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Landscapes after historical painters

Yun Xiang Chinese
datable to 1638 or 1650
On view at The Met Fifth Avenue in Gallery 210
Hailed as "the foremost painter after Shen Zhou [1427–1509]" by the collector-critic Zhou Lianggong (16121672), Yun Xiang was an influential forerunner of such leading early Qing Nanjing painters as Gong Xian (1619-1689).

Living in retirement after the Manchu conquest as an yimin, or "leftover subject," of the Ming, Yun Xiang especially admired the dry-brush manner of Ni Zan (1306–1374), the archetypal reclusive scholar-painter of the late Yuan period. Three of the ten paintings in this virtuoso album, in which Yun Xiang interprets a wide range of earlier masters' styles through remarkable variations in brushwork and compositional motifs, were inspired by Ni Zan. The methods of interpretation, bearing the unmistakable influence of the late Ming theorist-painter Dong Qichang (1555–1636), were further developed by Gong Xian and other leading early Qing masters in the late seventeenth century.

Artwork Details

Object Information
  • 明/清 惲向 仿古山水圖 冊
  • Title: Landscapes after historical painters
  • Artist: Yun Xiang (Chinese, 1586–1655)
  • Period: Ming (1368–1644) or Qing (1644–1911) dynasty
  • Date: datable to 1638 or 1650
  • Culture: China
  • Medium: Album of ten leaves; ink and color on paper
  • Dimensions: 10 1/4 x 6 in. (26 x 15.2 cm)
  • Classification: Paintings
  • Credit Line: Purchase, Douglas Dillon Gift, 1977
  • Object Number: 1977.171a–j
  • Curatorial Department: Asian Art
More Artwork
Landscapes in the styles of old masters, Wang Jian  Chinese, Album of ten leaves; ink and color on paper, China
Wang Jian
Title piece by Wang Shimin
dated 1668
Snowscape, from Album for Zhou Lianggong, Yun Xiang  Chinese, Double album leaf from a collective album of twelve paintings and facing pages of calligraphy; ink on paper, China
Yun Xiang
datable to 1645–55
Pipa (琵琶 ), Wood, ivory, bone, silk, Chinese
Chinese
late 16th–early 17th century
Landscape, Ye Xin  Chinese, Double album leaf from a collective album of twelve paintings and facing pages of calligraphy; ink and color on paper, China
Ye Xin
datable to 1645–55
Poem written on Mount Qingliang, Wang Duo  Chinese, Hanging scroll; ink on paper, China
Wang Duo
dated 1641

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