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The Crucifixion

ca. 1625–30
On view at The Met Fifth Avenue in Gallery 619
Orrente traveled to Venice and Rome before working in Toledo, where he knew El Greco. The younger artist adopted El Greco’s high-pitched palette and penchant for exaggerated forms, but he combined them with a naturalism learned from paintings inspired by Caravaggio. Here, he filled a frequently depicted crucifixion subject with a series of anecdotal details.The dynamic but elegant figure on a ladder, for example, responds to Christ’s cry of thirst by using a cane to retrieve from a bystander a wet sponge that he will then hold to Christ’s lips.

Artwork Details

Object Information
  • Title: The Crucifixion
  • Artist: Pedro Orrente (Spanish, Murcia 1580–1645 Valencia)
  • Date: ca. 1625–30
  • Medium: Oil on canvas
  • Dimensions: 48 3/4 × 40 1/2 in. (123.8 × 102.9 cm)
  • Classification: Paintings
  • Credit Line: Purchase, Charles and Jessie Price and Fern and George Wachter Gifts, 2014
  • Object Number: 2014.228
  • Curatorial Department: European Paintings
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Thomas of Villanova, Archbishop of Valencia Distributing Alms to the Poor, Pedro Orrente  Spanish, Brush and red wash over black chalk
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Rapier, Steel, blade, Spanish, Toledo; hilt, European, possibly Spanish
blade, Spanish, Toledo; hilt, European, possibly Spanish
blade, ca. 1635; hilt, late 17th century
Comtesse de la Châtre (Marie Charlotte Louise Perrette Aglaé Bontemps, 1762–1848), Elisabeth Louise Vigée Le Brun  French, Oil on canvas
Elisabeth Louise Vigée Le Brun
1789
Cardinal Fernando Niño de Guevara (1541–1609), El Greco (Domenikos Theotokopoulos)  Greek, Oil on canvas
El Greco (Domenikos Theotokopoulos)
ca. 1600
Self-Portrait, Goya (Francisco de Goya y Lucientes)  Spanish, Brush and point of brush, carbon black ink
Goya (Francisco de Goya y Lucientes)
Sitter Goya (Francisco de Goya y Lucientes)
ca. 1796

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