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The Love Song, Sir Edward Burne-Jones British, Oil on canvas
The Love Song
Sir Edward Burne-Jones
1868–77
Angels Praising (Angeli Laudantes), Sir Edward Burne-Jones (figures) British, Dyed wool and silk on undyed cotton warp (15 warps per inch; 5-6 per cm.), British, Merton Abbey
Angels Praising (Angeli Laudantes)
Multiple artists/makers
1898
The Entombment, Sir Edward Burne-Jones British, Green, blue, brown and touches of reddish bodycolor, heightened with white gouache (bodycolor)
The Entombment
Sir Edward Burne-Jones
1879
Head of a Woman, Sir Edward Burne-Jones British, Wool (15 warps per inch, 6 per cm.), British, Merton Abbey
Head of a Woman
Designer Designed by Sir Edward Burne-Jones
Manufactory Manufactured by Morris & Company
Weaving workshop at Merton Abbey Tapestry Works
designed 1877–98; woven before 1923
King David the Poet, Sir Edward Burne-Jones British, Stained glass, British, London
King David the Poet
Designer Figure designed by Sir Edward Burne-Jones
Designer Background designed by William Morris
Manufactory Morris, Marshall, Faulkner & Co.
1863
The Summons: Study for the Head of Gawaine, Sir Edward Burne-Jones British, Fabricated black crayon on paper
The Summons: Study for the Head of Gawaine
Sir Edward Burne-Jones
1893
Design for the Figure of "Flora", Sir Edward Burne-Jones British, Graphite on paper, British
Design for the Figure of "Flora"
Sir Edward Burne-Jones
19th century
Study of a Female Head, Sir Edward Burne-Jones British, Yellow, red, and green pastel with fabricated black crayon on red paper
Study of a Female Head
Sir Edward Burne-Jones
1890
Brooch in the form of a dove on an olive branch, Sir Edward Burne-Jones British, Gold, coral, turquoise, seed pearls, ruby, red and green translucent enamel, British
Brooch in the form of a dove on an olive branch
Designer Sir Edward Burne-Jones
Carlo (II) Giuliano
and Arthur Giuliano
ca. 1895
The Backgammon Players, Philip Webb British, Painted pine, oil paint on leather, brass, copper, British
The Backgammon Players
Designer Philip Webb
Manufacturer Morris, Marshall, Faulkner & Co.
Painted by Sir Edward Burne-Jones
1861
Caricature of two men (one of them possibly Edward Burne-Jones), Sir Edward Burne-Jones British, Pen and black ink, on writing paper
Caricature of two men (one of them possibly Edward Burne-Jones)
Attributed to Sir Edward Burne-Jones
1850–90
A seated couple, embracing, Sir Edward Burne-Jones British, White chalk with touches of graphite on brown paper
A seated couple, embracing
Sir Edward Burne-Jones
ca. 1865
Bath of Venus, Sir Edward Burne-Jones British, Metallic paint over graphite
Bath of Venus
Sir Edward Burne-Jones
1890s
The Month of March, Sir Edward Burne-Jones British, Graphite
The Month of March
Sir Edward Burne-Jones
ca. 1866
Armed Men, Sir Edward Burne-Jones British, Graphite, heightened with white chalk, on brown paper
Armed Men
Sir Edward Burne-Jones
1855–98
The Passing of Venus, Sir Edward Burne-Jones British, Gouache (bodycolor) and metallic paint on cardboard
The Passing of Venus
Sir Edward Burne-Jones
1898
Ascension of Christ (Acts I, 1–9): study for stained-glass window, Sir Edward Burne-Jones British, Watercolor and gouache (bodycolor), gold paint, and graphite
Ascension of Christ (Acts I, 1–9): study for stained-glass window
Sir Edward Burne-Jones
ca. 1875–84
The Cumaean Sibyl, Sir Edward Burne-Jones British, Etching and drypoint; proof before edition of 250
The Cumaean Sibyl
Multiple artists/makers
November 1, 1882
Noah, Sir Edward Burne-Jones British, Charcoal
Noah
Sir Edward Burne-Jones
Morris & Company
February 1, 1874
Seated Woman, Sir Edward Burne-Jones British, Graphite
Seated Woman
Sir Edward Burne-Jones
1864
Adam and Eve (Labour: Whan Adam Delved and Eve Span, Who Was Then the Gentleman?), Sir Edward Burne-Jones British, Process print
Adam and Eve (Labour: Whan Adam Delved and Eve Span, Who Was Then the Gentleman?)
