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1-42 of 320 results for leonardo da vinci
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Compositional Sketches for the Virgin Adoring the Christ Child, with and without the Infant St. John the Baptist; Diagram of a Perspectival Projection (recto); Slight Doodles (verso), Leonardo da Vinci  Italian, Silverpoint, partly reworked by the artist with pen and dark brown ink on pink prepared paper; lines ruled with metalpoint (recto); pen and brown ink (verso)
Leonardo da Vinci
1480–85
A Bear Walking, Leonardo da Vinci  Italian, silverpoint on light buff prepared paper
Leonardo da Vinci
ca. 1482–85
The Last Supper, after Leonardo da Vinci, Rembrandt (Rembrandt van Rijn)  Dutch, Red chalk
Rembrandt (Rembrandt van Rijn)
1634–35
The Head of the Virgin in Three-Quarter View Facing Right, Leonardo da Vinci  Italian, Black chalk, charcoal, and red chalk, with some traces of white chalk (?); some remains of framing lines in pen and brown ink at upper right (not by Leonardo)
Leonardo da Vinci
1510–13
Leonardo da Vinci (1452–1519), Antonio Berini, Glass and gold, Italian, Rome
Antonio Berini
early 19th century
Portrait of Leonardo da Vinci, from "Characaturas by Leonardo da Vinci, from Drawings by Wincelslaus Hollar, out of the Portland Museum", Leonardo da Vinci  Italian, Aquatint and etching
Sitter Leonardo da Vinci
1786
Medalist: Léonard-Girard Hérard
Manufactory Cast after the original by the Paris Mint
17th and 20th century
Divina proportione, Leonardo da Vinci  Italian, Book with woodcut illustrations
Designer after Leonardo da Vinci
Fra Luca Pacioli
Publisher Paganinus de Paganinus
June 1, 1509
The Head of a Grotesque Man in Profile Facing Right, Leonardo da Vinci  Italian, Pen and brown ink, on off-white paper (now darkened)
After Leonardo da Vinci
after 1500
Head of a Man in Profile Facing to the Left, Leonardo da Vinci  Italian, Pen and brown ink, over soft black chalk
Leonardo da Vinci
1490–94
Allegory on the Fidelity of the Lizard (recto); Design for a Stage Setting (verso), Leonardo da Vinci  Italian, Pen and brown ink (recto and verso)
Leonardo da Vinci
1496
Studies for Hercules Holding a Club Seen in Frontal View, Male Nude Unsheathing a Sword, and the Movements of Water (recto); Study for Hercules Holding a Club Seen in Rear View (verso), Leonardo da Vinci  Italian, Pen and brown ink; soft black chalk or charcoal (recto); soft black chalk or charcoal (verso)
Leonardo da Vinci
ca. 1506–8
Traitté de la Peinture, Leonardo da Vinci  Italian, Printed book
Multiple artists/makers
1651
Madonna of the Yarnwinder (The Lansdowne Madonna), Leonardo da Vinci and Studio Italian, Oil transferred from walnut panel
On loan to The Met
Leonardo da Vinci
ca. 1501
Medalist: Luigi Cossa
19th century
After Giovanni Francesco Melzi
Publisher Biblioteca Ambrosiana
Sitter Leonardo da Vinci
1780–1830
Multiple artists/makers
1682–95
After Leonardo da Vinci
After Giovanni Antonio da Brescia
ca. 1580–1620
Allegory of Painting (The Death of Leonardo da Vinci), Giuseppe Cades  Italian, Etching
Giuseppe Cades
Subject Leonardo da Vinci
ca. 1780–99
The Death of Leonardo da Vinci, Joseph Théodore Richomme  French, Etching and engraving
Joseph Théodore Richomme
After Jean Auguste Dominique Ingres
Subject Leonardo da Vinci
ca. 1825
Embroidery Pattern with Seven Six-pointed Stars and Four Corner Pieces, Albrecht Dürer  German, Woodcut
Albrecht Dürer
After Leonardo da Vinci
before 1521
The Rape of Ganymede, Caradosso (Cristoforo Caradosso Foppa), Bronze, remains of gilding, Italian, Milan
Caradosso (Cristoforo Caradosso Foppa)
Designer Probably after a design by Leonardo da Vinci
16th century
Banknote motif with a girl's head derived from Leonardo da Vinci against a patterned band, Asher Brown Durand  American, Engraving and etching; proof
Multiple artists/makers
ca. 1824–37
Title Page: Characaturas by Leonardo da Vinci, from Drawings by Wincelslaus Hollar, out of the Portland Museum, Wenceslaus Hollar  Bohemian, Etching and engraving
After Wenceslaus Hollar
After Leonardo da Vinci
Publisher Published London by John Clarke
1786
Four Heads (from Characaturas by Leonardo da Vinci, from Drawings by Wincelslaus Hollar, out of the Portland Museum), Wenceslaus Hollar  Bohemian, Etching
After Wenceslaus Hollar
After Leonardo da Vinci
Publisher Published London by John Clarke
1786
