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Divine Pleasures: Painting from India's Rajput Courts—The Kronos Collections

McInerney Terence, with Steven M. Kossak and Navina Najat Haidar
2016
272 pages
140 illustrations
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As one of the finest holdings of Indian art in the West, the Kronos Collections are particularly distinguished for paintings made between the sixteenth and early nineteenth centuries for the Indian royal courts in Rajasthan and the Punjab Hills. These outstanding works, many of which are published and illustrated here for the first time, are characterized by their brilliant colors and vivid, powerful depictions of scenes from Hindu epics, mystical legends, and courtly life. They also present a new way of seeking the divine through a form of personal devotion—known as bhakti—that had permeated India’s Hindu community. While explaining the gods, demons, lovers, fantastical creatures, and mystical symbols that are central to literature and worship, this publication celebrates the diverse styles and traditions of Indian painting.

Divine Pleasures features an informative entry for each work and two essays by scholar Terence McInerney that together outline the history of Indian painting and the Rajput courts, providing fresh insights and interpretations. Also included are a personal essay by expert and collector Steven M. Kossak and an examination of Hindu epic and myth in Mughal painting, which lays important foundations for Rajput painting, by curator Navina Najat Haidar. Through their research and observations, the authors deepen our understanding and underscore the significance of Indian painting. Divine Pleasures presents a nuanced view of a way of life intimately tied to the seasons, the arts, and the divine.

Met Art in Publication

Kedar Ragini: Folio from a ragamala series (Garland of Musical Modes)

, Ruknuddin, Opaque watercolor and ink on paper, India (Bikaner, Rajasthan)
Ruknuddin
ca. 1690–95
Goddess with Weapons in Her Hair, Copper alloy, North India (possibly Kausambi, Uttar Pradesh)
2nd century BCE
King Dasaratha and His Retinue Proceed to Rama's Wedding:  Folio from the Shangri Ramayana Series (Style II), Opaque watercolor and ink on paper, India, Punjab Hills, kingdom of Mankot
ca. 1690–1710
A Lady Playing the Tanpura, Ink, opaque and transparent watercolor, and gold on paper, India (Rajasthan, Kishangarh)
ca. 1735
Panchama Ragini: Page from a Ragamala Series (Garland of Musical Modes)

, Ink, opaque watercolor, and gold on paper, India (Rajasthan, Bikaner)
ca. 1640
Rama Releases the Demon Spies Shuka and Sarana: Folio from the Siege of Lanka series
, Manaku  Indian, Opaque watercolor, ink and gold on paper, India, Guler, Himachal Pradesh
Manaku
ca. 1725
Maharaja Sidh Sen Receiving an Embassy, A Master of the Mandi atelier  Indian, Ink and opaque watercolor on paper, India (Himachal Pradesh, Mandi)
A Master of the Mandi atelier
ca. 1700–10
Raja Balwant Singh’s Vision of Krishna and Radha, Nainsukh  Indian, Ink, opaque watercolor, and gold on paper, India, Punjab Hills, kingdom of Jasrota
Nainsukh
ca. 1745–50
Head of Krishna: cartoon for a mural of the Raslila 

, Sahib Ram, Ink and opaque watercolor on paper, India (Rajasthan, Jaipur)
Sahib Ram
ca. 1800
"Assad Ibn Kariba Launches a Night Attack on the Camp of Malik Iraj", Folio from a Hamzanama (The Adventures of Hamza), Basavana, Ink, opaque watercolor, and gold on cloth; mounted on paper
Basavana
ca. 1564–69
"'Umar Walks around Fulad Castle, Meets a Foot Soldier and Kicks Him to the Ground", Folio from a Hamzanama (The Adventures of Hamza), Kesav Das  Indian, Ink, opaque watercolor, and gold on cloth; mounted on paper
Kesav Das
ca. 1570
"Hamid Bhakari Punished by Akbar", Folio from a Manuscript of the Akbarnama. Folio from the Davis Album, Abu'l Fazl  Indian, Ink, opaque watercolor, and gold on paper
Abu'l Fazl
ca. 1604
"A Muslim Pilgrim Learns a Lesson in Piety from a Brahman", Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi, Amir Khusrau Dihlavi  Indian, Image: Ink, opaque watercolor, and gold on paper<br/>Margins: Gold on dyed paper
Amir Khusrau Dihlavi
1597–98
The Gopis Plead with Krishna to Return Their Clothing: Folio from "Isarda" Bhagavata Purana, Master of the "Isarda" Bhagavata Purana, Opaque watercolor and ink on paper, North India (Delhi -Agra area)
Master of the "Isarda" Bhagavata Purana
ca. 1560–65
"Jahangir and His Vizier, I'timad al-Daula", Folio from the Shah Jahan Album, Manohar, Ink, opaque watercolor, and gold on paper
Manohar
recto: ca. 1615; verso: ca. 1530–45
"Red-Headed Vulture and Long-Billed Vulture", Folio from the Shah Jahan Album, Mansur, Ink, opaque watercolor, and gold on paper
Mansur
verso: ca. 1615–20; recto: ca. 1535–45
"Shah Jahan on Horseback", Folio from the Shah Jahan Album, Payag  Indian, Ink, opaque watercolor, and gold on paper
Payag
verso: ca. 1630; recto: ca. 1530–50
"The Battle of Shahbarghan", Folio from a Padshahnama (Chronicle of the Emperor), Ink, opaque watercolor, and gold on paper
17th century
The Emperor Aurangzeb Carried on a Palanquin, Bhavanidas, Opaque watercolor and gold on paper
Bhavanidas
ca. 1705–20
"Krishna Holds Up Mount Govardhan to Shelter the Villagers of Braj", Folio from a Harivamsa (The Legend of Hari (Krishna)), Ink, opaque watercolor, and gold on paper
ca. 1590–95
Showing 20 of 35

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McInerney, Terence, Steven Kossak, and Navina Najat Haidar. 2016. Divine Pleasures: Painting from India’s Rajput Courts the Kronos Collections [Exhibition, The Metropolitan Museum of a, New York, June 14-September 11, 2016]. New York London: The Metropolitan museum of art distributed by Yale university press.