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Umugara (warrior's headdress)

early–mid-20th century
Not on view
The Kinyarwanda word umugara means “mane” and evokes the power and nobility of a lion. It sits at the heart of the Intore dance tradition, whose performers are similarly called intore, “the chosen ones” selected to defend and entertain the king. In the larger ballet that frames Intore, women present a graceful sequence known as umushagiriro, “the dance of cows,” while drummers provide the pulse of the ingoma ensemble. In precolonial courts, the umugara on a warrior’s head amplified every leap and pivot, signaling martial skill and a sacred bond to royal authority. The dance later grew into a national emblem of resilience and is now performed by men and women from all Rwandan communities to encourage reconciliation after the 1994 genocide.

This example is remarkable for its intact pelts and original cotton ties. Its sweeping arc would have enlarged the dancer’s silhouette, and the long colobus monkey fibers would sway with each movement, merging grace with latent aggression. By turning the wearer into a living lion figure, the piece reinforced ideals of strength, discipline, and heroic identity.

Artwork Details

Object Information
  • Title: Umugara (warrior's headdress)
  • Artist: Tutsi artist
  • Date: early–mid-20th century
  • Geography: Rwanda; Burundi
  • Culture: Tutsi peoples
  • Medium: Colobus guereza monkey hide and fur, cotton, raffia
  • Dimensions: W. 20 × L. 21 ½ × Ribbon 31 ½ in. (50.8 × 54.6 × 80 cm)
  • Classification: Textiles-Costumes-Accessories
  • Credit Line: Gift of Marie-Louise Laband, 2025
  • Object Number: 2025.831.1
  • Curatorial Department: The Michael C. Rockefeller Wing
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Insika (screen), Tutsi artist, Cane, reed fibers, black pigment, Tutsi peoples
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Mpaan (female titleholder’s headdress), Kuba artist, Raffia palm fiber, cotton, glass beads, hide, cowries shells, Kuba peoples
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