Angel (one of a pair)

ca. 1690–1710

Not on view

One of a pair, with 1976.48.2, originally part of a shrine, altar or 'chaire', of moderate dimensions. Their attitude of turning toward a center of attention and the holes in the bottom each suggest that they were affixed at the sides and toward the top of an architectural composition, probably on the volutes. The soles of their feet are more anatomically researched and carefully executed than the tops, suggesting that they were meant to be seen from below. Their execution in the round suggests that they were meant to be seen from almost any vantage point. The twisting composition, elongated bodies and faceted carving are typical of Verbrugghen's style.

Artwork Details

Overview

Provenance

Exhibition History

Title: Angel (one of a pair)
Artist: Hendrik-Frans Verbruggen (Flemish, Antwerp 1654–1724 Antwerp)
Date: ca. 1690–1710
Culture: Flemish
Medium: Oak
Dimensions: Height: 22 in. (55.9 cm)
Classification: Sculpture
Credit Line: Purchase, Gift of J. Pierpont Morgan, by exchange, 1976
Object Number: 1976.48.1
Curatorial Department: European Sculpture and Decorative Arts

More Artwork

By Hendrik-Frans Verbruggen

In the same medium

From the same time and place

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Angel (one of a pair), Hendrik-Frans Verbruggen Flemish, Oak, Flemish — Angel (one of a pair)
Hendrik-Frans Verbruggen
ca. 1690–1710

Saint John the Evangelist, Hendrik-Frans Verbruggen Flemish, Oak, Flemish, Antwerp — Saint John the Evangelist
Hendrik-Frans Verbruggen
late 17th century

Design for a ceiling with an allegory of Justice, Hendrik-Frans Verbruggen Flemish, Pen and brown ink, graphite, brush and gray and brown wash — Design for a ceiling with an allegory of Justice
Hendrik-Frans Verbruggen
n.d.

Design for a sepulchral monument with a portrait bust, Hendrik-Frans Verbruggen Flemish, Pen and brown ink, red and brown wash, red chalk, over black chalk or graphite — Design for a sepulchral monument with a portrait bust
Multiple artists/makers
1673

Design for an altar, Hendrik-Frans Verbruggen Flemish, Pen and black ink, gray and red wash, over black chalk or graphite — Design for an altar
Multiple artists/makers
late 17th–early 18th century

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