Inscription: Signed (lower left): P.G.; inscribed (verso): PHILIP GUSTON / "THE STUDIO" [underlined] . 1969 / OIL . 48 x 42 / N.F.S. [underlined] COLLECTION OF ARTIST [underlined]
the artist, Woodstock, N. Y. (1969–d. 1980); his widow, Musa Guston, Woodstock, N. Y. (1980–d. 1992); their daughter, Musa Guston Mayer, New York (from 1992; her promised gift to MMA)
Boston University Art Gallery. "New Paintings, Philip Guston," November 14–December 13, 1970, no catalogue.
La Jolla Museum of Contemporary Art. "Philip Guston: Recent Work," July 31–October 3, 1971, brochure no. 5.
San Francisco Museum of Modern Art. "Philip Guston," May 16–June 29, 1980, no. 50 (lent by the artist).
Washington, D. C. Corcoran Gallery of Art. "Philip Guston," July 20–September 9, 1980, no. 50.
Museum of Contemporary Art, Chicago. "Philip Guston," November 12, 1980–January 11, 1981, no. 50.
Denver Art Museum. "Philip Guston," February 25–April 26, 1981, no. 50.
New York. Whitney Museum of American Art. "Philip Guston," June 24–September 13, 1981, no. 50.
London. Whitechapel Art Gallery. "Philip Guston: Paintings 1969–1980," October 13–December 12, 1982, no. 3 (lent by Musa Guston, Woodstock).
Stedelijk Museum Amsterdam. "Philip Guston: Paintings 1969–1980," January 13–March 6, 1983, no. 3.
Saint Louis Art Museum. "Currents," April 1985, no catalogue.
Madrid. Centro de Arte Reina Sofía. "Philip Guston: Retrospectiva de Pintura," March 1–May 8, 1989, no. 37 (lent by a private collection, New York).
Barcelona. Palau de la Virreina. "Philip Guston: Retrospectiva de Pintura," May 25–July 16, 1989, no. 37.
Saint Louis Art Museum. "Philip Guston: 50 Years of Painting," September 9–October 22, 1989, no catalogue.
Dallas Museum of Art. "Philip Guston: 50 Years of Painting," November 19, 1989–January 14, 1990, no catalogue.
Venice. Palazzo Grassi. "Biennale, 46 Esposizione Internazionale d'Arte. Identity and Alterity: Figures of the Body 1895–1995," June 11–October 15, 1995, no. VII 8 (lent by a private collection, New York [courtesy McKee Gallery]).
London. Whitechapel Art Gallery. "Examining Pictures: Exhibiting Paintings," May 7–June 27, 1999, unnumbered cat. (p. 31; lent by a private collection, New York, courtesy McKee Gallery, New York).
Museum of Contemporary Art, Chicago. "Examining Pictures: Exhibiting Paintings," July 24–September 19, 1999, unnumbered cat.
Paris. Centre Pompidou, Galerie 1. "Le Temps, Vite!," January 13–April 17, 2000, no. 226 (lent by a private collection, courtesy McKee Gallery, New York).
Los Angeles. UCLA Hammer Museum. "Examining Pictures: Exhibiting Paintings," February 6–April 2, 2000, no catalogue.
Rome. Palazzo delle Esposizioni. "Tempo! Viaggio nell'idea e nella rappresentazione del tempo," July 28–October 23, 2000, unnumbered cat. (p. 78).
Centre de Cultura Contemporània de Barcelona. "Art i temps," November 28, 2000–February 25, 2001, unnumbered cat. (p. 82; lent by a private collection. Courtesy McKee Gallery, New York).
Modern Art Museum of Fort Worth. "Philip Guston Retrospective," March 30–June 8, 2003, unnumbered cat. (pl. 76; lent by a private collection).
San Francisco Museum of Modern Art. "Philip Guston Retrospective," June 28–September 27, 2003, unnumbered cat.
New York. The Metropolitan Museum of Art. "Philip Guston Retrospective," October 28, 2003–January 4, 2004, unnumbered cat.
London. Royal Academy of Arts. "Philip Guston Retrospective," January 24–April 12, 2004, unnumbered cat.
Inverleith House, Royal Botanic Garden Edinburgh. "Philip Guston: Late Paintings," July 25–October 7, 2012, no. 3 (lent by a private collection, courtesy of McKee Gallery, New York).
Schirn Kunsthalle Frankfurt. "Philip Guston: Das große Spätwerk / Late Works," November 6, 2013–February 2, 2014, unnumbered cat. (p. 31; lent by a private collection).
Hamburg. Deichtorhallen Hamburg Hall for Contemporary Art. "Philip Guston Late Works," February 22–May 25, 2014, unnumbered cat.
Humlebaek. Louisiana Museum of Modern Art. "Philip Guston Late Works," June 4–September 7, 2014, unnumbered cat.
Venice. Gallerie dell'Accademia. "Philip Guston and the Poets," May 10–September 3, 2017, unnumbered cat. (p. 61; lent by a private collection).
New York. Hauser & Wirth. "Philip Guston, 1969–1979," September 9–October 30, 2021, no catalogue.
Museum of Fine Arts, Boston. "Philip Guston Now," May 1–September 11, 2022, unnumbered cat. (pl. 116; lent by a private collection).
Museum of Fine Arts, Houston. "Philip Guston Now," October 23, 2022–January 15, 2023, unnumbered cat.
Washington, D.C. National Gallery of Art. "Philip Guston Now," March 2–August 27, 2023, unnumbered cat.
Jewish Museum, New York. "Draw Them In, Paint Them Out: Trenton Doyle Hancock Confronts Philip Guston," November 8, 2024–March 30, 2025, unnumbered cat. (p. 59).
Harold Rosenberg. "Liberation from Detachment." New Yorker 46 (November 7, 1970), p. 140.
Hilton Kramer. "A Mandarin Pretending To Be A Stumblebum." New York Times (October 25, 1970), p. D27, ill.
Diana Loercher. "American Artists: Two Individualists." Christian Science Monitor (December 4, 1970).
Marilyn Hagberg. "Guston's Political Hoods." San Diego Magazine 23 (August 1971), p. 24, ill. p. 20, dates it 1965.
Sam Hunter and John Jacobus. American Art of the 20th Century: Painting, Sculpture, Architecture. New York, 1973, fig. 438.
