English
DonateMembershipTickets

Landing of the Pilgrims at Plymouth, 11th Dec. 1620

Publisher Lithographed and published by Nathaniel Currier American
1838–48
Not on view
This historical winter scene pictures the Pilgrims landing on the snow-covered shores of what is now Plymouth, Massachusetts (USA). A tall-masted ship (the Mayflower) is anchored in the water (near right background). At left, beside a large evergreen tree, a Native American man (wearing a feather headdress) crawls up a boulder to observe the small group of white European men -- some seated and some standing around a campfire heating a large black pot (center/left of center), while three others approach. In the right foreground, a man holding an ax in his right hand and his arm around a bundle of sticks and branches bends over beside a leafless shrub; his turned head indicates he has noticed the Native American. At right, a large leafless tree frames the scene. In the right middleground, a rowboat filled with men lands; while others stand on the shore nearby. The title iis imprinted in the bottom margin.

Nathaniel Currier, whose successful New York-based lithography firm began in 1835, produced thousands of hand-colored prints in various sizes that together create a vivid panorama of mid-to-late nineteenth century American life and its history. People eagerly acquired such lithographs featuring picturesque scenery, rural and city views, ships, railroads, portraits, hunting and fishing scenes, domestic life and numerous other subjects, as an inexpensive way to decorate their homes or business establishments. As the firm expanded, Nathaniel included his younger brother Charles in the business. In 1857, James Merritt Ives (the firm's accountant since 1852 and Charles's brother-in-law) was made a business partner; subsequently renamed Currier & Ives, the firm continued until 1907.

Artwork Details

Object Information
  • Title: Landing of the Pilgrims at Plymouth, 11th Dec. 1620
  • Publisher: Lithographed and published by Nathaniel Currier (American, Roxbury, Massachusetts 1813–1888 New York)
  • Date: 1838–48
  • Medium: Hand-colored lithograph
  • Dimensions: Image: 8 1/4 × 12 5/8 in. (21 × 32.1 cm)
    Image and text: 9 in. × 12 5/8 in. (22.9 × 32.1 cm)
    Sheet: 10 × 14 in. (25.4 × 35.6 cm)
  • Classification: Prints
  • Credit Line: Gift of Emily C. Chadbourne, 1952
  • Object Number: 52.585.52
  • Curatorial Department: Drawings and Prints
More Artwork
All Right!, Nathaniel Currier  American, Hand-colored lithograph
Publisher Lithographed and published by Nathaniel Currier
1846–56
Powder Horn, Horn (cow), lead, American
American
18th century
Accident, Robert Rauschenberg  American, Lithograph
Robert Rauschenberg
1963
The Clipper Yacht "America," Winner of the Royal Yacht Squadron Cup, Value £100 in the Great Match for All Nations at Cowes, August 22nd, and of a Match with the Titania for £100, August 28, 1851, Nathaniel Currier  American, Hand-colored lithograph
Publisher Nathaniel Currier
1851
Window Seat, D. Phyfe & Son  American, Rosewood veneer; pine, yellow poplar (secondary woods); reproduction upholstery with original upholstery foundation, American
D. Phyfe & Son
1841

Research Resources

The Met provides unparalleled resources for research and welcomes an international community of students and scholars. The Met's Open Access API is where creators and researchers can connect to the The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.

To request images under copyright and other restrictions, please use this Image Request form.

Feedback

We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please contact us using the form below. The Museum looks forward to receiving your comments.

Send feedback

Content Notice

The Metropolitan Museum of Art presents over 5,000 years of art from around the world, and our online collection reflects ongoing work conducted over the course of our more than 150-year history. You may encounter objects or images that may be inappropriate for some viewers or information that may be outdated.