The Aegean Sea

Frederic Edwin Church American

On view at The Met Fifth Avenue in Gallery 760

Church toured the Near East and Europe in 1867–69. "The Aegean Sea," his final large-scale picture, is a “composite” landscape, based on sketches and photographs the artist had made in disparate locations: on the left are elements of the carved-rock city of Petra, in present-day Jordan; on the right, ancient Roman columns seen in Syria; and in the distance, a mosque suggesting Constantinople and classical ruins evoking the Acropolis in Athens. A double rainbow provides brilliant illumination for the idealized scene. These Old World sites, hallowed by history and the Bible, helped to confirm Church’s beliefs at a time when new scientific discoveries challenged his faith.

The Aegean Sea, Frederic Edwin Church (American, Hartford, Connecticut 1826–1900 New York), Oil on canvas, American

This image cannot be enlarged, viewed at full screen, or downloaded.

Open Access

As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.

API

Public domain data for this object can also be accessed using the Met's Open Access API.

The Aegean Sea, Frederic Edwin Church (American, Hartford, Connecticut 1826–1900 New York), Oil on canvas, American
The Aegean Sea, Frederic Edwin Church (American, Hartford, Connecticut 1826–1900 New York), Oil on canvas, American

This artwork is meant to be viewed from right to left. Scroll left to view more.