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  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
Showing 767 results for william-james-bennett
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[Postcards Addressed to Walker Evans and Filed by the Artist with his Collection of Postcards]
Walker Evans
1900s–1970s
[Black Spiral-Bound Address Book]
Walker Evans
1920s–70s
The Aldine: Typograhic Art Journal, Vol. 4, Nos. 1-12
James Sutton & Co.
January–December 1871
Sun and Shade, Vol. IV, Nos. 1-12
1890s
The Photographic Album for the Year 1857. Being Contributions from the Members of the Photographic Club
Captain R. H. Henry
1857
A Collection of Portraits, Sketched from the Life Since the Year 1793...and engraved in imitation of Original Drawings, vol. 2
William Daniell
1814
[Group of 148 Stereograph Views of Egypt, the Holy Lands, and the Middle East, Including Palestine and Jerusalem]
Unknown
1850s–1910s
[Group of 122 Stereograph Views of Egypt, the Holy Lands, and the Middle East, Including Palestine and Jerusalem]
Unknown
1850s–1910s
Beauties of the Bosphorus
Miss Pardoe
1838
[Red Leather-Bound Address Book]
Walker Evans
1920s–40s
[Navy Leather-Bound Appointment and Address Book for the Year 1972]
Walker Evans
1972
[Brown Leather-Bound Address Book]
Walker Evans
1920s–40s
Pictorial Photographs. A Record of the Photographic Salon of 1897. In Seventeen Plates Reproduced in Photogravure
W. Thomas
1897
Central Park, Winter
William James Glackens
ca. 1905
Pictorial Photographs. A Record of the Photographic Salon of 1896. In Eighteen Plates Reproduced in Photogravure
Paul Bergon
1880s
[Navy Leather-Bound Address Book]
Walker Evans
1920s–40s
[30 Stereographs]
Kilburn Brothers
1860s
The Green Car
William James Glackens
1910
Weehawken from Turtle Grove
William James Bennett
ca. 1830
View of South Street, from Maiden Lane, New York City
William James Bennett
ca. 1827
[Group of 207 Stereograph Views of the 1876 Philadelphia Centennial Exhibition]
Unknown
1850s–1910s
[Group of 13 Stereograph Views of Families and Children]
Keystone View Company
1850s–1910s
[Group of 47 Stereograph Views of the 1904 St. Louis World's Fair and Louisiana Purchase Exposition]
C. H. Graves
1850s–1910s
[Carte-de-Visite Album of Famous American Personages]
Edward Anthony
1860s–70s
Gardner's Photographic Sketchbook of the War, Volume 2
Alexander Gardner
1863
Gardner's Photographic Sketchbook of the War, Volume 1
Alexander Gardner
1863
South St. from Maiden Lane
William James Bennett
1834
Fulton Street and Market, New York
William James Bennett
1834
South Street from Maiden Lane, New York, in 1828
William James Bennett
1834
Weekhawken
Asher Brown Durand
1833
Fulton Street & Market, New York (The Bennett View of Fulton Street)
William James Bennett
1834
[97 Cartes-de-Visite Portraits by Various Makers, Mostly American]
Various
1860s–70s
The Falls of the Sawkill
Asher Brown Durand
1830
[Views of the American Civil War]
John Reekie
1861–65
[Group of 12 Stereograph Views of the 1900 Paris Exposition, France]
J. F. Jarvis
1850s–1910s
The Equinoctial off Sandy Hook (New York Mirror)
William James Bennett
before 1844
A Brisk Gale, Bay of New York
William James Bennett
1839
Mr. James Bennett as Iago: "That Cassio loves her, I do well believe it. That she love him, 'tis apt, and of great credit" (Othello, Act 3, Scene 4)
Martin & Johnson, New York
1855
Milk - The Backbone of Young Britain
James Fitton
ca. 1942–45
A clear plate means a clear conscience
James Fitton
ca. 1943