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The Marquand Altarpiece

The Assumption of the Virgin by Andrea della Robbia (1435–1525) consists of sixty-six individual glazed and fired terracotta sections.

The altarpiece suffered extensive damage before entering The Met collection, and only some of its pieces have been conserved.

This video uses 3D color-rendered scans to illustrate how the sections were fitted together like pieces in a building-block puzzle.

Learn more about the exhibition Rediscovering Della Robbia at The Met.


Two people examine a large, damaged drawing on a worktable in a conservation studio
Video
Watch as Met staff undertake a complex treatment to save a Gilded Age watercolor drawing from Tiffany Studios.
October 14
Sun streaming into a Renaissance period room, with ornately decorated wood wall panels.
How the design of this room for private study mathematically embodies a Renaissance-era duke.
Daniel Kershaw
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Set of nine bifaces, carved delicately into spears, placed upright against a gray background.
A close look at these ancient bifaces reveals a profound story about the early human relationship with the environment.
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