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Classical Ruins, William Wegman American, Single-channel digital video, transferred from Sony CV 1/2-inch video tape, black-and-white, sound, 15 sec.
Classical Ruins
William Wegman
1970
An Architectural Capriccio, with Classical Ruins, Francesco Guardi Italian, Pen and brown ink, brown wash
An Architectural Capriccio, with Classical Ruins
Francesco Guardi
ca. 1780–85
Classical Ruins, Wenceslaus Hollar Bohemian, Etching; second state of two
Classical Ruins
Etcher Wenceslaus Hollar
After Sebastiaen Vrancx
1673
Figures in Classical Ruins, Giovanni Paolo Panini Italian, Pen and brown ink, brush and brown and gray wash, over black chalk
Figures in Classical Ruins
Giovanni Paolo Panini
1691–1765
Imaginary Landscape with Classical Ruins, Carlo Fantaccini Italian, Point of a brush and gray wash, over graphite; framing lines in pen and brown ink and bronze paint
Imaginary Landscape with Classical Ruins
Carlo Fantaccini
1700–50
Classical Ruins: A Public Bath, Joseph Lemercier French, Pen and black and gray ink
Classical Ruins: A Public Bath
Joseph Lemercier
19th century
Capriccio with a Seaport and Classical Ruins, Francesco Guardi Italian, Pen and brown ink, brush and brown wash, over black chalk
Capriccio with a Seaport and Classical Ruins
Francesco Guardi
1712–93
Imaginary Landscape with Classical Ruins; Fountain in Foreground, Carlo Fantaccini Italian, Point of a brush and gray wash, over graphite; framing lines in pen and brown ink and bronze paint
Imaginary Landscape with Classical Ruins; Fountain in Foreground
Carlo Fantaccini
1700–50
Fantastic Landscape, Francesco Guardi Italian, Oil on canvas
Fantastic Landscape
Francesco Guardi
ca. 1765
Lamp, Painted tin
Lamp
ca. 1815
Entellus and Dares fighting in front of classical ruins, Marco Dente Italian, Engraving
Entellus and Dares fighting in front of classical ruins
Marco Dente
After Raphael (Raffaello Sanzio or Santi)
1520–25
Fantastic River Landscape with Classical Ruins and an Atlantes, Monogrammist DB, Etching and engraving
Fantastic River Landscape with Classical Ruins and an Atlantes
Monogrammist DB
Monogrammist IH
ca. 1550
Fantastic Landscape, Francesco Guardi Italian, Oil on canvas
Fantastic Landscape
Francesco Guardi
ca. 1765
Classical Ruins with Equestrian Monument
Giovanni Domenico Ferretti
After Marco Ricci
1743
Two Mounted Soldiers in Classical Ruins, for a poem by Cremes, Franz von Hauslab the Younger Austrian, Watercolor, gouache, and pen and black ink. Pen and black ink framing line added when mounted.
Two Mounted Soldiers in Classical Ruins, for a poem by Cremes
Franz von Hauslab the Younger
1812–83
Design for mural decoration surrounding a door: landscape with classical ruins, Jules-Edmond-Charles Lachaise French, black chalk heighted with white on beige wove paper; mounted on blue wove paper
Design for mural decoration surrounding a door: landscape with classical ruins
Jules-Edmond-Charles Lachaise
Eugène-Pierre Gourdet
1830–97
Design for mural decoration surrounding a door: landscape with classical ruins, Jules-Edmond-Charles Lachaise French, black chalk, heightened with white on beige wove paper; mounted on blue wove paper
Design for mural decoration surrounding a door: landscape with classical ruins
Jules-Edmond-Charles Lachaise
Eugène-Pierre Gourdet
1830–97
Figures in a Landscape with Classical Ruins (recto); Six Figure Studies (verso), Anonymous, Italian, Roman-Bolognese, 17th century Italian, Pen and brown and black ink on cream laid paper (recto); pen and brown ink (verso); fragments of framing lines
Figures in a Landscape with Classical Ruins (recto); Six Figure Studies (verso)
Anonymous, Italian, Roman-Bolognese, 17th century
17th century
The Aegean Sea, Frederic Edwin Church American, Oil on canvas, American
The Aegean Sea
Frederic Edwin Church
ca. 1877
Classical Ruins with Equestrian Statue and Circular Temple
Marco Ricci
1723–30
Design for a Painted Wall Decoration, with Figures in a Landscape with Classical Ruins, Anonymous, Italian, 18th century Italian, Pen and brown ink, brush with brown wash, over black chalk on cream laid paper. Groundline stylus-incised
Design for a Painted Wall Decoration, with Figures in a Landscape with Classical Ruins
Anonymous, Italian, 18th century
18th century
Fantastic Landscape, Francesco Guardi Italian, Oil on canvas
Fantastic Landscape
Francesco Guardi
ca. 1765
[Landscape with Cottage], Marie-Charles-Isidore Choiselat French, Daguerreotype
[Landscape with Cottage]
Marie-Charles-Isidore Choiselat
Stanislas Ratel
1844
Folding Fan with representations of Pompeii and the 1786 eruption of Vesuvius, Gouache on parchment; tortoiseshell, gilt metal, glass, Italian
Folding Fan with representations of Pompeii and the 1786 eruption of Vesuvius
Italian
ca. 1795
The Titan's Goblet, Thomas Cole American, Oil on canvas, American
The Titan's Goblet
Thomas Cole
1833
The Architect, Georges Reverdy French, Etching
The Architect
Georges Reverdy
ca. 1529–57
Snuffbox, Jean Moynat French, Gold, French, Paris
Snuffbox
Jean Moynat
1753–54
Geometria, from "The Seven Liberal Arts", Johann Sadeler I Netherlandish, Engraving and etching
Geometria, from "The Seven Liberal Arts"
Johann Sadeler I
After Maerten de Vos
ca. 1570–1600
Commode, Léonard Boudin , and French, Oak and pine veneered with stained maple, tulipwood, amaranth, and holly stringing, with marquetry of stained, shaded, and engraved maple, mahogany, amaranth, barberry and other marquetry woods; gilt-bronze mounts; marble top; brass rollers.
