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Loggia, Villa Giulia, Rome, John Singer Sargent American, Watercolor and graphite on white wove paper, American
Loggia, Villa Giulia, Rome
John Singer Sargent
ca. 1907
Loggia, Ercole Procaccini The Younger Italian, Pen and brown ink, brush and brown wash over red chalk; fragmentary framing lines in black chalk
Loggia
Ercole Procaccini The Younger
17th century
The entrance front, with pergola and entrance loggia., David Aronow American, Gelatin silver print
The entrance front, with pergola and entrance loggia.
David Aronow
1930s
Loggia with Caryatids before a Fountain and Landscape, Ercole Procaccini The Younger Italian, Pen and brown ink, brush and brown wash, over black chalk, with ruled stylus incisions; framing outline with marks at regular intervals in brown ink
Loggia with Caryatids before a Fountain and Landscape
Ercole Procaccini The Younger
17th century
Loggia of the Ducal Palace, Venice, John Ruskin British, Watercolor over graphite
Loggia of the Ducal Palace, Venice
John Ruskin
1849–50
Section of the Loggia in the Villa of Pope Julius [III.], Pietro Paolo Coccetti (Cocchetti) Italian, Pen and brown ink, brush and gray wash, over ruling in graphite
Section of the Loggia in the Villa of Pope Julius [III.]
Pietro Paolo Coccetti (Cocchetti)
1710–27
Loggia, Welbeck Abbey, John Singer Sargent American, Graphite on off-white wove paper, American
Loggia, Welbeck Abbey
John Singer Sargent
ca. 1900–1902
Loggia dei Lanzi, Florence, Italy, Philip H. Giddens American, Drypoint
Loggia dei Lanzi, Florence, Italy
Philip H. Giddens
ca. 1928
Loggia dei Lanzi, Florence, John Singer Sargent American, Graphite on off-white wove paper, American
Loggia dei Lanzi, Florence
John Singer Sargent
1902–8
Architectural Elements from Laurelton Hall, Oyster Bay, New York, Louis C. Tiffany American, Limestone, ceramic, and Fravrile glass, American
Architectural Elements from Laurelton Hall, Oyster Bay, New York
Designer Designed by Louis C. Tiffany
ca. 1905
Loggia dei Lanzi, Florence
Ferdinando Artaria et Fils
Johann Jakob Falkeisen
1842
Design for a Trompe L'Oeil Ceiling with a Loggia, Faustino Trebbi Italian, Pen and ink and wash
Design for a Trompe L'Oeil Ceiling with a Loggia
Faustino Trebbi
After Girolamo Curti detto "Dentone"
n.d.
The entrance front, with conservatory, pergola, and entrance loggia., David Aronow American, Gelatin silver print
The entrance front, with conservatory, pergola, and entrance loggia.
David Aronow
1930s
The entrance loggia, from pergola.
David Aronow
1930s
View of a courtyard with a loggia, fountains, statues, and other ornaments (Prospetto d'un regio Cortile nel cui mezzo vi stà una Loggia...), from "Prima Parte di Architettura, e Prospettive", Giovanni Battista Piranesi Italian, Etching
View of a courtyard with a loggia, fountains, statues, and other ornaments (Prospetto d'un regio Cortile nel cui mezzo vi stà una Loggia...), from "Prima Parte di Architettura, e Prospettive"
Giovanni Battista Piranesi
ca. 1750
[Façade, Views, and Entrance Loggia of the Renaissance Court], Philip Henry Delamotte British, Albumen silver print from glass negative
[Façade, Views, and Entrance Loggia of the Renaissance Court]
Attributed to Philip Henry Delamotte
ca. 1859
The entrance front, with entrance loggia.
David Aronow
1930s
Design drawing of magnolia blossom of floral capital from loggia, Laurelton Hall, Lenox, Incorporated American, Watercolor, graphite, and ink on paper, American
Design drawing of magnolia blossom of floral capital from loggia, Laurelton Hall
Lenox, Incorporated
ca. 1900–1915
Design drawing of peony blossom of floral capital from loggia, Laurelton Hall, Lenox, Incorporated American, Watercolor, graphite, and ink on paper, American
Design drawing of peony blossom of floral capital from loggia, Laurelton Hall
Lenox, Incorporated
ca. 1900–1915
Design drawing of of lotus blossom of floral capital from loggia, Laurelton Hall, Lenox, Incorporated American, Watercolor, graphite, and ink on paper, American
Design drawing of of lotus blossom of floral capital from loggia, Laurelton Hall
Lenox, Incorporated
ca. 1900–1915
Design drawing of of poppy blossom of floral capital from loggia, Laurelton Hall, Lenox, Incorporated American, Watercolor, graphite, and ink on paper, American
Design drawing of of poppy blossom of floral capital from loggia, Laurelton Hall
Lenox, Incorporated
ca. 1900–1915
[Loggia di Fra' Giacondo, Piazza dei Signori, Verona]
Maurizio Lotze
ca. 1858
Design drawing of flower buds and seedpods of floral capitals from loggia, Laurelton Hall, Lenox, Incorporated American, Watercolor, graphite, and ink on paper, American
Design drawing of flower buds and seedpods of floral capitals from loggia, Laurelton Hall
Lenox, Incorporated
ca. 1900–1915
Ornamental Design for a Loggia or Frieze (?), Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and brown wash, over leadpoint or graphite, with ruled construction
Ornamental Design for a Loggia or Frieze (?)
