary of Taller de Gráfica Popular
Anonymous, Mexican
F. L. Gómez Workshop
1957

Stage Set Design of Circular Ballroom with Chandelier (recto); Rough Sketch of Stage Design (verso), Salvador Alarma Tastás Spanish, Pen and dark brown ink, brush and brown wash, over graphite, highlighted with white gouache, on paper prepared with gray incidental color (recto); graphite on unprepared buff-colored paper (verso) — Stage Set Design of Circular Ballroom with Chandelier (recto); Rough Sketch of Stage Design (verso)
Salvador Alarma Tastás
1870–1941