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Thousand-Armed, Thousand-Eyed Guanyin

1629
Not on view
On loan to The Met
This work of art is currently on loan to the museum.
At the middle of a teeming universe of divine beings sits the most elaborate form of Guanyin, whose eleven heads and thousand hands—each with an eye in the palm—signify the universal nature of the deity’s compassion. This painting was made for use in a multiday ritual centered on Guanyin. Like many Chinese Buddhist rituals, this one called on the power of non-Buddhist figures as well, such as the Thunder God and the Mother of Lightning, who are among Guanyin’s retinue. The dated artist’s signature (along the lower right edge) and the painted border, which imitates a fancy brocaded silk mount, are rare if not unique among surviving paintings of this type.

Artwork Details

Object Information
  • 明 周邦彰 千手千眼觀音圖 軸
  • Title: Thousand-Armed, Thousand-Eyed Guanyin
  • Artist: Zhou Bangzhang (Chinese, active early 17th century)
  • Period: Ming dynasty (1368–1644)
  • Date: 1629
  • Culture: China
  • Medium: Hanging scroll; ink and color on silk with painted border
  • Dimensions: Image: 87 × 39 3/4 in. (221 × 101 cm)
    Overall with mounting: 11 ft. 3 in. × 56 1/4 in. (342.9 × 142.9 cm)
    Overall with knobs: 11 ft. 3 in. × 59 3/4 in. (342.9 × 151.8 cm)
  • Classification: Paintings
  • Credit Line: Promised Gift of Oscar L. Tang and Agnes Hsu-Tang, in celebration of the Museum’s 150th Anniversary
  • Object Number: L.2020.29
  • Curatorial Department: Asian Art