Philip Guston and Harold Rosenberg. "Conversations: Philip Guston and Harold Rosenberg: Guston's Recent Paintings." Boston University Journal 22 (Fall 1974), ill. p. 46.
Ross Feld. "Philip Guston." Arts Magazine 50 (May 1976), p. 9.
Dore Ashton. Yes, but... A Critical Study of Philip Guston. New York, 1976, ill. p. 152.
Norbert Lynton. "From Mandarin to Stumblebum." Times Literary Supplement (January 7, 1977), ill. (cover).
Philip Guston. Philip Guston Talking. Ed. Renée McKee. February 27, 1978 [transcript of a lecture given at the University of Minnesota; first published in Ref. Serota 1982, p. 53].
Ross Feld inPhilip Guston. Exh. cat., San Francisco Museum of Modern Art. New York, 1980, pp. 23, 130, no. 50, colorpl. 43.
Carrie Rickey. "Gust, Gusto, Guston." Artforum 19 (October 1980), p. 38, ill. p. 39.
Thomas Albright. "A Curious Repertoire of the Guston Imagery." S. F. Sunday Examiner & Chronicle (May 25, 1980), ill. p. 36.
Andree M. Workman. "Guston: A Born-Again Painter." West Art (Auburn, Calif.) 18 (June 13, 1980), p. 3.
Mark Stevens. "Diamond in the Rough." Newsweek (June 23, 1980), p. 89, ill. (color).
Suzaan Boettger. "Art for Modern Times." Daily Californian (June 26, 1980), p. 8.
Thomas Albright. "Philip Guston: 'It's a Strange Thing to Be Immersed in the Culture of Painting...'." Art News 79 (September 1980), p. 115, ill. (color).
Christopher Lyon. "Reflections on a Mirror." Chicago Reader (November 28, 1980), p. 48.
Carter Ratcliff. "The Mastery of Philip Guston." Saturday Review (January 1981), p. 81.
Mary King. "The Guston Retrospective: A 'Grim Mirror to Our Time'." St. Louis Post-Dispatch (February 1, 1981), p. 5G, ill.
Irene Clurman. "A Little Bit of Guston Goes Long, Long Way." Rocky Mountain News (March 13, 1981), p. 14C, ill. p. 140.
Gerritt L. Lansing. "Guston Retrospective." Art/World 5 (Summer 1981), ill. p. 1.
Kenneth Baker. "Modern Metamorphosis: A Guston Retrospective at the Whitney." Boston Phoenix (August 4, 1981), ill. p. 9.
Nicholas Serota, ed. Philip Guston: Paintings 1969–1980. Exh. cat., Whitechapel Art Gallery. London, 1982, pp. 53, 65, no. 3, ill. pp. 8, 53, reprints Ref. Guston 1978.
Monica Petzal. "'My God, Did I Do That..?'." Time Out (October 8–14, 1982), p. 79.
Waldemar Januszczak. "Philip Guston." Guardian (October 13, 1982), p. 12.
John Russell Taylor. "Galleries: Instant Impact and Compulsion." Times (London) (October 19, 1982), p. 10, ill.
John Spurling. "Caught Short." New Statesman (October 22, 1982), ill.
David Sweet. "Philip Guston and Beyond." Artscribe (December 1982), pp. 24, 26, ill. p. 22.
Richard Francis. "London: Guston at the Whitechapel." Burlington Magazine 125 (February 1983), p. 113.
Jean-Christophe Ammann. "De L'Oeuvre Tardive de Philip Guston." Artistes no. 17 (1983), p. 83, ill.
Edward F. Fry inPhilip Guston: The Late Works. Exh. cat., National Gallery of Victoria, Melbourne. [Sydney], 1984, p. 19.
Philip Guston inPhilip Guston: The Late Works. Exh. cat., National Gallery of Victoria, Melbourne. [Sydney], 1984, p. 56, reprints Ref. Guston 1978.
Nina Purviance. "Philip Guston in the Fifties: The Power of Suggestion." Arts Magazine 60 (September 1985), p. 97, fig. 7.
Robert Storr. Philip Guston. New York, 1986, no. 1, ill. p. 6 (color).
Joseph Ablow. "Philip Guston: The Last Paintings." Bostonia Magazine 60 (April/May 1986), pp. 2, 16, ill. front cover (color).
Robert Zaller. "Philip Guston and the Crisis of the Image." Critical Inquiry 14 (Autumn 1987), pp. 86–88, fig. 5.
Musa Mayer. "My Father, Philip Guston." New York Times Magazine (August 7, 1988), p. 24, ill. (color).
Deborah Solomon. "Books. Daddy Dearest." New Criterion 7 (September 1988), p. 74.
Eleanor Heartney. "Book Reviews: Out of the Shadows." Art News 87 (October 1988), ill. p. 93 (with the artist).
Alison de Lima Greene. "The Artist as Performer: Philip Guston's Early Work." Arts Magazine 63 (November 1988), p. 61.
Francisco Rivas. "El Último Perplejo." El Europeo (March 1989), ill. p. 68 (color).
F[rancisco]. Calvo Serraller. "Abierta en Madrid una retrospectiva de Guston: El Centro Reina Sofia expone 70 obras del artista que pasó del expresionismo abstracto a la figuración." El País (Madrid) (March 2, 1989), p. 32.
Julián Gállego. "El gusto de Guston." ABC (Madrid) (March 2, 1989).
Iñaki Moreno Ruiz de Eguino. "La primera retrospectiva europea de Philip Guston, en Madrid." Diario Vasco (San Sebastián) (March 11, 1989), ill. (detail).
Patricia Degener. "Retrospective of Philip Guston's Paintings Shows 'A Life Lived'." St. Louis Post-Dispatch (September 10, 1989), p. 7C, ill. pp. 4C (with the artist), 7C.
Marie-Claire Uberquoi. "La carrera singular d'un pintor inquiet." Diari de Barcelona (May 27, 1989).
Ramon Tio Bellido. "Philip Guston, Figures Fantômes." Beaux Arts Magazine no. 66 (March 1989), ill. p. 49 (color).
Kirsten A. Conover. "Philip Guston: an Artist Who Dared Draw Things You Can Recognize." Christian Science Monitor (December 27, 1989), p. 11, ill. p. 10 (color).
Janet Tyson. "Autobiographical Side Paints Life of Struggle." Fort Worth Star-Telegram (December 28, 1989), ill. p. 7.