Commode
Attributed to Léonard Boudin
Pierre-Antoine Foullet
ca. 1765–70
Frontispiece from "Liber Studiorum", Joseph Mallord William Turner British, Etching and mezzotint; first state of five (Finberg)
Frontispiece from "Liber Studiorum"
Designed, etched and engraved by Joseph Mallord William Turner
Engraver J. C. Easling
Publisher Joseph Mallord William Turner
May 1812
A Shepherd under a Ruined Arch with the Farnese Hercules, Johannes Antiquus Dutch, Black chalk, pen and gray and some brown ink, with gray wash; framing lines in black ink
A Shepherd under a Ruined Arch with the Farnese Hercules
Johannes Antiquus
1726–50
Plaque with classical landscape, Enamel on copper, British, probably Birmingham
Plaque with classical landscape
British, probably Birmingham
ca. 1755
A Woman at a Fountain by a Ruined Temple, the Farnese Hercules in the Background, Johannes Antiquus Dutch, Black chalk, pen and gray ink, with gray wash; framing line in black ink
A Woman at a Fountain by a Ruined Temple, the Farnese Hercules in the Background
Johannes Antiquus
1726–50
Roman ruins (recto). Three figures in classical robes (verso) (Smaller Italian sketchbook, leaf 1), Joseph Wright (Wright of Derby) British, Recto: pen and ink, brush and gray wash, over graphite<br/>Verso: graphite
Roman ruins (recto). Three figures in classical robes (verso) (Smaller Italian sketchbook, leaf 1)
Joseph Wright (Wright of Derby)
1774–75
Classical Landscape with Ruins (recto); Two men in Roman military dress (verso), Robert Adam British, Scottish, Pen and brown ink, brush and gray wash, over black chalk
Classical Landscape with Ruins (recto); Two men in Roman military dress (verso)
Robert Adam
1755–57
Landscape—Scene from "Thanatopsis", Asher Brown Durand American, Oil on canvas, American
Landscape—Scene from "Thanatopsis"
Asher Brown Durand
1850
Discoveries in the Ruins of Nineveh and Babylon, with Travels in Armenia, Kurdistan and the Desert, Paper, board, cloth, British

Discoveries in the Ruins of Nineveh and Babylon, with Travels in Armenia, Kurdistan and the Desert

British
1853
Ruins of a Basilica (?), from "Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles", Lambert Suavius Netherlandish, Etching
Ruins of a Basilica (?), from "Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles"
Lambert Suavius
Publisher Gerard de Jode
1554
Diana and her Nymphs, Laurent de La Hyre French, Wool, silk, silver-gilt thread (22-23 warps per inch, 8-9 per cm.), French, Paris
Diana and her Nymphs
After a painting by Laurent de La Hyre
Weaving probably in the workshop directed by Hippolyte de Comans
before 1662
Vertical Landscape with the Ruins of the Temple of Venus and Roma, from "Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles", Lambert Suavius Netherlandish, Etching
Vertical Landscape with the Ruins of the Temple of Venus and Roma, from "Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles"
Lambert Suavius
Publisher Gerard de Jode
1554
View of an Island with Antique Ruins (The Abduction of Europa), from: Imagini Favolose, Giovanni Battista Pittoni the Elder Italian, Etching, state before initials; verso drawing in pen and ink with wash
View of an Island with Antique Ruins (The Abduction of Europa), from: Imagini Favolose
Giovanni Battista Pittoni the Elder
1575–85
[Cornelius Conway Felton with His Hat and Coat], John Adams Whipple American, Daguerreotype
[Cornelius Conway Felton with His Hat and Coat]
John Adams Whipple
early 1850s