Персей с головой Медузы

1804–6
On view at The Met Fifth Avenue in Gallery 548
С 1797 по 1801 гг. Канова работал над статуей Персея по образу Аполлона Бельведерского II в. н.э., хранящегося в музее Ватикана. Персей изображен с угрожающе занесенным мечом над головой Медузы, которую он сразил с помощью богини Минервы. Когда статуя была представлена в студии Кановы, папа Пий VII приобрел ее и поместил на место Аполлона Бельведерского, прежде чем Наполеон временно перевез ее во Францию. Статуя, хранящаяся в музее Метрополитен, была отлита вскоре по заказу польской графини Валерии Тарновска в нескольких вариантах. Величавый Персей Кановы стал образцом героической красоты эпохи Неоклассицизма.

Artwork Details

Object Information
  • Название: Персей с головой Медузы
  • Художник: Антонио Канова, Италия, 1757–1822 гг.
  • Дата: 1804–6 гг.
  • Материал: Мрамор
  • Размер: Выс. 242,6 см
  • Благодарность: Фонд Флетчера, 1967
  • Номер объекта: 67.110.1
  • Curatorial Department: European Sculpture and Decorative Arts

Audio

Доступно только в: English
Cover Image for 86. Perseus with the Head of Medusa, Part 1

86. Perseus with the Head of Medusa, Part 1

Gallery 548

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PETER BELL: This is a sculpture about movement. Perseus's weight rests on his left leg, and he also moves in that same direction. So there's a sweep of motion that's highlighted by the drapery as it falls off of his shoulder.

ALICE SCHWARZ: The swag of the fabric that extends behind his body almost shows the movement of that arm that has just been raised. You almost get a sense that the arm has just come up to show off, like a trophy, the head that dangles from his hand.

NARRATOR: At first glance, you might think this sculpture shows the grisly moment after the mythical hero Perseus has beheaded Medusa, but look more closely.

ALICE SCHWARZ: The moment that's been captured should be incredibly dramatic. That he has just severed the head of perhaps the most evil thing that he has encountered.

PETER BELL: His right hand holding the sword is not in action. His stance suggests this story. It's a presentational pose. It's a sculpture about motion, but it's not the motion of killing. This could be the moment that Perseus presents the head of Medusa as a votive offering to Athena, rather than the moment in which Perseus slays the monster.

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