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Lantern dedicated to Arsène Alexandre

ca. 1874
Not on view
During the 1870s, the innovative printmaker Henri Guérard assembled a remarkable collection of antique and disused lanterns numbering in the hundreds. He made individual, portrait-like drawings of each lantern with plans to publish a portfolio of etchings. Although the project remained incomplete, an etching of this composition appeared in the journal "Paris à l’eau-forte" in January 1875. The artist is quoted describing the rationale for his collection: "Do you believe that one can only collect porcelain and precious bibelots? … Is history not written in lanterns as much as it is in plates? This collection is a whole world for me; each lantern reminds me of an epoch or a type." Later impressions of the print based on this drawing are dedicated to the art critic Arsène Alexandre.

Artwork Details

Object Information
  • Title: Lantern dedicated to Arsène Alexandre
  • Artist: Henri Guérard (French, 1846–1897)
  • Date: ca. 1874
  • Medium: Pen and black ink, brush and gray wash over graphite
  • Dimensions: Sheet: 8 3/16 in. × 4 in. (20.8 × 10.1 cm)
  • Classification: Drawings
  • Credit Line: Purchase, PECO Foundation Gift, 2025
  • Object Number: 2025.461
  • Curatorial Department: Drawings and Prints
More Artwork
Lantern dedicated to Arsène Alexandre, Henri Guérard  French, Etching; first state of two
Henri Guérard
Printer Charles Delâtre
Dedicatee Arsène Alexandre
1875
Ceramic Horn, Glazed pottery, French
French
late 18th or early 19th century
Study of Eleven Heads, Jacques de Gheyn II  Netherlandish, Pen and three shades of brown ink with black chalk on laid paper; framing lines in pen and brown ink and graphite
Jacques de Gheyn II
late 16th–early 17th century
Moulin Rouge: La Goulue, Henri de Toulouse-Lautrec  French, Lithograph printed in four colors; three sheets of wove paper
Henri de Toulouse-Lautrec
Printer Affiches Américaines, Charles Lévy
1891
Eastern Coast of Rügen with Shepherd, Caspar David Friedrich  German, Pen and brown ink, brush and brown wash, over graphite, with white opaque watercolor; partial framing lines in pen and brown-black ink
Caspar David Friedrich
1805–6

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