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  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
More than 10,000 results for William Hamilton Gibson
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Multiple artists/makers
1882
William Hamilton Gibson
E. S. H.
1870–95
The Cabin, Francis Scott King  American, Engraving
Francis Scott King
William Hamilton Gibson
ca. 1880–1910
Strolls by Starlight and Sunshine, Alice Cordelia Morse  American, Green cloth over boards with gold decoration
Multiple artists/makers
1891
Lap Steel Electric Guitar, Gibson  American, Cast aluminum, Bakelite, plastic, American
Gibson
1935
Les Paul prototype recording model, serial no. 001, Gibson  American, Mahogany, maple, rosewood, metal, plastic, American
Gibson
1982
Jeffrey Gibson : it can be said of them / editor: Siobhan Bradley, Jeffrey Gibson
Multiple artists/makers
2021
Mandolin, Orville Gibson  American, Walnut, spruce, ebony, pearl, tortoiseshell, bone, American
Orville Gibson
1898
On Hampstead Heath, James Hamilton  American, born Ireland, Oil on canvas, American
James Hamilton
1856
abc, Ann Hamilton  American, Single-channel digital video, transferred from Beta tape, black-and-white, silent, 13 min.
Ann Hamilton
1994
Mémoires du Comte de Grammont : histoire amoureuse de la cour d'Angleterre sous Charles II / par Antoine Hamilton ; préface et notes par Benjamin Pifteau, Count Anthony Hamilton  Irish
Multiple artists/makers
1876
Les Paul Model Electric Guitar and Amplifier, Gibson  American, Neck/Head: Honduran Mahogany; Headstock Veneer: Painted holly; Headstock Decoration: Mother of Pearl; Truss Rod Cover: Plastic; Tuning Machines: Metal; Machine Head Buttons: Plastic; Nut: Bone?; Fingerboard: Brazilian Rosewood; Fret markers: Mother of Pearl; Frets: Nickel silver; Strings: Metal; FB Binding: Plastic; Pick up covers: Plastic; Vol/Tone knobs: Plastic; Soundboard/Top: Honduran Mahogany; Solid Body: Honduran Mahogany <br/>Binding: Plastic; 
Pickguard: Plastic; Bridge: Metal; Neck side strap button: Metal <br/>End strap button: Metal; Tailpiece: Metal, American
Gibson
1952
Fortifications, Manassas, Barnard & Gibson  American, Albumen silver print from glass negative
Multiple artists/makers
March 1862
Male with a staff in a storm (recto). Anatomical studies of a foot (verso), William Hamilton  British, Recto: pen and black ink, brush and gray wash, over graphite<br/>Verso: pen and brown ink
William Hamilton
William Shakespeare
1770–80
Medal cabinet, William Vile  British, Mahogany with carved and applied decoration, British
William Vile
John Cobb
1760–61
The Conclusion of the Treaty of Troye, Where Henry the V, King of England, Receives the Princess of France in Marriage, William Hamilton  British, Stipple engraving with etching, printed with some color
Multiple artists/makers
1788
Amymone (?) with a lecherous satyr, William Hamilton  British, Pen and black ink over graphite, with watercolor
William Hamilton
1770–80
A figure in armor, William Hamilton  British, Pen and brown ink, brush and brown wash, over graphite
William Hamilton
1770–80
Classical military subject, William Hamilton  British, Pen and brown ink, brush and brown wash, over graphite
William Hamilton
1770–80
Historical subject with men and a boy near a ship (recto). Anatomical study of a foot (verso), William Hamilton  British, Recto: pen and black ink, brush and brown wash and watercolor, over graphite<br/>Verso: pen and black ink, brush and wash, over graphite
William Hamilton
1770–80
Woman sheltering a child in a landscape, William Hamilton  British, Pen and brown ink, brush and gray wash, over graphite
William Hamilton
1770–80
Mary, Queen of Scots signs the paper by which she resigns her crown to her infant son (from "History of England"), William Hamilton  British, Etching and stipple engraving
Multiple artists/makers
May 1, 1787
John the Baptist and two men, with Christ, William Hamilton  British, Pen and black ink, brush and brown wash over graphite
William Hamilton
1770–80
A king with his horse, alarmed by ghostly women, William Hamilton  British, Pen and brown ink, brush and brown and gray wash and watercolor, over graphite
William Hamilton
1770–80
A man in chains converses with a woman, William Hamilton  British, Pen and brown and gray ink, brush and gray and brown wash, over graphite
William Hamilton
1770–80
Envy from Ovid's "House of Envy" (Book II, lines 760-796) (recto); A naked woman (verso), William Hamilton  British, Recto: pen and black ink, brush and brown wash and watercolor, over graphite<br/>Verso: pen and brown ink and graphite
William Hamilton
1770–80
The Abduction of Deianira, William Hamilton  British, Pen and black ink over graphite, with watercolor
William Hamilton
1770–80
Bust of a gentleman, John Gibson  British, born Wales, Marble, British
John Gibson
ca. 1830–40
Portrait of a Man, Said to Be John Cecil (1628–1678), Fourth Earl of Exeter, Richard Gibson  British, Vellum laid on card
Richard Gibson
ca. 1670
[Diptych: Red and Brown Brick Wall Details], Ralph Gibson  American, Chromogenic prints
Ralph Gibson
1977
Tadasana, John Gibson  American, Oil on honeycomb plywood panel
John Gibson
2000
Beach Scene, James Hamilton  American, born Ireland, Watercolor and gouache on off-white wove paper, American
James Hamilton
ca. 1865
Evening bonnet, Jean Hamilton  American, silk, linen, jet, American
Jean Hamilton
ca. 1895
Coat, J. Hamilton  American, cotton, silk, American
J. Hamilton
1900–1905
Evening dress, Dran Hamilton  American, plastic (polyvinyl chloride), American
Dran Hamilton
1967
Fragment XO, Juan Hamilton  American, Bronze
Juan Hamilton
1983
Lobby, Richard Hamilton  British, Color collotype and screenprint
Richard Hamilton
1984
HOW A GREAT DAILY ORGAN IS TURNED OUT, Richard Hamilton  British, Intaglio
Multiple artists/makers
1987–90
Self-Portrait, Richard Hamilton  British, Color screenprint
Richard Hamilton
1967
I'm dreaming of a black Christmas, Richard Hamilton  British, Screenprint on collotype with pasted paper sticker
Richard Hamilton
1971