Results for "Vivi-Tone" - The Metropolitan Museum of Art

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1-42 of 778 results for Vivi-Tone

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Acoustic-Electric Guitar, Vivi-Tone American, Spruce, maple, mahogany, ebony, American — Acoustic-Electric Guitar
Vivi-Tone
ca. 1933

Tánggǔ (堂鼓), Elevated Tone Workshop, Guangzhou (Canton), Wood, oxhide, lacquer, brass, teak, Chinese — Tánggǔ (堂鼓)
Elevated Tone Workshop, Guangzhou (Canton)
19th century

Hu Chin, Golden Tone Workshop Chinese, Wood, python skin, various materials, Chinese — Hu Chin
Golden Tone Workshop
19th century

Erxian, Golden Tone Workshop Chinese, Wood, composition, silk, resin, Chinese — Erxian
Golden Tone Workshop
19th century

ManTou Gu (馒头鼓), Golden Tone Workshop Chinese, Wood, leather, various materials, Chinese — ManTou Gu (馒头鼓)
Golden Tone Workshop
19th century

Nanbanzi (南梆子), Golden Tone Workshop Chinese, Wood, Chinese — Nanbanzi (南梆子)
Golden Tone Workshop
19th century

Bangu (板鼓), Elevated Tone Workshop, Guangzhou (Canton), Wood, skin, metal, Chinese — Bangu (板鼓)
Elevated Tone Workshop, Guangzhou (Canton)
19th century

Temperance.–The Man: "Here is that which is too weak to be a sinner–honest Water"–Shakespeare, T. W. Huffam British, Mezzotint and etching — Temperance.–The Man: "Here is that which is too weak to be a sinner–honest Water"–Shakespeare
Multiple artists/makers
1843

Shield, Viti, Wood, paint, Asmat people — Shield
Viti
mid-20th century

Tusk with Figurative Relief, Vili-Kongo artist(s), Ivory, Vili-Kongo peoples — Tusk with Figurative Relief
Vili-Kongo artist(s)
ca. 1880–1890

Man, Angelo Viva Italian, Polychromed terracotta head and wooden limbs; body of wire wrapped in tow; cotton and silk garments with glass buttons and silver coiled buttons, Italian, Naples — Man
Angelo Viva
second half 18th century

Angel, Angelo Viva Italian, Polychromed terracotta head; wooden limbs and wings; body of wire wrapped in tow; various fabrics, Italian, Naples — Angel
Angelo Viva
second half 18th–early 19th century

Angel, Angelo Viva Italian, Polychromed wood and plaster, Italian, Naples — Angel
Angelo Viva
18th–19th century

Angel, Angelo Viva Italian, Polychromed wood and plaster, Italian, Naples — Angel
Angelo Viva
18th–19th century

Flow, Michael Vivo American, Terracotta colored pencil with graphite on paper — Flow
Michael Vivo
1979

Elegy Number 9 (After MH's Iron Cross), Anthony Viti American, Oil on Masonite — Elegy Number 9 (After MH's Iron Cross)
Anthony Viti
1992

Elegy Number 12 (After MH's Iron Cross), Anthony Viti American, Oil on Masonite — Elegy Number 12 (After MH's Iron Cross)
Anthony Viti
1992

Jacket III, Michael Vivo American, Graphite on paper — Jacket III
Michael Vivo
1977

Jacket V, Michael Vivo American, Graphite on paper — Jacket V
Michael Vivo
1978

Elegy Number 21 (After MH's Iron Cross), Anthony Viti American, Oil on Masonite — Elegy Number 21 (After MH's Iron Cross)
Anthony Viti
1992

Elegy Number 24 (After MH's Iron Cross), Anthony Viti American, Oil on Masonite — Elegy Number 24 (After MH's Iron Cross)
Anthony Viti
1992

Evergreen Beauty, Yeung Tong Lung Chinese, Oil on canvas — Evergreen Beauty
Yeung Tong Lung
2017

Vase, Arthur J. Stone American, silver and gold, American — Vase
Arthur J. Stone
Herbert Taylor
1915

Vase, Arthur J. Stone American, silver and gold, American — Vase
Arthur J. Stone
Herbert Taylor
1915

Wine goblet, Arthur J. Stone American, Silver, gold, American — Wine goblet
Arthur J. Stone
1916

Nose Ornament, Gold (cast), Venado Beach, Canal Zone — Nose Ornament
Venado Beach, Canal Zone
5th–8th century

Hat, Viv Knowland, wool, fur, British — Hat
Viv Knowland
ca. 1975

Ngoma (drum), Wood, fiber, glass, Vili or Yombe people — Ngoma (drum)
Vili or Yombe people
19th century

San li tu, Chongyi Nie Chinese — San li tu
Chongyi Nie
Tong zhi tang
1676

Daoist Riding Horned Animal, Tong Rênyi Chinese, Album leaf; ink and color on silk, China — Daoist Riding Horned Animal
Tong Rênyi

Poem on Lanzhou, Xing Tong Chinese, Folding fan mounted as an album leaf; ink on gold paper, China — Poem on Lanzhou
Xing Tong

Portrait of a Gentleman, Horace Hone British, Watercolor on ivory, British — Portrait of a Gentleman
Horace Hone
1807

Drenched in Moonlight, Tong Yu Chinese, Hanging scroll; ink on paper, China — Drenched in Moonlight
Tong Yu
18th century

Necklace, Tony Duquette, amethyst, shell, pearl, gold-plated silver, American — Necklace
Tony Duquette
early 1970s

Henry Hope (1735/36–1811), after Jones, Henry Bone British, Enamel — Henry Hope (1735/36–1811), after Jones
Henry Bone
1802

Thomas Howard (1585–1646), Second Earl of Arundel, after Rubens, Henry Bone British, Enamel — Thomas Howard (1585–1646), Second Earl of Arundel, after Rubens
Henry Bone
1808

George IV (1762–1830) as Prince Regent, after Lawrence, Henry Bone British, Enamel — George IV (1762–1830) as Prince Regent, after Lawrence
Henry Bone
1816

Matthew Baillie (1761–1823), F.R.S., after Hoppner, Henry Bone British, Enamel — Matthew Baillie (1761–1823), F.R.S., after Hoppner
Henry Bone
1817

Charles X (1757–1836), King of France, after Gérard, Henry Bone British, Enamel — Charles X (1757–1836), King of France, after Gérard
Henry Bone
1829

Algernon Percy (1602–1668), Tenth Earl of Northumberland, after Van Dyck, Henry Bone British, Enamel — Algernon Percy (1602–1668), Tenth Earl of Northumberland, after Van Dyck
Henry Bone
1827

Memorial Brooch, Anstiss Stone American, Watercolor and hair pigment on ivory in gold brightwork locket converted to a brooch, American — Memorial Brooch
Anstiss Stone
ca. 1795

Rosy Sunset, Wen Tong Chinese, Handscroll; ink and color on silk, China — Rosy Sunset
Wen Tong
16th century

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