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Sunrise

possibly 1646–47
On view at The Met Fifth Avenue in Gallery 623

Claude’s poetic landscape was inspired by the countryside around Rome, known as the Campagna. Although the foreground and middle-ground tones of this painting have darkened, the horizon preserves Claude’s famed luminosity. In a notebook recording executed works, known as his Liber Veritatis, Claude recorded that this painting was executed in Rome for an unnamed client in Lyons, France. It later belonged to Sir Joshua Reynolds, head of London’s Royal Academy and an advocate for this kind of Arcadian vision, depicting a utopian world based on ancient poetry.

Artwork Details

Object Information
  • Title: Sunrise
  • Artist: Claude Lorrain (Claude Gellée) (French, Chamagne 1604/5?–1682 Rome)
  • Date: possibly 1646–47
  • Medium: Oil on canvas
  • Dimensions: 40 1/2 x 52 3/4 in. (102.9 x 134 cm)
  • Classification: Paintings
  • Credit Line: Fletcher Fund, 1947
  • Object Number: 47.12
  • Curatorial Department: European Paintings
More Artwork
The Trojan Women Setting Fire to Their Fleet, Claude Lorrain (Claude Gellée)  French, Oil on canvas
Claude Lorrain (Claude Gellée)
ca. 1643
Guitar, Jean-Baptiste Voboam  French, Spruce, tortoiseshell, mother-of-pearl, ivory, ebony, French
attributed to Jean-Baptiste Voboam
1697
Merry Company on a Terrace, Jan Steen  Dutch, Oil on canvas
Jan Steen
ca. 1670
The Abduction of the Sabine Women, Nicolas Poussin  French, Oil on canvas
Nicolas Poussin
probably 1633–34
Queen Esther Approaching the Palace of Ahasuerus, Claude Lorrain (Claude Gellée)  French, Pen and brown ink, brush and brown wash, heightened with white, over black chalk
Claude Lorrain (Claude Gellée)
1658

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