Carrie Rickey inPhilip Guston: Retrospectiva de Pintura. Exh. cat., Centro de Arte Reina Sofía. [Madrid], 1989, pp. 79, 166, colorpl. 37.
Dore Ashton. A Critical Study of Philip Guston. 2nd. ed. [1st ed., 1976]. Berkeley, 1990, p. 209, ill. p. 152.
William Corbett. "From 'Philip Guston's Late Work: A Memoir'." Arshile no. 2 (1993), p. 136.
Miles Unger. "Philip Guston: Wrestling with the Past." Art New England 16 (December 1994–January 1995), p. 34, ill. front cover (color) and table of contents.
Seth Frechie and Andrew Mossin, ed. "Portfolio and Documents: Philip Guston." TO: A Journal of Poetry, Prose, and the Visual Arts 2 (Spring 1994), pp. 188–89, reprint Ref. Corbett 1994.
William Corbett. Philip Guston's Late Work: A Memoir. Cambridge, Mass., 1994, pp. 40, 48, 97–99, ill. n.p.
Didier Ottinger. Philip Guston (1913–1980): Oeuvres Sur Papier 1975–1980. Exh. cat., Musée de l'Abbaye Sainte-Croix. Les Sables-d'Olonne, 1995, ill. n.p. (color).
Philippe Dagen. "Philip Guston aux Sables-d'Olonne: l'abstraction aller et retour." Le Monde (July 4, 1995), p. 28.
Kevin Power inPicasso, Guston, Miro, de Kooning: In vollkommener Freiheit... Paintings for Themselves: Late Works. Ed. Hanne Zech. Exh. cat., Neues Museum Weserburg Bremen. Munich, 1996, ill. p. 76.
Robert Hughes. American Visions: The Epic History of Art in America. New York, 1997, pp. 585–86, fig. 350 (color).
Robert Hughes. "American Visions." Time (Spring 1997), ill. p. 85 (color).
Gerhard Mack. "Philip Guston." Künstler: Kritisches Lexikon der Gegenwartskunst 36, no. 3 (1997), p. 7.
H. H. Arnason. History of Modern Art: Painting, Sculpture, Architecture, Photography. Ed. Marla F. Prather and Daniel Wheeler. Rev. 4th ed. (1st ed., 1968). New York, 1998, pp. 289, 445, colorpl. 244, calls it "Studio".
William Packer. "Painting Brought to a Head." Financial Times (May 15, 1999), p. 7, ill.
Laura Cumming. "Waffle and Daub." Observer Review (May 16, 1999), p. 7, ill.
Waldemar Januszczak. "Picture This." Sunday Times (London) (May 23, 1999), ill. (color).
Alan G. Artner. "Medium Cool: 'Examining Pictures' Nearly Gives Painting the Brushoff." Chicago Tribune (August 15, 1999), p. 6, ill.
Michelle Grabner. "Examining Pictures: Exhibiting Paintings. Museum of Contemporary Art, Chicago." Frieze no. 49 (1999), ill. p. 109 (color).
Francesco Bonami and Julia Nesbitt. Examining Pictures: Exhibiting Paintings. Exh. cat., Whitechapel Art Gallery. London, 1999, pp. 31, 78, ill. (color) and ill. front cover (color detail).
Jonathan Fineberg. Art Since 1940: Strategies of Being. 2nd ed. (1st ed., 1995). New York, 2000, pp. 405, 409, 411, fig. 12.43 (color).
Joanna Weber inPhilip Guston: A New Alphabet, The Late Transition. Exh. cat., Yale University Art Gallery. New Haven, 2000, p. 19, fig. 12 (color).
Didier Ottinger inPhilip Guston, peintures 1947—1979. Exh. cat., Centre Pompidou, Galerie 2. Paris, 2000, p. 44, ill.
Emmanuelle Lequeux. "La Peinture Existentialiste De Philip Guston." Le Monde (September 27–October 3, 2000), p. 29, calls it "Studio".
Harry Cooper inPhilip Guston A New Alphabet: The Late Transition. Exh. cat., Yale University Art Gallery. New Haven, 2000, pp. 51–52, fig. 22 (with the artist).
Arthur C. Danto. "Dick (Nixon) Heads." Nation 273 (October 1, 2001), p. 32.
Harry Cooper. "Recognizing Guston (In Four Slips)." October 99 (Winter 2002), pp. 118–120, ill. pp. 118, 119 (with the artist).
Kenneth Baker. "Philip Guston's Magnificent Conflicts Yielded Great Controversy. And Some Great Paintings as Well Says Kenneth Baker." San Francisco Chronicle (June 28, 2003), p. D1, ill. p. D10 (color).
Donald Kuspit. "Philip Guston's Self-Doubt." artnet.com/magazine. December 4, 2003, ill. (color).
Nicole Krauss. "The First Painter after the Last." Modern Painters 16 (Winter 2003), p. 91, ill. p. 90 (color).
"Philip Guston: Abstract Expressionism's Provocative Pioneer and Ultimate Critic." USA Today (West Babylon, N.Y.) (November 2003), p. 49, ill. p. 50 (color).
Michael Auping. "Philip Guston Retrospective." American Art Review 15 (July–August 2003), ill. p. 136 (color).
Christopher Knight. "The Paint Is the Thing; Through Abstract and Figurative Styles, Philip Guston Emphasized the Material and Ritual Significance of Art." Los Angeles Times (August 23, 2003), p. E18, ill.
James Lawrence. "Philip Guston: Fort Worth and New York." Burlington Magazine 145 (October 2003), p. 748, fig. 86 (color).
Ross Feld. Guston in Time: Remembering Philip Guston. New York, 2003, p. 92.
Andy Burgess. "'Tired of all that Purity': The Art of Philip Guston." Jewish Quarterly 50 (Winter 2003/4), ill. table of contents page and p. 37 (color).
Arthur C. Danto. "The Abstract Impressionist." thenation.com. December 11, 2003.
Philip Roth. "The Odd Couple." Sunday Telegraph Magazine (January 4, 2004), ill. pp. 16–17 (color).
Donald E. Sloan. "'Why not revolution?': The John Reed Club and Visual Culture." PhD diss., University of Kansas, 2004, pp. xiv, 163–64, fig. 91.
Tom Lubbock. "Driven From Abstraction." Independent (January 27, 2004), ill. p. 55 (color).
