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Department
Illuminated Psalter, Tempera, black ink and gold on parchment, Byzantine
Illuminated Psalter
Byzantine
late 1100s
Songs of Experience: The Little Vagabond, William Blake British, Relief etching printed in orange-brown ink and hand-colored with watercolor and shell gold
Songs of Experience: The Little Vagabond
William Blake
[1794] printed ca. 1825
Manuscript Illumination with the Assumption of the Virgin in an Initial A, from an Antiphonary, Cosmè Tura (Cosimo di Domenico di Bonaventura) Italian, Tempera, ink, and gold on parchment, Italian
Manuscript Illumination with the Assumption of the Virgin in an Initial A, from an Antiphonary
Attributed to Cosmè Tura (Cosimo di Domenico di Bonaventura)
1450–60
Leaf from a Beatus Manuscript: Seven Angels Hold the Cups of the Seven Last Plagues; The Hymn of the Lamb, Tempera, gold, and ink on parchment, Spanish
Leaf from a Beatus Manuscript: Seven Angels Hold the Cups of the Seven Last Plagues; The Hymn of the Lamb
Spanish
ca. 1180
Leaf from a Beatus Manuscript: the Sixth Angel Delivers the Four Angels that had been Bound at the River Euphrates; an Altar Appears in the Heavens as the Enthroned Christ Raises His Hand in Blessing, Tempera, gold, and ink on parchment, Spanish
Leaf from a Beatus Manuscript: the Sixth Angel Delivers the Four Angels that had been Bound at the River Euphrates; an Altar Appears in the Heavens as the Enthroned Christ Raises His Hand in Blessing
Spanish
ca. 1180
Leaf from a Beatus Manuscript: the Fourth Angel Sounds the Trumpet and an Eagle Cries Woe, Tempera, gold, and ink on parchment, Spanish
Leaf from a Beatus Manuscript: the Fourth Angel Sounds the Trumpet and an Eagle Cries Woe
Spanish
ca. 1180
Hebrew Bible: Unicorns and Other Creatures (fols. 440v-441), Joseph the Frenchman, Tempera, gold, and ink on parchment
On loan to The Met
Hebrew Bible: Unicorns and Other Creatures (fols. 440v-441)
Illuminated by Joseph the Frenchman
1299–1300
Manuscript Leaf Cutting Probably from a Missal with an Illuminated Initial S and King David Receiving the Holy Bread from Ahimelech the Priest., Parchment, tempera, ink, metal leaf, French
Manuscript Leaf Cutting Probably from a Missal with an Illuminated Initial S and King David Receiving the Holy Bread from Ahimelech the Priest.
French
late 15th century
Reconstruction of a medieval psaltery, Auguste Tolbecque French, Softwood (spruce, walnut, pearwood), gut strings, paper, French
On loan to The Met
Reconstruction of a medieval psaltery
Auguste Tolbecque
1896
Book of the Gospels, Northern Highlands artist, Parchment (vellum), acacia wood, tempera, ink
Book of the Gospels
Northern Highlands artist
late 14th–early 15th century
Illuminated Initial and Saint, Freeman Gage Delamotte British, Watercolor, pen and brown and red ink, and gold over graphite and gouache (bodycolor)
Illuminated Initial and Saint
Freeman Gage Delamotte
1830–62
Illuminated Initial "D", Freeman Gage Delamotte British, Watercolor, pen and purple and red ink over graphite with touches of gold and gouache (bodycolor)
Illuminated Initial "D"
Freeman Gage Delamotte
1830–62
Manuscript Leaf with Initial A, from a Gradual, Tempera, ink, and metal leaf on parchment, German
Manuscript Leaf with Initial A, from a Gradual
German
second quarter 15th century
Leaf from a Beatus Manuscript: the Opening of the Fifth Seal, Tempera, gold, and ink on parchment, Spanish
Leaf from a Beatus Manuscript: the Opening of the Fifth Seal
Spanish
ca. 1180
Angel with Harp, Cristoforo Cortese Italian, Tempera and gold on parchment, the gold filigree decoration applied on brownish gray bole.
Angel with Harp
Cristoforo Cortese
ca. 1401–7
Bifolium from a Gradual, Tempera, ink, and metal leaf on parchment, German
Bifolium from a Gradual
German
late 15th century
Initial P with the Martyrdom of Saint Peter Martyr, Tempera and ink on parchment, Italian
Initial P with the Martyrdom of Saint Peter Martyr
Italian
second half 13th century
Illuminated Initial "B", Freeman Gage Delamotte British, Watercolor and gold over graphite with touches of gouache (bodycolor)
Illuminated Initial "B"
Freeman Gage Delamotte
1830–62
Hebrew Bible: Gothic Arches with Dog and Hare (fol. 435v-436), Joseph the Frenchman, Tempera, gold, and ink on parchment
On loan to The Met
Hebrew Bible: Gothic Arches with Dog and Hare (fol. 435v-436)
Illuminated by Joseph the Frenchman
1299–1300
Another Year of LIfe Has Flown, Freeman Gage Delamotte British, Watercolor and gouache (bodycolor)
Another Year of LIfe Has Flown
Freeman Gage Delamotte
1830–62
Manuscript Illumination with Salvator Mundi in an Initial P, from a Choir Book, Tempera, ink, and gold on parchment, Italian
Manuscript Illumination with Salvator Mundi in an Initial P, from a Choir Book
Italian
early 16th century
Book of Hours, Gilles Hardouyn French, Tempera, ink and gold on parchment; leather binding, French
Book of Hours
Publisher Gilles Hardouyn
Germain Hardouyn
1518–21
Manuscript Leaf, from an Antiphonary, Tempera, ink, and metal leaf on parchment, German
Manuscript Leaf, from an Antiphonary
German
second quarter 15th century
The Annunciation from the Hours of Charles of France, Master of Charles of France French, Tempera, ink, and gold on parchment, French
The Annunciation from the Hours of Charles of France
Master of Charles of France
1465
Bifolium with Christ in Majesty in an Initial A, from an Antiphonary, Tempera, gold, and ink on parchment, Bohemian
Bifolium with Christ in Majesty in an Initial A, from an Antiphonary
Bohemian
ca. 1405
Story Title Page, "L'Oiseau de Feu", verso: text, Boris Zvorykin Russian, Gouache, metallic inks, and black ink, heightened with white, over graphite.
