Hat

Gallenga’s prints with varied shades of metallic pigment imitate the sheen of metallic threads and suggest the patina of age. Her technique produced a unique effect that did not immediately reveal its precise method of application; as one contemporary fashion reporter described, the designs “did not seem painted nor yet woven.” The patterns were block printed, but Gallenga maintained efforts to keep her process secret, involving only a small number of her staff in this step. When her business manager Amato Amati introduced Gallenga’s fashions to an American audience through an article in Vogue in 1916, he erroneously described the prints as “stenciled,” further contributing to the mystery surrounding her technique. While tea gowns, evening dresses, and capes made from these signature textiles are well known, accessories are rare.