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Clytie

1869–70; carved 1872
On view at The Met Fifth Avenue in Gallery 700
American Neoclassical sculptors frequently mined classical mythology for thematic inspiration. In book 4 of the “Metamorphoses,” the Roman poet Ovid tells the story of Clytie, a water nymph who was abandoned by Apollo, the sun god. Clytie gazed inconsolably at the sun for nine days, languishing nude, without food or drink. For her constancy, she was changed into a sunflower so that her face would forever follow the sun as it moved across the sky. Rinehart subtly evoked Ovid’s story by depicting a drooping sunflower in Clytie’s right hand. The tree stump with live sunflower plants serves both to enhance the narrative and to offer tensile support for the marble figure.

Artwork Details

Object Information
  • Title: Clytie
  • Artist: William Henry Rinehart (American, Union Bridge, Maryland 1825–1874 Rome)
  • Date: 1869–70; carved 1872
  • Culture: American
  • Medium: Marble
  • Dimensions: 62 1/2 x 18 1/2 x 21 1/4 in. (158.8 x 47 x 54 cm)
  • Credit Line: Gift of Mr. and Mrs. W. H. Herriman, 1911
  • Object Number: 11.68.1
  • Curatorial Department: The American Wing

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Powder Horn, Horn (cow), lead, American
Powder Horn
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The Farnese Table, Jacopo [Giacomo] Barozzi da Vignola Italian, Marble of different colors, semiprecious stones, Egyptian alabaster, residue of paint of different colors on the piers, Italian, Rome
The Farnese Table
Designer Designed by Jacopo [Giacomo] Barozzi da Vignola
Marble piers carved by Guglielmo della Porta
Pietre Dure top attributed to Giovanni Mynardo (Jean Ménard)
ca. 1565–73
Bacchante and Infant Faun, Frederick William MacMonnies American, Bronze, American
Bacchante and Infant Faun
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Latona and Her Children, Apollo and Diana, William Henry Rinehart American, Marble, American
Latona and Her Children, Apollo and Diana
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