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Tantalus, reclining on a rock at center, outstretching his hand towards an apple on a tree above, a snake on the ground below, buildings on fire in the background

ca. 1557
Not on view
Little is known about Sanuto, one of the illegitimate sons of a prominent Venetian noble. His engravings include maps produced in collaboration with his brother Livio, a geographer, and reproductions of the compositions of other artists, often of unusual size and ambition.
This engraving is after the lost painting by Titian, circa 1553, commissioned for Mary of Hungary, Regent of the Netherlands.

Artwork Details

Object Information
  • Title: Tantalus, reclining on a rock at center, outstretching his hand towards an apple on a tree above, a snake on the ground below, buildings on fire in the background
  • Artist: Giulio Sanuto (Italian, active 1540–88)
  • Artist: After Titian (Tiziano Vecellio) (Italian, Pieve di Cadore ca. 1485/90?–1576 Venice)
  • Date: ca. 1557
  • Medium: Engraving; second state
  • Dimensions: Sheet (Trimmed): 17 11/16 × 14 3/16 in. (45 × 36 cm)
  • Classification: Prints
  • Credit Line: The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1977
  • Object Number: 1977.528.1
  • Curatorial Department: Drawings and Prints
More Artwork
The Competition of Apollo and Marsyas and the Judgment of Midas, Giulio Sanuto  Italian, Engraving (the right section of three-part image)
Giulio Sanuto
After Bronzino (Agnolo di Cosimo di Mariano)
1562
Lobster-Tail Burgonet, Steel, leather, gold, North Italian
North Italian
ca. 1610
Phaeton, from "The Four Disgracers", Hendrick Goltzius  Netherlandish, Engraving
Hendrick Goltzius
After Cornelis Cornelisz van Haarlem
1588
John the Baptist in the Wilderness, Giulio Sanuto  Italian, Engraving
Giulio Sanuto
Former Attribution Battista Franco
Principal figure after fresco by Daniele da Volterra (Daniele Ricciarelli)
ca. 1545–55
Armor, Steel, copper alloy, textile, leather, Italian
Italian
ca. 1400–1450 and later

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