Peter Campbell. "Philip Guston Fouls the Nest." lrb.co.uk. February 5, 2004.
Lucas Reiner. "Fear and Trembling of the Image." Beyond Baroque 26, no. 2 (2004), pp. 6, 8– 9.
William Corbett. "Philip Guston Retrospective." The Art Book 11 (January 2004), p. 22.
Didier Ottinger inThe Great Parade, Portrait of the Artist as Clown. Ed. Jean Clair. Exh. cat., Galeries Nationales du Grand Palais. New Haven, 2004, p. 42, fig. 9 (color).
Philip Guston. Philip Guston. Ed. Renée McKee. Exh. cat., Timothy Taylor Gallery. London, 2004, pp. 30–31, reprints Ref. Guston 1978.
Sean O'Hagan. "An Everday Genius." theguardian.com. January 11, 2004, ill. (color).
Arthur C. Danto. Unnatural Wonders: Essays from the Gap Between Art and Life. New York, 2005, p. 136, Reprints Ref Danto 2003.
Robert Zaller. "The Abandoned Studio: Philip Guston's Gnostic Testament." Boulevard 20, nos. 2–3 (2005), p. 107.
Tom Lubbock. "Great Works: The Studio (1969)." Independent (London) (September 23, 2005), p. 38, ill. (color).
Bruce Herman inA Broken Beauty. Ed. Theodore L. Prescott. Exh. cat., Laguna Art Museum. Grand Rapids, Mich., 2005, p. viii, fig. 2 (color), dates it about 1969.
Michael R. Taylor inEnigma Variations: Philip Guston and Giorgio de Chirico. Exh. cat., Santa Monica Museum of Art. Santa Monica, 2006, pp. 31–32, fig. 27.
Ed McCormack. "Guston by the Book: Solipsistic Riffs, Gonzo Recollections, and Reprobate Ruminations on Art, Aging, and Late-Life Rebirth." Gallery & Studio 8 (June/July/August 2006), p. 17, ill. front cover (color).
Ross Posnock. Philip Roth's Rude Truth: The Art of Immaturity. Princeton, 2006, p. 251.
Boris Hohmeyer. "Die Entdeckung der Wirklichkeit." Art: Das Kunstmagazin no. 3 (March 2007), ill. p. 31 (color).
Manuel Botelho. Guston em contexto: Até ao regresso da figura. [Lisbon], 2007, p. 128, ill. front cover (color) and p. 127.
Samantha Baskind. Encyclopedia of Jewish American Artists. Wesport, 2007, p. 138.
Poul Erik Tøjner inPhilip Guston: Works on Paper. Ed. Christoph Schreier and Michael Semff. Exh. cat., Kunstmuseum Bonn. Ostfildern, 2007, p. 139.
Bill Berkson. Sudden Address: Selected Lectures 1981–2006. 6th ed. [1st ed., 1981]. [unknown], 2007, pp. 26–27.
Al Boime. "Breaking Open the Wall: The Morelia Mural of Guston, Kadish and Langsner." Burlington Magazine 150 (July 2008), p. 459, fig. 24 (color), ill. front cover (color).
Marcus Weber and Andreas Baur in5000 Jahre Moderne Kunst – Painting, Smoking, Eating. Exh. cat., Villa Merkel, Galerien der Stadt Esslingen am Neckar. Nürnberg, 2008, fig. 5.
Laura Cumming. A Face to the World: On Self-Portraits. London, 2009, pp. 113, 115, 283, ill. p. 114 (color).
Laura Cumming. "Face to Face with Your Own Maker." theguardian.com. July 4, 2009.
Peter Benson Miller inPhilip Guston: Roma. Ed. Peter Benson Miller. Exh. cat., Museo Carlo Bilotti, Rome. Ostfildern, 2010, p. 47.
Donald Kuspit. "Philip Guston: McKee Gallery." Artforum 48 (March 2010), p. 247.
Francesco Bonami. Dal Partenone al Panettone: incontri inaspettati nella storia dell'arte. Milan, 2010, p. 158, ill. (color).
Clark Coolidge, ed. Philip Guston: Collected Writings, Lectures, and Conversations. Berkeley, 2011, pp. 159, 225.
Robert Slifkin. "Philip Guston's Return to Figuration and the '1930s Renaissance' of the 1960s." Art Bulletin 93 (June 2011), pp. 223–24, 227, 237–38, 239 n. 16, figs. 7, 8 (detail), ill. front cover (color).
Andrew Martin. "Guston Goes Electric." idiommag.com. June 8, 2011, ill. (color).
Philip Guston. "Talk at 'Art/Not Art?' Conference [1978]." Philip Guston: Collected Writings, Lectures, and Conversations. Ed. Clark Coolidge. Berkeley, 2011, p. 283, reprints Ref. Guston 1978.
Paulo Pasta. A Educação Pela Pintura. São Paulo, 2012, fig. 20 (color).
Keith Bruce. "Between Pollock and Warhol." Herald (Glasgow) (July 27, 2012), p. 19.
Adrian Hamilton. "The Hand That Rocked the Art Establishment." Independent (August 20, 2012), p. 45.
Alex Wood. "Philip Guston, Late Paintings at Inverleith House." lothianlife.co.uk. August 29, 2012.
Mark Sadler. "Philip Guston/Mick Peter, Inverleith House/Collective Gallery, Edinburgh." Frieze no. 151 (November–December 2012), p. 165.
Merlin James. "Late Guston: Edinburgh." Burlington Magazine 154 (November 2012), pp. 809–10, fig. 86 (color), calls it "The studio".
Moira Jeffrey. "Different Strokes." Scotland on Sunday (July 29, 2012), p. 12, ill. pp. 12–13 (color).
Laura Cumming. "Against the Dying of the Light." Observer (August 12, 2012), p. 28, ill. (color).
David Anfam and Paul Nesbitt inPhilip Guston: Late Paintings. Exh. cat., Inverleith House, Royal Botanic Garden Edinburgh. Edinburgh, 2012, pp. 29–31, 33, colorpl. 3 and ill. n.p. (color, installation photos).
Philip Larratt-Smith inPhilip Guston: Late Paintings. Exh. cat., Inverleith House, Royal Botanic Garden Edinburgh. Edinburgh, 2012, p. 55.
