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The Relief Fund in Lancashire, The Major's Daughter, The Morning Before the Massacre of St. Bartholomew, and Count Burkhardt (for "Once a Week")

1862
Not on view

Artwork Details

Object Information
  • Title: The Relief Fund in Lancashire, The Major's Daughter, The Morning Before the Massacre of St. Bartholomew, and Count Burkhardt (for "Once a Week")
  • Artist: After James McNeill Whistler (American, Lowell, Massachusetts 1834–1903 London)
  • Engraver: .3, .4 possibly engraved by Joseph Swain (British, Oxford 1820–1909 London)
  • Engraver: .2, .5 associated with Dalziel Brothers (British, active 1839–93)
  • Printer: Chiswick Press (British, London)
  • Date: 1862
  • Medium: Wood engraving; proofs
  • Dimensions: Sheet: 8 3/4 × 22 9/16 in. (22.3 × 57.3 cm)
    Image: 5 5/16 × 4 1/2 in. (13.5 × 11.5 cm)
    Image: 5 in. × 4 1/2 in. (12.7 × 11.4 cm)
    Image: 5 7/8 × 3 15/16 in. (15 × 10 cm)
    Image: 6 3/16 in. × 4 in. (15.7 × 10.2 cm)
  • Classification: Prints
  • Credit Line: Rogers Fund, 1922
  • Object Number: 22.112.2-.5
  • Curatorial Department: Drawings and Prints
More Artwork
The Relief Fund in Lancashire (for "Once a Week," July 26, 1862), James McNeill Whistler  American, Wood engraving; proof
After James McNeill Whistler
Engraver Associated with Dalziel Brothers
1862
The Major's Daughter (for "Once a Week," June 21, 1862), James McNeill Whistler  American, Wood engraving; proof
After James McNeill Whistler
Engraver Possibly engraved by Joseph Swain
Printer Chiswick Press
1862
The Morning Before the Massacre of St. Bartholomew (for "Once a Week," August 16, 1862), James McNeill Whistler  American, Wood engraving; proof
Multiple artists/makers
1862
The Nun in "Count Burckhardt" (for "Once a Week," September 27, 1862), James McNeill Whistler  American, Wood engraving; proof
After James McNeill Whistler
Engraver Associated with Dalziel Brothers
Printer Chiswick Press
1862
Nocturne: Palaces, James McNeill Whistler  American, Etching and drypoint; printed in dark brown ink on drum mounted medium weight ivory laid paper.
James McNeill Whistler
1879–80

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