English
DonateMembershipTickets

Portrait of Christian Bernhard Rode, the Artist's Father

ca. 1756
Not on view
Rode was one of the important eighteenth-century German printmakers. Here he depicted his father, the goldsmith Christian Bernhard Rode about the time of his death in 1756. This is a very early, experimental etching by the artist. Typical of Rode's prints throughout his career is the stippled shading that models the sitter’s face. Once he had etched the portrait, the artist covered the background and the sitter’s clothing in the printing plate with a lavis, a layer of acid applied directly to the plate with a brush. As the acid bit into the copper printing plate, it created a layer that would print as a dark overall tone. He then polished away some of that layer in order to create highlights on the sitter’s coat.

Artwork Details

Object Information
  • Title: Portrait of Christian Bernhard Rode, the Artist's Father
  • Artist: Christian Bernhard Rode (German, Berlin 1725–1797 Berlin)
  • Date: ca. 1756
  • Medium: Etching and lavis; first state of two
  • Dimensions: Sheet: 8 1/16 × 5 11/16 in. (20.5 × 14.5 cm)
    Plate: 6 11/16 × 4 5/8 in. (17 × 11.8 cm)
  • Classification: Prints
  • Credit Line: The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 2018
  • Object Number: 2018.10
  • Curatorial Department: Drawings and Prints
More Artwork
The Bee and the Hen, Christian Bernhard Rode  German, Red chalk
Christian Bernhard Rode
1724–97
Nocturne: Palaces, James McNeill Whistler  American, Etching and drypoint; printed in dark brown ink on drum mounted medium weight ivory laid paper.
James McNeill Whistler
1879–80
The Immortal Author, Christian Bernhard Rode  German, Red chalk
Christian Bernhard Rode
1740–97
Mountain Valley with a Plateau, Hercules Segers  Dutch, Line etching, drypoint, and metal punch printed in blue-green, on a yellow-green ground, colored with brush; second state of two
Hercules Segers
ca. 1625–30
Woman Bathing (La Toilette), Mary Cassatt  American, Drypoint and aquatint, printed in color from three plates; fourth state of four (Mathews & Shapiro)
Mary Cassatt
Printer Jointly printed by the artist and Monsieur LeRoy
1890–91

Research Resources

The Met provides unparalleled resources for research and welcomes an international community of students and scholars. The Met's Open Access API is where creators and researchers can connect to the The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.

To request images under copyright and other restrictions, please use this Image Request form.

Feedback

We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please contact us using the form below. The Museum looks forward to receiving your comments.

Send feedback

Content Notice

The Metropolitan Museum of Art presents over 5,000 years of art from around the world, and our online collection reflects ongoing work conducted over the course of our more than 150-year history. You may encounter objects or images that may be inappropriate for some viewers or information that may be outdated.