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Medea, William Wetmore Story American, Marble, American
Medea
William Wetmore Story
1865; carved 1868
Cleopatra, William Wetmore Story American, Marble, American
Cleopatra
William Wetmore Story
1858, carved 1869
The Libyan Sibyl, William Wetmore Story American, Marble, American
The Libyan Sibyl
William Wetmore Story
1860; carved 1861
Hippopotamus ("William"), Faience
Hippopotamus ("William")
ca. 1961–1878 B.C.
The Promised Land, Franklin Simmons American, Marble, American
The Promised Land
Franklin Simmons
1873–74; carved 1874
Vase with cover, Joseph William Story, Silver, British, London
Vase with cover
Joseph William Story
William Elliott
1811–12
What’s the Story?, William Wegman American, Single-channel digital video, transferred from Sony MiniDV video tape, color, sound, 2 min., 50 sec.
What’s the Story?
William Wegman
1997–98
An Interesting Story (Miss Ray), William Wood British, Ivory
An Interesting Story (Miss Ray)
William Wood
1806
Elevator panel from the Manhattan Building, Chicago, Illinois, William LeBaron Jenney, Cast iron, American
Elevator panel from the Manhattan Building, Chicago, Illinois
Designer Designed by William LeBaron Jenney
Manufacturer Manufactured by Winslow Brothers Company
William B. Mundie
ca. 1889–91
Clytie, William Henry Rinehart American, Marble, American
Clytie
William Henry Rinehart
1869–70; carved 1872
Portrait of William Duguid, Prince Demah Barnes American, Oil on canvas, American
Portrait of William Duguid
Prince Demah Barnes
1773
William J. Wetmore of New York
Auguste Edouart
1842
Elevator panel from the Manhattan Building, Chicago, Illinois
Designer Designed by William LeBaron Jenney
Manufacturer Manufactured by Winslow Brothers Company
William B. Mundie
ca. 1889–91
A Long Story, Henry William Bunbury British, Hand-colored etching
A Long Story
After Henry William Bunbury
reissued after 1828
The Long Story, Henry William Bunbury British, Hand-colored aquatint
The Long Story
After Henry William Bunbury
1782–1800
The Love Song, Sir Edward Burne-Jones British, Oil on canvas
The Love Song
Sir Edward Burne-Jones
1868–77
Cider Making, William Sidney Mount American, Oil on canvas, American
Cider Making
William Sidney Mount
1840–41
Equestrian portrait of William, Duke of Cumberland (1721–1765), David Morier, Glass, reverse painted and mirrored, Chinese, Canton for export market
Equestrian portrait of William, Duke of Cumberland (1721–1765)
after a portrait by David Morier
and an engraving by Louis Simon Lempereur
ca. 1751–60
The First Methodist Church and Parsonage in America, John Street, New York
Lyman Wetmore Atwater
Publisher G. & W. Endicott
Architect Church led and built by Philip Embury
1861–62
The Proposal, William Bouguereau French, Oil on canvas
The Proposal
William Bouguereau
1872
The Flesh Eaters, William Baziotes American, Oil and charcoal on canvas
The Flesh Eaters
William Baziotes
1952
Zeno at 4 a.m., William Kentridge South African, Set of 11 intaglio prints of various etching techniques on paper <br/><br/>a: Open-bite etching<br/>b: Etching, aquatint and open-bite<br/>c: Etching, aquatint and open-bite with burnishing<br/>d: Etching, aquatint, open-bite and drypoint<br/>e: Open-bite and etching<br/>f: Open-bite and aquatint<br/>g: Etching and aquatint<br/>h: Open-bite etching<br/>i: Etching, aquatint and roulet
Zeno at 4 a.m.
William Kentridge
Printer Maurice Payne
Publisher David Krut Fine Art, Inc.
