Gyros IV

Henry Pearson American
Printer Hollander Workshop American
Publisher Hollander Workshop American

Not on view

Pearson’s attention to the graphic quality of lines reflects the influence of the topographical maps he observed, and the related contour drawings he created, while in the U.S. Army during World War II. Gyros III, Gyros IV, and Gyros V are printed from the same stone, but by altering his palette, Pearson illustrates the dramatic effects of different color combinations. The works’ titles refer to a spinning form that has the ability to rotate on two perpendicular axes, resulting in tension between the opposing directions. Because of the dramatic retinal sensations produced by Pearson’s boldly contrasting tones and undulating lines, his work was included in several Op (short for "optical") art exhibitions. However, he resisted this association because of the "romantic nuance" he claimed his works contain.

Gyros IV, Henry Pearson (American, Kinston, North Carolina 1914–2006 New York), Lithograph

Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded.

Open Access

As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.

API

Public domain data for this object can also be accessed using the Met's Open Access API.