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Architectural Capriccio: A Vaulted Passageway (recto); Ruined Loggia (verso), Francesco Guardi Italian, Pen and brown ink, brush and brown wash (recto); pen and brown ink (verso); framing lines in pen and brown ink
Architectural Capriccio: A Vaulted Passageway (recto); Ruined Loggia (verso)
Francesco Guardi
18th century
The entrance loggia, taken from second floor balcony, view towards Oyster Bay.
David Aronow
1930s
Figures from Raphael's Vatican Loggia (recto); Study of a Bearded Man (verso), Eugène Delacroix French, Pen and iron gall ink (recto); graphite (verso)
Figures from Raphael's Vatican Loggia (recto); Study of a Bearded Man (verso)
Eugène Delacroix
After Raphael (Raffaello Sanzio or Santi)
ca. 1833–35
Design for the Entrance of the Loggia of the Villa of Pope Julius, Pietro Paolo Coccetti (Cocchetti) Italian, Pen and brown ink, brush and gray wash, over ruling in graphite
Design for the Entrance of the Loggia of the Villa of Pope Julius
Pietro Paolo Coccetti (Cocchetti)
1710–27
Design Elevation for an Interior Door in the Loggia of Pope Julius [III.], Pietro Paolo Coccetti (Cocchetti) Italian, Pen and brown ink, brush and gray wash, over ruling in graphite
Design Elevation for an Interior Door in the Loggia of Pope Julius [III.]
Pietro Paolo Coccetti (Cocchetti)
1710–27
Moses Striking the Rock, from The Loggia Paintings
Orazio Borgianni
After Raphael (Raffaello Sanzio or Santi)
ca. 1616
View of Loggia, from "Loggie di Rafaele nel Vaticano"
Giovanni Volpato
After Raphael (Raffaello Sanzio or Santi)
Intermediary draughtsman Pietro Camporesi
ca. 1777
Elevation of an Italianate interior, including steps and an upper loggia decorated in composite columns, Jules-Edmond-Charles Lachaise French, pen and ink, wash and watercolor, heightened with white on wove paper
Elevation of an Italianate interior, including steps and an upper loggia decorated in composite columns
Jules-Edmond-Charles Lachaise
Eugène-Pierre Gourdet
1830–97
Fantasy based on Vatican: Sistine Chapel, Loggia (identification by James S. Ackerman) (recto); A Lion (verso), Ercole Procaccini The Younger Italian, Pen and brown ink, over black chalk
Fantasy based on Vatican: Sistine Chapel, Loggia (identification by James S. Ackerman) (recto); A Lion (verso)
Ercole Procaccini The Younger
17th century
Assembly of the Gods after the ceiling composition in the Loggia di Psiche, Villa Farnesina, Rome, Giovanni Jacopo Caraglio Italian, Engraving; first state of two
Assembly of the Gods after the ceiling composition in the Loggia di Psiche, Villa Farnesina, Rome
Giovanni Jacopo Caraglio
After Giovanni Francesco Penni
After Raphael (Raffaello Sanzio or Santi)
1527
Plate 2: grotesque wall decorations, after Raphael's Loggia of the Vatican
Carlo Lasinio
After Raphael (Raffaello Sanzio or Santi)
ca. 1802
Plate 3: grotesque wall decorations, after Raphael's Loggia of the Vatican
Carlo Lasinio
After Raphael (Raffaello Sanzio or Santi)
ca. 1802
Plate 5: grotesque wall decorations, after Raphael's Loggia of the Vatican
Carlo Lasinio
After Raphael (Raffaello Sanzio or Santi)
ca. 1802
Plate 6: grotesque wall decorations, after Raphael's Loggia of the Vatican
Carlo Lasinio
After Raphael (Raffaello Sanzio or Santi)
ca. 1802
Plate 8: grotesque wall decorations, after Raphael's Loggia of the Vatican
Carlo Lasinio
After Raphael (Raffaello Sanzio or Santi)
ca. 1802
Plate 7: grotesque wall decorations, after Raphael's Loggia of the Vatican
Carlo Lasinio
After Raphael (Raffaello Sanzio or Santi)
ca. 1802
Plate 1: grotesque wall decorations, after Raphael's Loggia of the Vatican
Carlo Lasinio
After Raphael (Raffaello Sanzio or Santi)
ca. 1802
Plate 2: grotesque wall decorations, after Raphael's Loggia of the Vatican
Carlo Lasinio
After Raphael (Raffaello Sanzio or Santi)
ca. 1802

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