Thirteen-course lute

Wendelin Tieffenbrucker German, active Italy
ca. 1548-1612 and 1724
On view at The Met Fifth Avenue in Gallery 199
On loan to The Met
This work of art is currently on loan to the museum.
The lute’s teardrop-shaped body evokes the breast, a symbol of seduction and nourishment. The instrument came to be associated with both the nursing Virgin Mary—source of sustenance for Christ and the Church—and the breasts of Venus, Roman goddess of love. The lute’s sound hole, commonly referred to as the rose, had erotic connotations. The instrument’s opening and the flower both provoked comparisons to female genitalia. Strumming the lute was often likened to intercourse.

Artwork Details

Object Information
  • Title: Thirteen-course lute
  • Maker: Thomas Edlinger (German, 1662–1729)
  • Maker: Wendelin Tieffenbrucker (German, active 1570–1610)
  • Date: ca. 1548-1612 and 1724
  • Medium: Spruce, hardwood, yew, maple, ebony, bone, possibly fruitwood, paper
  • Dimensions: 39 x 14.6 x 10.4 in.
  • Classification: Chordophone-Lute-plucked-fretted
  • Credit Line: National Music Museum, South Dakota; Purchase funds gift of Margaret Ann Everist, 2002
  • Curatorial Department: Musical Instruments