2001
The Goblin Story
Artist and publisher Peltro William Tomkins
after William Hamilton
Author illustration to James Thomson
July 1, 1795
The New Metamorphosis, Plate 6: The Story of Cupid and Psyche, William Hogarth British, Etching and engraving; second state of two
The New Metamorphosis, Plate 6: The Story of Cupid and Psyche
William Hogarth
Author Related author Charles Gildon
Author Related author Lucius Madaurensis Apuleius
1724
Entrance Hall of the Metropolitan Museum of Art when in Fourteenth Street, Frank Waller American, Oil on wood, American
Entrance Hall of the Metropolitan Museum of Art when in Fourteenth Street
Frank Waller
ca. 1881
The Vintage from The Story of Daphnis and Chloe, Etienne Jeaurat , 1741 French, Wool, silk (18-20 warps per inch, 7-8 per cm.), French, Paris
The Vintage from The Story of Daphnis and Chloe
After cartoons by Etienne Jeaurat
Manufactory Manufacture Nationale des Gobelins
Workshop of Michel Audran
1741–1754
A Long Story, Thomas Rowlandson British, Hand-colored etching
A Long Story
Etcher Thomas Rowlandson
Henry William Bunbury
Publisher Rudolph Ackermann, London
1803 (reissued after 1821)
A Long Story, Thomas Rowlandson British, Hand-colored etching
A Long Story
Etcher Thomas Rowlandson
Henry William Bunbury
Publisher Rudolph Ackermann, London
April 1, 1803
Scene from "My Aunt Margaret's Mirror" (Keepsake Story by Sir Walter Scott), John William Wright British, Watercolor
Scene from "My Aunt Margaret's Mirror" (Keepsake Story by Sir Walter Scott)
John William Wright
ca. 1828
It is a remarkable story, War Council of the American Red Cross American, Commercial color lithograph
It is a remarkable story
Publisher War Council of the American Red Cross
1918
Ready Now Now (Lynch Fragment), Melvin Edwards American, Welded steel
Ready Now Now (Lynch Fragment)
Melvin Edwards
1988
Rainy Day in Camp, Winslow Homer American, Oil on canvas, American
Rainy Day in Camp
Winslow Homer
1871
The Story of the Fountain
Multiple artists/makers
1872
The Green Car, William James Glackens American, Oil on canvas, American
The Green Car
William James Glackens
1910
The Story of a Feather
Author Douglas William Jerrold
Illustrator George Du Maurier
Publisher Bradbury & Evans
1867
The Three Bears, Harrison William Weir British, Illustrations: color lithographs and wood engravings, printed in oil colors
The Three Bears
Multiple artists/makers
1851
Cleopatra Dissolving the Pearl from a set of The Story of Antony and Cleopatra, Justus van Egmont Flemish, Wool, silk, silver and silver-gilt thread (20-22 warps per inch, 8-9 per cm.), Flemish, Brussels
Cleopatra Dissolving the Pearl from a set of The Story of Antony and Cleopatra
Designer Designed by Justus van Egmont
Weaving workshop directed by Jan van Leefdael
designed ca. 1650, woven 1650–77
The Battle of Actium from a set of The Story of Antony and Cleopatra, Justus van Egmont Flemish, Wool, silk, silver and silver-gilt thread (20-22 warps per inch, 8-9 per cm.), Flemish, Brussels
The Battle of Actium from a set of The Story of Antony and Cleopatra
Designer Designed by Justus van Egmont
Weaving workshop directed by Jan van Leefdael
designed ca. 1650, woven 1650–77
The Death of Cleopatra from a set of The Story of Antony and Cleopatra, Justus van Egmont Flemish, Wool, silk, silver and silver-gilt thread (20-22 warps per inch, 8-9 per cm.), Flemish, Brussels
The Death of Cleopatra from a set of The Story of Antony and Cleopatra
Designer Designed by Justus van Egmont
Weaving workshop directed by Geraert van der Strecken
designed ca. 1650, woven 1650–77
Armor, Steel, leather, Northern German, possibly Brunswick-Wolfenbüttel
Armor
Northern German, possibly Brunswick-Wolfenbüttel
ca. 1560–65
Watch with scenes from the story of Rebekah at the well, Johannes van Ceulen Dutch, Case: painted enamel on gold, and raised enamel on gold; Movement: gilded brass, partly blued steel, and silver, Dutch, The Hague movement with French, Paris case
Watch with scenes from the story of Rebekah at the well
Watchmaker: Johannes van Ceulen
Enameler Painted enamel possibly by Henri Toutin
Enameler Raised enamel possibly by I. Josias Belle
ca. 1676–80
Box For Crossbow Bolts (<i>Bolzenkasten</i>), Probably Made for William IV, Duke of Bavaria (r. 1508–50), Hans Wagner the Elder German, Wood (lid and front panel: fruitwood, possibly pear; bottom: walnut; inlay: possibly sycamore; later repairs: mahogany moldings and Indian rosewood veneers on sides), staghorn, iron, gold, paste, paper, German, Munich
Box For Crossbow Bolts (Bolzenkasten), Probably Made for William IV, Duke of Bavaria (r. 1508–50)
Hans Wagner the Elder
dated 1539