Robert Slifkin. Out of Time: Philip Guston and the Refiguration of Postwar American Art. Berkeley, 2013, pp. xii, 1, 26, 34, 39, 43–44, 46–48, 50–51, 61, 79, 97–98, 105, 109, 113–15, 120–24, 169, 181, 196 n. 54, 231, colorpl. 1, fig. 16 (with the artist in his studio, c. 1970), fig. 17 (detail), fig. 37 (detail).
Ingrid Pfeiffer inPhilip Guston: Das Grosse Spätwerk/Late Works. Ed. Ingrid Pfeiffer and Max Hollein. Exh. cat., Schirn Kunsthalle Frankfurt. Cologne, 2013, pp. 22–23, 149, ill. pp. 12–13 (with the artist in his studio, 1970), 31 (color).
Dion. "Philip Guston at Schirn Kunsthalle Frankfurt." Art News Blog. October 23, 2013, ill. (color).
Sy Colen. "New York Jewish Artists: Celebrating 100 Years of Creative Influence." artlyst.com. July 21, 2013, ill. (color).
Mark Godfrey inPeter Fischli David Weiss. Exh. cat., Glenstone. Potomac, 2013, p. 15.
David Sylvester. Ein Gespräch mit Philip Guston. Bern, 2013, p. 70, fig. 25 (color).
Philip Guston inPhilip Guston: Das Grosse Spätwerk/Late Works. Ed. Ingrid Pfeiffer and Max Hollein. Exh. cat., Schirn Kunsthalle Frankfurt. Cologne, 2013, pp. 126, 129, reprints Ref. Guston 1978.
Craig Burnett. Philip Guston: The Studio. London, 2014, pp. 14–16, 19–22, 24–26, 29–30, 32, 49–52, 54–56, 65, 67, 69–72, 89–90, fig. 1 (color), ill. front cover (color), n.p. (detail, color).
Poul Erik Tøjner. "Kontant." Louisiana Magasin no. 40 (May 2014), ill. p. 7 (color).
Yiannis Kondaratos. Philip Guston, the Painter in Eden. Writings, Lectures and Conversations. Athens, 2014, fig. 9.
David Lewis. "Guston and Feldman, or Breakfast at Tiffany's." Go Figure! New Perspectives on Guston. Ed. Peter Benson Miller. New York, 2014, p. 100, fig. 36 (color)
.
Robert Slifkin. "Guston's Modernist Follies." Go Figure! New Perspectives on Guston. Ed. Peter Benson Miller. New York, 2014, pp. 106–107, 110.
David Kaufmann. "Out of Time: Philip Guston and the Refiguration of Postwar
American Art by Robert Slifkin." Burlington Magazine 156 (April 2014), p. 250, ill. (color), calls it "The studio".
Hilarie M. Sheets. "Inside Art: New Home for Guston." New York Times (September 25, 2015), ill. p. C22 (color).
Simon Baker. George Condo: Painting Reconfigured. New York, 2015, fig. 6 (color).
David McKee et. al. "Philip Guston: The Hands of Clocks." Hauser & Wirth 7 (Winter 2015), ill. pp. 24 (color), 25 (with the artist in his studio, 1970).
Mette Gieskes. "I is an Other: Philip Guston's Imagined Incarnations of God and Klansmen." Example Or Alter Ego?: Aspects of the Portrait Historié in Western Art from Antiquity to the Present. Ed. Volker Manuth et al. Turnhout, 2016, p. 286 n. 5, pp. 287–88, no. 3, ill (color).
Peter Benson Miller. Studio Systems. Exh. cat., American Academy in Rome. New York, 2016, pp. 46, 50–52, fig. 4 (color), ill. p. 67 (photo with the artist).
Jana V. Schmidt. "Philip Guston's Piles." Traversals of Affect: On Jean-François Lyotard. Ed. Julie Gaillard et. al. London, 2016, p. 149.
Luca Bertolo. "We Need Poets, We Need Painters. Philip Guston a Venezia." leparoleelecose.it. September 3, 2017.
Emmanuel Daydé. "Philip Guston: Affreux, Sale et Géant." Art Absolument no. 78 (July/August 2017), ill. p. 59 (color).
Andrea Fanti. "Philip Guston, il sesto poeta." Corriere della Sera (July 30, 2017), ill.
Kolja Reichert. "Gemaltes lässt sich nicht sagen, Gesagtes nicht malen: Ein Höhepunkt im Kunstsommer: Die große Schau über Philip Gustons Verhältnis zur Poesie in Venedig." Frankfurter Allgemeine Zeitung (August 4, 2017), ill. p. 11 (color).
Kosme de Barañano inPhilip Guston & The Poets. Exh. cat., Gallerie dell'Accademia di Venezia. New York, 2017, pp. 58, 172, ill. p. 61 (color).
Giancarlo Papi. "Le licenze poetiche di Guston." Avvenire (June 16, 2017), p. 14, ill.
Alastair Sooke. "My Father Saw Family as an Interference." Daily Telegraph (July 29, 2017), p. 14, ill. (color).
Lorena Muñoz-Alonso. "Philip Guston Holds His Own Next to the Venetian Masters at the Gallerie dell'Accademia." news.artnet.com. May 12, 2017, ill. (color).
Cara Ober. "How Philip Guston Found Salvation in Poetry." hyperallergic.com. June 21, 2017, ill. (color, installation photo, Exh. Venice 2017).
Charlie Fox. "So UnPretty." New York Times (September 10, 2017), ill. p. SMA76 (color).
Debra Bricker Balken inPhilip Guston: Nixon Drawings 1971 & 1975. Ed. Musa Mayer and Sally Radic. Exh. cat., Hauser & Wirth, New York. [Zurich], 2017, p. 196, fig. 9 (color).
Craig Burnett. "Literature Always Rivalled Painting for his Attention." Apollo 185 (May 2017), p. 52.
Alex Gartenfeld inThe Everywhere Studio. Exh. cat., Institute of Contemporary Art, Miami. Miami, 2017, pp. 16, 277, fig. 45 (color).
Musa Mayer and Mark Stevens inHauser & Wirth Hong Kong Issue No. 1: Philip Guston. Exh. cat., Hauser & Wirth, Hong Kong. Hong Kong, 2018, p. 16, ill. pp. 16 (color), 70 (photo with the artist).
Post-War and Contemporary Art Evening Sale. Christie's, New York. November 15, 2018, ill. p. 28 (color).
