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Triptych Panel with Pietá

15th–16th century
On view at The Met Fifth Avenue in Gallery 544
The central panel is from a triptych with wings depicting Saint Catherine and Saint Sebastian. The scene of the dead Christ outstretched on the knees of his mother was probably based on a panel painting of the fifteenth-century Avignon school, such as the Pietà of Villeneuve-lès-Avignon in the Musée du Louvre, Paris.

Artwork Details

Object Information
  • Title: Triptych Panel with Pietá
  • Artist: Master of the Triptych of Louis XII (ca. 1490–ca. 1515)
  • Date: 15th–16th century
  • Geography: Made in Limoges, France
  • Culture: French
  • Medium: Painted enamel, copper
  • Dimensions: Overall - entire triptych: 7 3/8 x 14 1/8 in. (18.7 x 35.9 cm)
  • Classification: Enamels-Painted
  • Credit Line: The Jules S. Bache Collection, 1949
  • Object Number: 49.7.110a
  • Curatorial Department: Medieval Art and The Cloisters
More Artwork
The Annunciation, Master of the Triptych of Louis XII, Painted enamel on copper, partly gilt, French, Limoges
Enameler Workshop of Master of the Triptych of Louis XII
probably early 16th century
Plaque with the Death of the Virgin, Jean Pénicaud I  French, Painted enamel, copper, French
Workshop of Jean Pénicaud I
early 16th century
Triptych Panel with Saint Catherine, Master of the Triptych of Louis XII, Painted enamel, copper, French
Master of the Triptych of Louis XII
15th–16th century
Henri d'Albret (1503–55), King of Navarre, Léonard Limosin  French, Enamel, painted on copper and partly gilded, French, Limoges
Léonard Limosin
1556
Three plaques from a triptych with the Adoration of the Shepherds, Flanked by the Angel Gabriel and the Virgin Annunciate, Master of the Triptych of Louis XII, Painted enamel, copper, French
Workshop of Master of the Triptych of Louis XII
early 16th century

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