After Sir Edward Burne-Jones
Carl Hentschel
1895 or later
Portrait of a young girl, Sir Edward Burne-Jones British, Graphite
Portrait of a young girl
Sir Edward Burne-Jones
1866–80
The Mirror of Venus, Sir Edward Burne-Jones British, Etching on imitation vellum; proof
The Mirror of Venus
Multiple artists/makers
1896
The Legend of the Briar Rose - The Prince Enters the Briar Wood, Sir Edward Burne-Jones British, Photogravure; proof
The Legend of the Briar Rose - The Prince Enters the Briar Wood
After Sir Edward Burne-Jones
Publisher Thomas Agnew & Sons, Ltd.
1892
The Parable of the Burning Pot, from "Dalziels' Bible Gallery", Sir Edward Burne-Jones British, Wood engraving on India paper, mounted on thin card
The Parable of the Burning Pot, from "Dalziels' Bible Gallery"
Multiple artists/makers
1865–81
King Sigurd the Crusader (in "Good Words for 1862," p. 248), Sir Edward Burne-Jones British, Wood engraving
King Sigurd the Crusader (in "Good Words for 1862," p. 248)
After Sir Edward Burne-Jones
Engraver Dalziel Brothers
Author Related author William Forsyth
April 1862
Alice, la Belle Pèlerine, Sir Edward Burne-Jones British, Graphite and black ink, heightened with white, on vellum; the head and shoulders on a subsidiary piece of vellum
Alice, la Belle Pèlerine
Sir Edward Burne-Jones
1858–59
Caricature of a windblown woman on the beach at Rottingdean, Sussex, Sir Edward Burne-Jones British, Black chalk
Caricature of a windblown woman on the beach at Rottingdean, Sussex
Sir Edward Burne-Jones
August 1893
A seated fat lady, Sir Edward Burne-Jones British, Pen and ink on lined blue paper
A seated fat lady
Sir Edward Burne-Jones
ca. 1866
Putto Study, for the lid of the Graham Family Piano, Sir Edward Burne-Jones British, White and reddish brown synthetic crayons on brown paper
Putto Study, for the lid of the Graham Family Piano
Sir Edward Burne-Jones
ca. 1879
The Vision of St. Francis, Sir Edward Burne-Jones British, Gouache, watercolor, earth pigments and gold
The Vision of St. Francis
Sir Edward Burne-Jones
1887
The Beginning of the World: Twenty Five Pictures by Edward Burne-Jones
Multiple artists/makers
1902
Cupid and Psyche
After Sir Edward Burne-Jones
Engraver William Morris
ca. 1866
Woodengraved Printing Block for "The Wine of Circe"
After Sir Edward Burne-Jones
after 1869
Adam and Eve (Labour: When Adam Delved and Eve Span, Who Was Then the Gentleman?)
After Sir Edward Burne-Jones
Carl Hentschel
Former Attribution Walter Crane
1895 or later
The Legend of the Briar Rose – The Garden Court
After Sir Edward Burne-Jones
Publisher Thomas Agnew & Sons, Ltd.
Publisher The Printsellers' Association, London
1892
The Legend of the Briar Rose - The Council Chamber (The King and His Court)
After Sir Edward Burne-Jones
Publisher Thomas Agnew & Sons, Ltd.
Publisher The Printsellers' Association, London
1892
Summer Snow (in "Good Words for 1863," opp. p. 380)
After Sir Edward Burne-Jones
Engraver Dalziel Brothers
1863
The Deliverer, in "Parables from Nature", opp. p. 205
After Sir Edward Burne-Jones
Engraver Horace Harral
1865
Vivien, from "The Idylls of the King"
After (?) Sir Edward Burne-Jones
Publisher (?) Kelmscott Press
Author Related author Alfred Tennyson
second half 19th century
The Annunciation, after Burne-Jones, from "Art of the American Wood-Engraver. Forty India Proofs to Accompany the Text of Philip Gilbert Hamerton", Francis Scott King American, Engraving
The Annunciation, after Burne-Jones, from "Art of the American Wood-Engraver. Forty India Proofs to Accompany the Text of Philip Gilbert Hamerton"
Engraver Francis Scott King
After Sir Edward Burne-Jones
Publisher Charles Scribner's Sons
1894
The God-Head Fires, after Burne-Jones, from "Art of the American Wood-Engraver. Forty India Proofs to Accompany the Text of Philip Gilbert Hamerton", Francis Scott King American, Engraving
The God-Head Fires, after Burne-Jones, from "Art of the American Wood-Engraver. Forty India Proofs to Accompany the Text of Philip Gilbert Hamerton"
Engraver Francis Scott King
After Sir Edward Burne-Jones
Publisher Charles Scribner's Sons
1894

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