Eleven Beads
Gold beads such as these might be part of a matrilineal family’s sacred inheritance, which is a set of precious objects are kept as a shrine to the family’s ancestors. They are also used in gold display ceremonies to demonstrate the head of the family’s wealth. Each type of bead is named after a common or proverbial object, such as "bamboo door" or "setting sun," and there is a saying attached to each name. Circular beads, like the central ornament on this necklace, have special significance in Baule culture and are sometimes given to a bride’s family as a symbol of the groom’s intent to marry.
Art of Oceania, Africa, and the Americas from the Museum of Primitive Art, Exhibition Catalogue. Metropolitan Museum of Art. 1969.
Garrard, Timothy F. Gold of Africa: Jewellery and Ornaments from Ghana, Côte D'Ivoire, Mali and Senegal. Geneva: Barbier-Mueller Museum. 1989.
Newton, Douglas, André Malraux, and Nelson A. Rockefeller. Masterpieces of primitive art: the Nelson A. Rockefeller collection. Knopf, 1978.
Ross, Doran H, and Frances Marzio. Gold of the Akan from the Glassell Collection. Houston Museum of Fine Arts, 2002.
Vogel, Susan M. "Baule: African Art Western Eyes." African arts 30, no. 4 (1997): 64-95.
Artwork Details
- Title: Eleven Beads
- Artist: Baule or Lagoon artist
- Date: 19th–mid-20th century
- Geography: Côte d'Ivoire
- Culture: Baule or Lagoon peoples
- Medium: Gold-copper alloy
- Dimensions: L. 15 1/4 x Diam. 5 1/2 in. (38.7 x 14 cm)
- Classification: Metal-Ornaments
- Credit Line: The Michael C. Rockefeller Memorial Collection, Bequest of Nelson A. Rockefeller, 1979
- Object Number: 1979.206.99a-k
- Curatorial Department: The Michael C. Rockefeller Wing
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