Elly Thomas. Play and the Artist's Creative Process: The Work of Philip Guston and Eduardo Paolozzi. New York, 2019, pp. 146, 161–62, fig. 6.6.
Musa Mayer and Anders Bergstrom inConversations on Artists' Estates & Modern Masters for Art Basel 2019. Zurich, 2019, pp. 82–83.
Ymariam Bez. "The Menil Collection Opens Contemporary Focus: Trenton Doyle Hancock." thedailycougar.com. February 7, 2019.
Martin Gayford inThe Jeremy Lancaster Collection. Christie's, London. October 1, 2019, p. 134, erroneously locates it in the collection of the Louisiana Museum of Modern Art.
Robert Storr. Philip Guston: A Life Spent Painting. London, 2020, p. 122, no. 119, ill. pp. 123 (color), 318 (with the artist in his studio), 320 (color, installation photo, Exh. La Jolla 1971), 332 (with the artist, detail visible).
Musa Mayer. Philip Guston. London, 2020, p. 75, ill. p. 74 (color).
Martha Schwendener. "Why Philip Guston Still Provokes a Furor." New York Times (October 3, 2020), p. C5.
Aindrea Emelife. "Philip Guston's KKK Images Force Us to Stare Evil in the Face–We Need Art Like This." theguardian.com (September 28, 2020), ill. (color).
Jake Marmer. "The Artist Formerly Known as Guston." tabletmag.com. October 2, 2020, ill. (color).
Megan Milks. "Hoods and Hoodwinkery." X-TRA 22 (Summer 2020), p. 23.
Harry Cooper inPhilip Guston Now. Exh. cat., Museum of Fine Arts, Boston. Washington, D.C., 2020, pp. 5, 45, 127, colorpl. 116.
Menachem Wecker. "The Patronizing Censoring of Philip Guston." mosaicmagazine.com. December 8, 2020, ill. (color).
Paul Laster. "Philip Guston: A Life Lived Through Art." artandobject.com. July 21, 2020.
David Elliott. "Grave Nowhere: The Unstoppable Paintings of Philip Guston." Border Crossings 39 (November 2020), p. 52, ill. p. 48 (color).
Jennifer L. Roberts and Harry Cooper inPhilip Guston Now. Exh. cat., Museum of Fine Arts, Boston. Washington, D.C., 2020, fig. 9 (with the artist).
Alison de Lima Greene inPhilip Guston Now. Exh. cat., Museum of Fine Arts, Boston. Washington, D.C., 2020, p. 181.
William Kentridge inPhilip Guston Now. Exh. cat., Museum of Fine Arts, Boston. Washington, D.C., 2020, p. 107.
Glenn Ligon inPhilip Guston Now. Exh. cat., Museum of Fine Arts, Boston. Washington, D.C., 2020, p. 117.
Art Spiegelman inPhilip Guston Now. Exh. cat., Museum of Fine Arts, Boston. Washington, D.C., 2020, p. 140.
Julia Friedman. "Philip Guston (Not) Now: The Impact Argument." athenaeumreview.org. November 1, 2020, ill. (color).
Steve Locke. "Guston, Whiteness, and the Unfinished Business of the Vile World." artforum.com. December 2020, ill. (color).
Peter Malone. "Philip Guston Then." newcriterion.com. December 8, 2020, ill. (with the artist, 1969).
Arjen Ribbens. "Kritiek op uitstel Guston-expositie om Ku Klux Klan-figuren." nrc.nl. September 29, 2020, ill. (color).
Santa Nastro. "Rimandata Philip Guston: Now al 2024. Incriminate le figure che evocano il KKK nei dipinti." artribune.com. September 28, 2020, ill. (color).
Harry Cooper. Poor Richard by Philip Guston. Washington, D.C., 2020, p. 81.
Murray Whyte. "How Do You Contextualize an Artist Who Captured Hate?" bostonglobe.com. September 16, 2021, ill. (color).
Vivian Chui. "Philip Guston's Most Controversial Decade of Work." ocula.com. September 22, 2021, ill. (color, overall, and color, installation photos, Exh. New York 2021).
Murray Whyte. "What Museums Can Learn From Philip Guston and His Frank Take on 'White Culpability'." Boston Sunday Globe (January 10, 2021), p. N3, ill. (color).
Ilana Novick. "Controversial Philip Guston Paintings at Hauser & Wirth." artandobject.com. October 4, 2021, ill. (color).
R.C. Baker. "Tragicomic Soothsayer: Philip Guston Rides Again." villagevoice.com. October 22, 2021, ill. (color, overall, and with the artist).
John Yau. "Philip Guston's Unblinking Eye." hyperallergic.com. September 29, 2021, ill. (color), calls it "Studio" in the text.
Jackson Arn. "The Mysterious Mr. Guston." airmail.news. September 4, 2021, ill. (color).
Barry Schwabsky. "Philip Guston's Peculiar History Lesson." thenation.com. April 12, 2021.
Robert Slifkin. "Ugly Feelings." Artforum 59 (January/February 2021), p. 113, ill. p. 115 (with the artist, 1969).
Alexandra Germer. "Views: New York. Waste Not Want Not." Spike no. 67 (Spring 2021), p. 153, calls it "Studio".
Robert Storr inFrisson: The Richard E. Lang and Jane Lang Davis Collection. Ed. Catharina Manchanda. Exh. cat., Seattle Art Museum. Seattle, 2021, pp. 172–73 , fig. 76 (color).
Susanne Förster inParapolitics: Cultural Freedom and the Cold War. Ed. Anselm Franke et al. Exh. cat., Haus Der Kulturen Der Welt. Berlin, 2021, p. 432, ill. p. 433 (color).
Coralie Malissard inModern Drawings: The Karshan Gift. Ed. Coralie Malissard and Barnaby Wright. Exh. cat., Courtauld Gallery. London, 2021, p. 97.
Jonathan Goodman. "Philip Guston, 1969-1979 at Hauser & Wirth, NYC (Video + Review)." artefuse.com. October 16, 2021, ill. (color).
Santa Nastro. "Hauser & Wirth presenta a New York una mostra di Philip Guston. Ci sono anche gli incappucciati." artribune.com. April 2, 2021.
Kate Brown and Glenn Ligon. "'Artists Imagine That Museums Are Brave–They’re Not’: Glenn Ligon on His New Show, Philip Guston, and How Institutions Can Do Better." news.artnet.com. November 18, 2021, call it "In the Studio".
