English
DonateMembershipTickets

Private School

Etcher Thomas Rowlandson British
Publisher Thomas Rowlandson British
May 10, 1802
Not on view
In this second print of a group of eight, young boys surround a bird's nest and two prepare to throw stones at a fallen chick. They are ignored by a distant schoolmaster, and only one boy appears horrified by the cruelty that a companion shows to a butterfly. Related text by Willyams, who also designed the image, suggests satirically that cruel children will grow up to be sucessful adults and that the main purpose of grammar school is to rid them of soft-heartedness. The author-designer was a university-educated lieutenant-colonel from Cornwall who also supplied supporting satirical text under the pseudonym Joel McCringer. Rowlandson, who etched the print, imbues the figures with his own characteristic elegance which does not disguise the dark human impulses being satirized. Like Hogarth's "First Stage of Cruelty," the image implies that boys allowed to mistreat small creatures will grow up to do far worse.

Artwork Details

Object Information
  • Title: Private School
  • Series/Portfolio: A Compendious Treatise on Modern Education: Title and 8 plates
  • Etcher: Thomas Rowlandson (British, London 1757–1827 London)
  • Artist: After James Brydges Willyams (British, Cornwall 1772–1820 Truro, Cornwall)
  • Publisher: Thomas Rowlandson (British, London 1757–1827 London)
  • Date: May 10, 1802
  • Medium: Hand-colored etching
  • Dimensions: Sheet: 10 1/16 in. × 13 in. (25.6 × 33 cm)
    Plate: 8 15/16 × 10 13/16 in. (22.7 × 27.5 cm)
  • Classification: Prints
  • Credit Line: The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959
  • Object Number: 59.533.851(3)
  • Curatorial Department: Drawings and Prints
More Artwork
The Devil's Darling, Thomas Rowlandson  British, Etching, hand colored
Thomas Rowlandson
Publisher Rudolph Ackermann, London
Subject Napoléon Bonaparte
March 12, 1814
On the Wharfe, Bolton Abbey, William Callow  British, Watercolor
William Callow
September 30, 1858
Imaginary View of Venice, houses at left with figures on terraces, a domed church at center in the background, boats and boat-sheds below, and a seated man observing from a wall at right in the foreground, from "Views" (Vedute altre prese da i luoghi altre ideate da Antonio Canal), Canaletto (Giovanni Antonio Canal)  Italian, Etching; undivided plate, only state
Canaletto (Giovanni Antonio Canal)
Dedicatee Joseph Smith
1741
Desire (Le Brun Travested, or Caricatures of the Passions), Thomas Rowlandson  British, Etching, printed in brown ink
Etcher Thomas Rowlandson
After George Murgatroyd Woodward
Publisher Rudolph Ackermann, London
January 20, 1800
Banjo, Wood, various materials, British
British
mid-19th century

Research Resources

The Met provides unparalleled resources for research and welcomes an international community of students and scholars. The Met's Open Access API is where creators and researchers can connect to the The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.

To request images under copyright and other restrictions, please use this Image Request form.

Feedback

We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please contact us using the form below. The Museum looks forward to receiving your comments.

Send feedback

Content Notice

The Metropolitan Museum of Art presents over 5,000 years of art from around the world, and our online collection reflects ongoing work conducted over the course of our more than 150-year history. You may encounter objects or images that may be inappropriate for some viewers or information that may be outdated.