English Society by George du Maurier

Regarded as one of the most influential poster artists in America, Edward Penfield joined the publishing house Harper and Brothers at the age of twenty-five as a staff artist and editor. Shortly after his promotion to artistic director, Penfield created his first lithograph for Harper’s Magazine in 1893. Following its runaway success, he made posters advertising each successive issue of the magazine for over seven years. Magazine readers and poster collectors celebrated his designs for their boldness, abstraction, and occasional comic touch. Penfield also created advertisements and cover designs for books published by Harper and Brothers.

As the most acclaimed artist working for Harper’s, Penfield was free to experiment with avant-garde styles. Less concerned with the dramatic curving lines of Art Nouveau than his contemporaries, Penfield synthesized a number of stylistic sources in his work, including Japanese ukiyo-e prints and posters made by contemporary French and British artists. Penfield’s work for Harper’s displays a late nineteenth-century American type—the wealthy and well-appointed middle-class individual enjoying leisure time. Penfield himself was part of this newly emerging middle class.

Celebrating George Du Maurier’s compilation of caricatures drawn from English society, this large-scale poster dramatically portrays the author holding a shaggy dog in the crook of his arm. The novelist and draughtsman was a frequent contributor to Harper’s. All of his novels began as serials in the magazine, including The Martian, whose protagonist can be seen on a nearby poster and resembles Du Maurier himself (although at a much younger age).