Story Title Page, "L'Oiseau de Feu", verso: text
Boris Zvorykin
ca. 1925
Angel with Portative Organ, Cristoforo Cortese Italian, Tempera and gold on parchment
Angel with Portative Organ
Cristoforo Cortese
ca. 1401–7
Manuscript Leaf with Entry into Jerusalem on Palm Sunday in an Initial D, from a Gradual, Bartolomeo di Domenico di Guido Italian, Tempera, ink, and gold on parchment, Italian
Manuscript Leaf with Entry into Jerusalem on Palm Sunday in an Initial D, from a Gradual
Bartolomeo di Domenico di Guido
15th–16th century
Manuscript Leaf with the Trinity in an Initial T, from an Antiphonary, Master of the Riccardiana Lactantius, Tempera, ink, and gold on parchment, Italian
Manuscript Leaf with the Trinity in an Initial T, from an Antiphonary
Master of the Riccardiana Lactantius
second half 15th century
Manuscript Leaf with Coat of Arms, from a Book of Hours, Tempera, ink, and shell gold on parchment, Netherlandish
Manuscript Leaf with Coat of Arms, from a Book of Hours
Netherlandish
ca. 1500
Manuscript Illumination with David in Prayer in an Initial M, from a Psalter, Girolamo dai Libri Italian, Tempera, ink, and gold on parchment, Italian
Manuscript Illumination with David in Prayer in an Initial M, from a Psalter
Girolamo dai Libri
1501–2
Manuscript Illumination with Saint Lawrence in an Initial C, from a Gradual, Don Simone Camaldolese Italian, Florentine, Tempera, ink and gold on parchment, Italian
Manuscript Illumination with Saint Lawrence in an Initial C, from a Gradual
Don Simone Camaldolese
ca. 1380–90
Manuscript Leaf with Saint Benedict Resuscitating a Boy in an Initial D, from an Antiphonary, Master of the Riccardiana Lactantius, Tempera, ink, and gold on parchment, Italian
Manuscript Leaf with Saint Benedict Resuscitating a Boy in an Initial D, from an Antiphonary
Master of the Riccardiana Lactantius
second half 15th century
Calendar-Almanac in Scroll Form, Katib Muhammad Ma'ruf Na'ili, Ink, opaque watercolor, and gold on parchment
Calendar-Almanac in Scroll Form
Calligrapher Signed and dated by Katib Muhammad Ma'ruf Na'ili
dated 1224 AH/1810 CE
Manuscript Leaf with Initial V, from an Antiphonary, Tempera, ink, and metal leaf on parchment, German
Manuscript Leaf with Initial V, from an Antiphonary
German
second quarter 15th century
Leaf from a Beatus Manuscript: at the Clarion of the Fifth Angel's Trumpet, a Star Falls from the Sky; the Bottomless Pit is Opened with a Key; Emerging from the Smoke, Locusts Come Upon the Earth and Torment the Deathless, Tempera, gold, and ink on parchment, Spanish
Leaf from a Beatus Manuscript: at the Clarion of the Fifth Angel's Trumpet, a Star Falls from the Sky; the Bottomless Pit is Opened with a Key; Emerging from the Smoke, Locusts Come Upon the Earth and Torment the Deathless
Spanish
ca. 1180
Songs of Innocence: A Cradle Song, William Blake British, Relief etching printed in orange-brown ink and hand-colored with watercolor and shell gold
Songs of Innocence: A Cradle Song
William Blake
[1789] printed ca. 1825
Manuscript Leaf with Initial B, from an Antiphonary, Tempera, ink, and metal leaf on parchment, German
Manuscript Leaf with Initial B, from an Antiphonary
German
second quarter 15th century
Illumination in the Form of a Vase, Ink, opaque watercolor and gold on paper
Illumination in the Form of a Vase
early 17th century
Gospel Book, Ink and opaque watercolor on parchment; modern leather binding, Carolingian
Gospel Book
Carolingian
ca. 825–50
Manuscript Leaf with the Trinity in an Initial G, from an Antiphonary, Master of the Riccardiana Lactantius, Tempera, ink, and gold on parchment, Italian
Manuscript Leaf with the Trinity in an Initial G, from an Antiphonary
Master of the Riccardiana Lactantius
second half 15th century
Manuscript Leaf with Initial C, from an Antiphonary, Tempera, ink, and metal leaf on parchment, Italian
Manuscript Leaf with Initial C, from an Antiphonary
Italian
15th century

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