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St. Paul's Cathedral, from St. Martin's-le-Grand

1795–96
Not on view
In this vibrant rendering of London, Girtin combines lively detail with passages of loose brushwork. The work stands at the midpoint of the artist’s tragically short career, balanced between his early achievements as a topographical watercolorist and the masterly abstracted landscapes to come. Working outdoors, in the street where he lived, the twenty-year-old established graphite perspective lines, then added gray wash shadows, layers of color, figures, and details. The foreground moves from deep shadow, at left, to red-brick facades glowing in the late afternoon sun. Sir Christopher Wren’s magnificent classical dome embodies the sublimity toward which the artist aspired, while the carts, horses, street-sweeper, dog, lamplighter, and pedestrians represent the native picturesque out of which his genius grew.

Artwork Details

Object Information
  • Title: St. Paul's Cathedral, from St. Martin's-le-Grand
  • Artist: Thomas Girtin (British, London 1775–1802 London)
  • Date: 1795–96
  • Medium: Watercolor, pen and black ink, over graphite
  • Dimensions: sheet: 19 3/16 x 14 7/8 in. (48.8 x 37.8 cm)
  • Classification: Drawings
  • Credit Line: Purchase, Sir Edwin Manton Gift, 2002
  • Object Number: 2002.435
  • Curatorial Department: Drawings and Prints
More Artwork
Lindisfarne Castle, Holy Island, Northumberland, Thomas Girtin  British, Watercolor and bodycolor (gouache)
Thomas Girtin
1796–97
"Royal George" Cello, William Forster  British, Spruce, maple, ebony, British
William Forster
1782
Eastern Coast of Rügen with Shepherd, Caspar David Friedrich  German, Pen and brown ink, brush and brown wash, over graphite, with white opaque watercolor; partial framing lines in pen and brown-black ink
Caspar David Friedrich
1805–6
Easby Abbey, Thomas Girtin  British, Watercolor on off-white artist's board
After Thomas Girtin
19th century
Gamba Bow, Wood, British
British
first half 18th century

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