Michael Romain. "Stray thoughts after a storm." Wednesday Journal. Online resource [oakpark.com], June 21, 2022, ill. (color).
Craig Burnett. "Mixed Emotions." Apollo 195 (May 2022), pp. 83–84, fig. 4 (color).
Philip Guston. I Paint What I Want To See. [London], 2022, p. 101.
Malcolm Gay. "Prepping for Art of the Provocative." Boston Sunday Globe (May 1, 2022), p. A16.
Jon Garelick. "For Philip Guston, the Political was Personal." Boston Globe (September 2, 2022), p. A9.
Brian T. Allen. "'Philip Guston Now', Delayed by Race Hysteria, Finally Gets Its Day." nationalreview.com. October 1, 2022.
Holland Cotter. "True to His Ferocious Spirit." New York Times (April 29, 2022), p. C14, ill. (color, installation photo, Exh. Boston 2022).
Robin Pogrebin. "Met to Receive Trove of Philip Guston's Art." New York Times (December 15, 2022), p. C6, ill. (color).
A. R. Hoffman. "Guston: A Genius Beyond Controversy." nysun.com. May 7, 2022.
Leah Triplett Harrington. "The MFA Boston Embraced Hard Conversations in Its Philip Guston Show. Why Doesn't It Examine Its Collection Just as Critically?" news.artnet.com. May 26, 2022, ill. (color) and ill. (color, installation photo, Exh. Boston 2022).
Murray Whyte. "Guston Show Gives New Entry Points—And Exits." Boston Sunday Globe (May 1, 2022), p. N2, ill. p. N1 (color).
Susan Saccoccia. "Spotlight Review: Philip Guston Now." Art New England 43 (July/August 2022), p. 67.
Rosa Boshier González. "Philip Guston Now." brooklynrail.org. December 2022–January 2023.
Jonathan Goodman. "The Guston Foundation: The Maintenance of Philip Guston's Legacy." brooklynrail.org. October 2022, ill. (color).
Vivienne Chow. "The Met Now Boasts the World's Largest Collection of Philip Guston's Work, Thanks to a 220-Piece Gift by the Artist's Daughter." news.artnet.com. December 15, 2022.
Natasha Gural. "Philip Guston's Daughter Donates 220 Artworks and $10 Million to The Met to Advance His Legacy." forbes.com. December 15, 2022, ill. (color).
Andy Coughlan. ""Then and 'Now": Guston Retrospective Shows Artist Exploring Human Condition." Art of Living (November 18, 2022), p. C4, ill. (color, detail).
Karen Wilkin. "Philip Guston Finally." New Criterion 41 (September 2022), p. 48.
Andy Coughlan. "Take a Look at This Houston Art Exhibit Through a Southeast Texan's Eyes." beaumontenterprise.com. November 21, 2022, ill. (color).
Philip Guston. Lyon, 2022, ill. p. 35 (color).
Garland Fielder. "Review: 'Philip Guston Now' at the Museum of Fine Arts, Houston." glasstire.com. December 6, 2022, ill. (color, installation photo).
Pamela Reynolds. "After Postponement, Philip Guston's Work Finally Arrives at the MFA." wbur.org. April 28, 2022.
Ariella Budick. "Cowardice and Evil Unmasked; Philip Guston | After Qualms
and Controversy About His Use of Klan Imagery, the Artist's
Fearless Work Triumphs at the Museum of Fine Arts in Boston." Financial Times (June 18, 2022), p. 13, ill. (color).
Joshua Lieberman. "We Get The Picture." Spectator (London) (August 20, 2022), p. 45.
Alison de Lima Greene. "Philip Guston: Living in a World Museum." h: The Museum of Fine Arts, Houston Magazine no. 23 (2022), p. 28.
Dieter Roelstraete. "Die Angst Vor Der Kunst." Monopol (September 2022), pp. 58, 65, ill. p. 63 (color).
Andrew Dansby. "Conflict and Conscience: MFAH's 'Philip Guston Now' is the Late Artist's First-Ever Show in Houston." Houston Chronicle (November 6, 2022), p. G7.
Stéphane Baillargeon. "L'art délicat de montrer des oeuvres antiracistes sans froisser." ledevoir.com. May 5, 2022.
Penny Schwartz. "After 2-Year Delay, Philip Guston Art Exhibit Explores His Jewish Identity–Under Cloud of Controversy." jta.org. May 11, 2022, ill. (color).
Arthur Aghajanian. "Emulating Divine Creation." dappledthings.org. 2022.
Lyle Rexer. "Philip Guston Now." brooklynrail.org. September 2022.
Judy Bolton-Fasman. "The Art and Social Conscience of Jewish Artist Philip Guston." jewishboston.com. June 28, 2022.
John Yau. "Philip Guston's Haunted Testimonies." hyperallergic.com. August 18, 2022.
Zoé Samudzi. "Under the Hood." jewishcurrents.org. November 16, 2022, ill. (color).
Sam Ben-Meir. "'Philip Guston Now' at Boston Museum of Fine Art." sdjewishworld.com. August 24, 2022, ill. (color).
"Philip Guston Now." apollo-magazine.com. April 22, 2022.
J. S. Marcus. "Controversially Postponed Philip Guston Show Finally Gets Going. How has it Changed?" theartnewspaper.com. April 26, 2022, ill. (color).
"Philip Guston's Paintings are Controversial. But Here They Are." economist.com. April 30, 2022, ill. (color).
Barry Schwabsky. "Philip Guston's Philosophy of Doubt." thenation.com. July 28, 2022.
Andrew L. Shea. "Philip Guston in the Padded Room." thespectator.com. August 1, 2022, calls it "Studio".
Lily Meyer. "What Philip Guston’s Cartoonish Paintingsof Klansmen Urge You to See." theatlantic.com. May 24, 2022, ill. (color).
"The Met Museum Receives Gift of 220 Philip Guston Works From His Daughter." lavocedinewyork.com. December 14, 2022.
Roberta Smith. "A Gift The Met Might Not Need." New York Times (January 24, 2023), p. C5, ill. (color).
Aruna D'Souza. "A Show Confronts Evil, Yet the Friction Lingers." New York Times (July 20, 2023), p. C6, ill. (color).
Mark Westall. "Tate Modern to Present a Landmark Exhibition of Philip Guston This October." fadmagazine.com. August 22, 2023.
