English
DonateMembershipTickets

Head of King Solomon (recto); Study of a boy's head and arm (verso)

1813
Not on view
Ambitious to prove himself as a history painter, Haydon painted a large "Judgment of Solomon" between 1812-14. This is one of a pair of drawings where he developed the key figure of the king, a subject he discussed in his journal on April 8, 1812: "I wish to express Solomon a fine youthful king of Israel...cllothed in gold, with a sceptre and a crimson robe, his face youthful--dignity commingled with wisdom." This image of a youthful, long-haired figure with a classical face and looking down is close to the figure in the painting (an earlier drawing presents a more mature man with dark hair). Haydon worked from models and studied Raphael's Cartoons to establish the composition that he exhibited at the Oil and Water Colour Society, Spring Gardens in 1814 (now Plymouth Museum and Art Gallery, UK).

Artwork Details

Object Information
  • Title: Head of King Solomon (recto); Study of a boy's head and arm (verso)
  • Artist: Benjamin Robert Haydon (British, Plymouth 1786–1846 London)
  • Date: 1813
  • Medium: Black chalk
  • Dimensions: Sheet: 17 3/8 × 15 7/8 in. (44.2 × 40.3 cm)
  • Classification: Drawings
  • Credit Line: Bequest of James David Draper, 2019
  • Object Number: 2021.15.24a, b
  • Curatorial Department: Drawings and Prints
More Artwork
Head of King Solomon (recto); Classical Head (verso), Benjamin Robert Haydon  British, Black chalk with white chalk on brown paper (recto); black chalk (verso)
Benjamin Robert Haydon
ca. 1812
Smallsword, Steel, gold, textile, British
British
ca. 1780–1810
Cottage near the Entrance to a Wood, Rembrandt (Rembrandt van Rijn)  Dutch, Pen and inks ranging from light to dark brown, brown washes, corrected in white (oxidized, partially abraded), and touches of red chalk (in added structures to the left of the main cottage).
Rembrandt (Rembrandt van Rijn)
1644
Fanny Eaton, Simeon Solomon  British, Graphite
Simeon Solomon
Sitter Fanny Eaton (née Antwistle/Entwistle)
October 2, 1860
Perseus and the Origin of Coral, Claude Lorrain (Claude Gellée)  French, Black chalk, sepia and black ink, sepia and gray wash heightened with white
Claude Lorrain (Claude Gellée)
ca. 1671

Research Resources

The Met provides unparalleled resources for research and welcomes an international community of students and scholars. The Met's Open Access API is where creators and researchers can connect to the The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.

To request images under copyright and other restrictions, please use this Image Request form.

Feedback

We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please contact us using the form below. The Museum looks forward to receiving your comments.

Send feedback

Content Notice

The Metropolitan Museum of Art presents over 5,000 years of art from around the world, and our online collection reflects ongoing work conducted over the course of our more than 150-year history. You may encounter objects or images that may be inappropriate for some viewers or information that may be outdated.