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The Marquand Altarpiece

The Assumption of the Virgin by Andrea della Robbia (1435–1525) consists of sixty-six individual glazed and fired terracotta sections.

The altarpiece suffered extensive damage before entering The Met collection, and only some of its pieces have been conserved.

This video uses 3D color-rendered scans to illustrate how the sections were fitted together like pieces in a building-block puzzle.

Learn more about the exhibition Rediscovering Della Robbia at The Met.


Detail of a black ceramic vessel with a shiny, burnished surface and two small raised bumps at the base of the neck.
Audio
Magdalene Odundo reflects on ceramic traditions, gender, and the universality and humanity of clay through the lens of a Kurumba vessel.
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Video
A close examination of The Met’s luxury copy of the printed book and original artist’s maquette for La Fin du monde.
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