Violino Harpa Forma Maxima

Thomas Zach Austrian
1874
On view at The Met Fifth Avenue in Gallery 199
On loan to The Met
This work of art is currently on loan to the museum.
Instrument appearances dictated by ergonomics enter the realm of sculpture. More compact than the traditional hunting horn, the cornet-trompe tucks safely against the body for portability in the field. The violino’s outsized, amoeba-like body maximizes resonance while remaining playable. Neither design entered into mainstream production. Makers experiment with unconventional forms to optimize performance, reduce player injuries, and improve accessibility, but instruments with atypical bodies struggle for acceptance in a visually conservative, ableist world.

Artwork Details

Object Information
  • Title: Violino Harpa Forma Maxima
  • Maker: Thomas Zach (Austrian, 1812–1892)
  • Date: 1874
  • Culture: Austrian
  • Medium: Wood (spruce, maple, ebony), metal strings
  • Dimensions: 27 in x 15 in x 3 in (70 x 55 x 10cm)
  • Classification: Chordophone-Bowed
  • Credit Line: Musée de la musique, Cité de la Musique-Philharmonie de Paris
  • Curatorial Department: Musical Instruments