Ernest Chlopicki. "Review: Philip Guston at Tate Modern." strandmagazine.co.uk. October 6, 2023.
Musa Mayer. Night Studio: A Memoir of Philip Guston. 7th [1st ed, 1988]. [Zurich], 2023, p. 206, figs. 86 (color), 87 (with the artist), 118 (color, installation photo, Exh. New York 2021).
Karen Wilkin. "Philip Guston in Boston, Houston, and Washington." hudsonreview.com. Spring 2023.
Clark Coolidge, ed. Que peindre sinon l'énigme. Philip Guston: Écrits, conférences et entretiens, 1944–1980. 2nd ed. (1st ed., 2010]). [Strasbourg], 2023, pp. 267, 552, fig. 97 (with the artist, 1970), fig. 177 (color, installation photo, Exh. New York 2021), fig. 180 (color, installation photo, Exh. Houston 2022).
Jackie Wullschläger. "Philip Guston, Tate Modern Review — Violent, Unsettling and Thrilling From Start to Finish." ft.com. October 5, 2023.
Melissa Petrie. "Does a Painting Have to be 'Pretty' to be Beautiful?" thinkingman.substack.com. August 18, 2023, ill. (color).
Jan Woolf. "The Bigot in the Hood." moringstaronline.co.uk. November 16, 2023, ill. (color).
Nathan Smith. "Tate Modern Reveals Philip Guston's Hoodwink." observer.com. November 9, 2023.
Laura Cumming. "A Tragi-Comic Triumph." Observer (London) (October 8, 2023), p. 22, ill. (color).
Eva Meyer-Hermann. Daniel Richter: Paintings Then and Now. Ed. Eva Meyer-Hermann. Berlin, 2023, pp. 30–31, ill. (color).
J.J. Charlesworth. "Philip Guston and the Politics of Painted Images." artreview.com. October 13, 2023.
Ben Luke. "Philip Guston at Tate Modern Review: Riven With Anger, Engorged With Love, Haunted by Suffering." standard.co.uk. October 3, 2023.
John McDonald. "Why Philip Guston's Work is Still Causing Headaches for Galleries." smh.com.au. May 26, 2023.
Elyza Bruce. "National Gallery Gives Philip Guston's Work a New Sense of Urgency." georgetownvoice.com. April 14, 2023.
Saul Nelson. "Insomniac Visions." newleftreview.org. November 24, 2023.
Joe Lloyd. "Philip Guston: This Straight-Laced, Work-Focused Retrospective Affirms Philip Guston’s Place as One of the 20th Century’s Finest Painters." studiointernational.com. October 19, 2023.
Mark Westall. "Philip Guston’s First Major UK Retrospective in 20 Years Opens at Tate Modern." fadmagazine.com. October 9, 2023.
"Philip Guston’s First Major UK Retrospective in 20 Years on View at Tate Modern." artdaily.com. October 9, 2023.
"Talk of the Town: Film." South London Press (October 13, 2023), p. 23.
Alastair Sooke. "Timeless Art That Skewers Evil With a Savage Intensity." Daily Telegraph (October 4, 2023), ill. p. 10 (color).
Ben Street. "The History of Artists' Signatures is a Secret History of Art." apollo-magazine.com. September 22, 2023, ill. (color).
Clare Carolin. "Philip Guston: Controversial Delayed Tate Show Asks ‘What Would it be Like to be Evil?’." theconversation.com. October 10, 2023.
Revd Jonathan Evens. "R. B. Kitaj and Philip Guston: Figurative Painting Celebrated." artlyst.com. October 17, 2023, ill. (color, installation photo, Exh. London 2023–24).
Laura Gascoigne. "How Philip Guston Became a Hero to a New Generation of Figurative Painters." spectator.co.uk. October 21, 2023.
Itzhak Goldberg. "Philip Guston réhabilité." lejournaldesarts.fr. October 24, 2023.
Howard Jacobson. "Philip Guston's Fight Against Evil." unherd.com. December 5, 2023, ill. (color, detail).
The Guston Foundation, ed. Catalogue Raisonné. Online resource [gustoncrllc.org/home/catalogue_raisonne], 2024–25 (accessed), no. P69.106, ill. (color).
Valérie Duponchelle. "Philip Guston, le peintre qui met du mouvement dans l'abstraction." Le Figaro (January 18, 2024), Culture section, p. 34.
Tiffany E. Barber and Joan Choi. "White Hoods, White Masks." Tate Etc. Online resource [tate.org.uk], January 3, 2024, ill. (color).
Walker Mimms. "Philip Guston's Teenage Cartoons." New York Times (June 5, 2024), ill. p. C2.
Rebecca Shaykin in Rebecca Shaykin. Draw Them In, Paint Them Out: Trenton Doyle Hancock Confronts Philip Guston. Exh. cat., Jewish Museum, New York. New York, 2024, pp. 18, 22, ill. pp. 24 (with the artist), back cover (color).
Trenton Doyle Hancock in Rebecca Shaykin. Draw Them In, Paint Them Out: Trenton Doyle Hancock Confronts Philip Guston. Exh. cat., Jewish Museum, New York. New York, 2024, p. 59, ill. (color).
Trenton Doyle Hancock and Art Spiegelman in Rebecca Shaykin. Draw Them In, Paint Them Out: Trenton Doyle Hancock Confronts Philip Guston. Exh. cat., Jewish Museum, New York. New York, 2024, pp. 142, 151.
Paul Keegan. "I Smell Mink Coats." lrb.co.uk [London Review of Books]. January 25, 2024, ill. (color).
Jillian Steinhauer. "What Trenton Doyle Hancock Learned From Philip Guston." nytimes.com. November 7, 2024, ill. (color).
Laura Hodes. "United Across Time, Two Superhero Artists Join Forces to Fight Bigotry." forward.com. November 20, 2024.
Philip Guston (American (born Canada), Montreal 1913–1980 Woodstock, New York)
1936
Resources for Research
The Met's Libraries and Research Centers provide unparalleled resources for research and welcome an international community of students and scholars.
The Met Collection API is where all makers, creators, researchers, and dreamers can connect to the most up-to-date data and public domain images for The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.
The Met's engagement with art from 1890 to today includes the acquisition and exhibition of works in a range of media, spanning movements in modernism to contemporary practices from across the globe.