Four Heads (from Characaturas by Leonardo da Vinci, from Drawings by Wincelslaus Hollar, out of the Portland Museum), Wenceslaus Hollar  Bohemian, Etching
After Wenceslaus Hollar
After Leonardo da Vinci
Publisher Published London by John Clarke
1786
Four Heads (from Characaturas by Leonardo da Vinci, from Drawings by Wincelslaus Hollar, out of the Portland Museum), Wenceslaus Hollar  Bohemian, Etching
After Wenceslaus Hollar
After Leonardo da Vinci
Publisher Published London by John Clarke
1786
Four Heads (from Characaturas by Leonardo da Vinci, from Drawings by Wincelslaus Hollar, out of the Portland Museum), Wenceslaus Hollar  Bohemian, Etching
After Wenceslaus Hollar
After Leonardo da Vinci
Publisher Published London by John Clarke
1786
Four Heads (from Characaturas by Leonardo da Vinci, from Drawings by Wincelslaus Hollar, out of the Portland Museum), Wenceslaus Hollar  Bohemian, Etching
After Wenceslaus Hollar
After Leonardo da Vinci
Publisher Published London by John Clarke
1786
Four Heads (from Characaturas by Leonardo da Vinci, from Drawings by Wincelslaus Hollar, out of the Portland Museum), Wenceslaus Hollar  Bohemian, Etching
After Wenceslaus Hollar
After Leonardo da Vinci
Publisher Published London by John Clarke
1786
Four Heads (from Characaturas by Leonardo da Vinci, from Drawings by Wincelslaus Hollar, out of the Portland Museum), Wenceslaus Hollar  Bohemian, Etching
After Wenceslaus Hollar
After Leonardo da Vinci
Publisher Published London by John Clarke
1786
Four Heads (from Characaturas by Leonardo da Vinci, from Drawings by Wincelslaus Hollar, out of the Portland Museum), Wenceslaus Hollar  Bohemian, Etching
After Wenceslaus Hollar
After Leonardo da Vinci
Publisher Published London by John Clarke
1786
Four Heads (from Characaturas by Leonardo da Vinci, from Drawings by Wincelslaus Hollar, out of the Portland Museum), Wenceslaus Hollar  Bohemian, Etching
After Wenceslaus Hollar
After Leonardo da Vinci
Publisher Published London by John Clarke
1786
Four Heads (from Characaturas by Leonardo da Vinci, from Drawings by Wincelslaus Hollar, out of the Portland Museum), Wenceslaus Hollar  Bohemian, Etching
After Wenceslaus Hollar
After Leonardo da Vinci
Publisher Published London by John Clarke
1786
Four Heads (from Characaturas by Leonardo da Vinci, from Drawings by Wincelslaus Hollar, out of the Portland Museum), Wenceslaus Hollar  Bohemian, Etching
After Wenceslaus Hollar
After Leonardo da Vinci
Publisher Published London by John Clarke
1786
Four Heads (from Characaturas by Leonardo da Vinci, from Drawings by Wenceslaus Hollar, out of the Portland Museum), Wenceslaus Hollar  Bohemian, Etching
After Wenceslaus Hollar
After Leonardo da Vinci
Publisher Published London by John Clarke
1786
Four Heads (from Characaturas by Leonardo da Vinci, from Drawings by Wincelslaus Hollar, out of the Portland Museum), Wenceslaus Hollar  Bohemian, Etching
After Wenceslaus Hollar
After Leonardo da Vinci
Publisher Published London by John Clarke
1786
Four Heads (from Characaturas by Leonardo da Vinci, from Drawings by Wincelslaus Hollar, out of the Portland Museum), Wenceslaus Hollar  Bohemian, Etching
After Wenceslaus Hollar
After Leonardo da Vinci
Publisher Published London by John Clarke
1786
Four Heads (from Characaturas by Leonardo da Vinci, from Drawings by Wincelslaus Hollar, out of the Portland Museum), Wenceslaus Hollar  Bohemian, Etching
After Wenceslaus Hollar
After Leonardo da Vinci
Publisher Published London by John Clarke
1786
The Last Supper, with a Spaniel, Giovanni Pietro da Birago  Italian, Engraving
Attributed to Giovanni Pietro da Birago
After Leonardo da Vinci
ca. 1500
The Head of a Woman in Profile Facing Left, Giovanni Antonio Boltraffio  Italian, Silverpoint and leadpoint, highlighted with white gouache, on pale blue-gray (indigo) prepared paper. Media tested by the Department of Scientific Research, The Metropolitan Museum of Art, with x-ray fluorescence spectroscopy (XRF) and fiber optics reflectance spectroscopy (FORS); October 1, 2019.
Giovanni Antonio Boltraffio
Follower of Leonardo da Vinci
1490–1500
A Grotesque Couple: Old Woman with an Elaborate Headdress and 
Old Man with Large Ears and Lacking a Chin, Giovanni Francesco Melzi  Italian, Pen and brown ink
Attributed to Giovanni Francesco Melzi
After Leonardo da Vinci
1491/93–1570

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