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An abstract painting composed of cream and dark brown with highlights in pink, orange, and yellow. Stacked, white text overlays the painting and reads: "Krasner and Pollock: Past Continuous.”
Exhibition

Krasner and Pollock: Past Continuous

Lee Krasner (1908–1984) and Jackson Pollock (1912–1956) met as emerging artists in New York in the winter of 1941. They married in 1945 and moved to Springs, Long Island, where they remained entwined personally, artistically, and professionally until Pollock’s untimely death. While Pollock’s reputation historically eclipsed Krasner’s, today, both artists’ practices are rightly recognized as central to the innovations of art from the mid-20th century onwards. This exhibition continues and amplifies this reevaluation, on their own terms and in dynamic relation to each other.

Drawing its subtitle, Past Continuous, from a 1976 painting by Krasner, the exhibition traces parallel lives and practices—forged first by lived experience, then shadowed by memory. Krasner, born in Brooklyn to Jewish immigrant parents from what is now Ukraine, and Pollock, raised in Los Angeles and the American West, brought specific geographies and inheritances into a shared artistic context. Their early paths traced distinct strands of American modernism that would ultimately converge in the rupture known as Abstract Expressionism, a movement that valued the translation of inner feelings into dramatic visual action. In the wake of World War II, artists asked why art mattered and what it could be. For Pollock, his breakthrough was the “drip” technique, a radical mode of painting that flourished in a condensed but prolific period. Krasner’s varied practice was typified by ceaseless explorations of abstraction, often cued by her abiding interest in the possibilities of nature and color.

Krasner and Pollock: Past Continuous is the first major New York presentation devoted to either artist in more than 20 years. Featuring over 120 works, it is the first exhibition to look at the full arc of their careers together.

The exhibition is made possible by Kenneth C. Griffin and Griffin Catalyst, Marina Kellen French, and the Barrie A. and Deedee Wigmore Foundation.

Additional support is provided by Trevor and Alexis Traina, the Aaron I. Fleischman and Lin Lougheed Fund, The Huo Family Foundation, Joyce Kwok, Janice Lee and Joseph Bae, Dina Axelrad Perry, Alice and Tom Tisch, and the Horace W. Goldsmith Foundation.

The catalogue is made possible by the Pollock-Krasner Foundation.

Additional support is provided by Mattia de Luca, the Aaron I. Fleischman and Lin Lougheed Fund, The Robert David Lion Gardiner Foundation, Karen and Sam Seymour, the Wyeth Foundation for American Art, Suzanne Deal Booth, Ted Stebbins, and Kelly Williams and Andrew Forsyth.

Two teens are looking intently at an easel with a canvas on it. There are other paintings hung up on the wall behind them.

Teen Studio—Too Abstract (Ages 12–14)

October 17 10:30 amThe Met Fifth Avenue
Two teens are looking intently at an easel with a canvas on it. There are other paintings hung up on the wall behind them.

Teen Studio—Too Abstract (Ages 15–18)

October 17 2:30 pmThe Met Fifth Avenue
A group of visitors sit inside a gallery facing a Met educator who is pointing to a painting out of our view.

Met Escapes—Krasner and Pollock: Past Continuous

November 17 2 pmThe Met Fifth Avenue
Two people sit at a studio artmaking table  covered in brown paper with two warped cardboard looms on the table. On the left, a young child with brown hair and a red and navy striped shirt holds a pink straw in his hands as he leans his elbow on the table. Next to him, on the right, sits an adult in a black jacket, wire-framed glasses, and a khaki hat; he sorts through a pile of colorful yarn, pipe cleaners, and straws.

Discoveries (Ages 5–13)—Radical Rendering

November 22 11 amThe Met Fifth Avenue
Two people sit at a studio artmaking table covered in brown paper with two warped cardboard looms and piles of colorful yarn and pipe cleaners on the table. On the left, an adult with long black hair in a long-sleeve black top works on a warped cardboard loom with the teenager next to her. The teenager sits at the head of the table with short black hair, a khaki shirt, and black pants. Together, the pair works on their loom. In front of them at the table are other materials and blue-color-pencil drawings.

Discoveries (Ages 14–22)—Radical Rendering

November 22 11 amThe Met Fifth Avenue
Three people sit at a studio artmaking table with two warped cardboard looms and piles of colorful yarn and pipe cleaners. On the left, an adult with short hair wears a pink plaid shirt and black framed glasses. She works on a loom with the young adult next to her, who is wearing a bright pink jacket, circular wire-framed glasses, and her hair in a ponytail. She holds a light pink water bottle. On her other side sits an adult man in a grey vest and maroon shirt who smiles cheerfully at the two women.

Discoveries (Ages 23+)—Radical Rendering

November 22 2 pmThe Met Fifth Avenue
Image Credits

Lee Krasner (American, 1908–1984). Bald Eagle (detail), 1955. Oil, paper, and canvas collage on linen, 77 × 51 1/2 in. (195.6 × 130.8 cm). ASOM Collection © 2026 Pollock-Krasner Foundation / Artists Rights Society (ARS), New York

Learn more about The Robert David Lion Gardiner Foundation.