Putto Study, for the lid of the Graham Family Piano

Sir Edward Burne-Jones British

Not on view

Burne-Jones's dynamic sketch of a naked child who bends to look under a vine while singing or shouting relates to a decorated piano lid that shows Mother Earth (Terra Omniparens) surrounded by vines and twenty-one children. The 1879 commission came from William Graham, a Scottish merchant and politician who presented the piano to his daughter Frances on her twenty-first birthday. In the related painting, naughty putti are characterized as miniature satyrs with pointed forelocks and tiny horns. The child shown here, however, seems instread to embody youthful energy, with wide open eyes and mouth (on the piano lid, Burne-Jones adapted the figure, closed the mouth and hid the eyes behind the vine). Only a few studies survive for this project and this example stands out for its spontaneity.

Putto Study, for the lid of the Graham Family Piano, Sir Edward Burne-Jones (British, Birmingham 1833–1898 Fulham), White and reddish brown synthetic crayons on brown paper

This image cannot be enlarged, viewed at full screen, or downloaded.

Open Access

As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.

API

Public domain data for this object can also be accessed using the Met's Open Access API.

Putto Study, for the lid of the Graham Family Piano, Sir Edward Burne-Jones (British, Birmingham 1833–1898 Fulham), White and reddish brown synthetic crayons on brown paper
Putto Study, for the lid of the Graham Family Piano, Sir Edward Burne-Jones (British, Birmingham 1833–1898 Fulham), White and reddish brown synthetic crayons on brown paper

This artwork is meant to be viewed from right to left. Scroll left to view more.