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The Entrance of Charlemagne into Pavia

1840
Not on view
Schnorr von Carolsfeld was a leading member of the Nazarenes, a group of Northern artists who favored biblical and erudite literary themes and adopted a clear, linear manner reminiscent of that of their Renaissance idols. This large, highly finished sheet was a study for a wall painting in the Munich Residenz, destroyed in World War II. The subject is the military victory of Charles the Great over the Lombards in 774.

Artwork Details

Object Information
  • Title: The Entrance of Charlemagne into Pavia
  • Artist: Julius Schnorr von Carolsfeld (German, Leipzig 1794–1872 Dresden)
  • Date: 1840
  • Medium: Black chalk, graphite, brown watercolor washes, red chalk, red chalk washes. Squared for transfer in graphite with numerical indications of vertical divisions at the lower edge
  • Dimensions: sheet: 18 1/4 x 25 3/4 in. (46.3 x 65.4 cm)
  • Classification: Drawings
  • Credit Line: Purchase, Anna-Maria and Stephen Kellen Foundation Gift, 2003
  • Object Number: 2003.85
  • Curatorial Department: Drawings and Prints
More Artwork
Study of a Male Figure, Julius Schnorr von Carolsfeld  German, Pen and brown ink
Julius Schnorr von Carolsfeld
1849
Self-Portrait, turned slightly to the left, Käthe Kollwitz  German, Pen and different shades of gray-black ink
Käthe Kollwitz
ca. 1893
A Road below the Villa d'Este at Tivoli, Jean Thomas Thibault  French, Pen and black ink, watercolor, over traces of graphite and black chalk
Jean Thomas Thibault
n.d.
Mother and Daughter in Prayer, Julius Schnorr von Carolsfeld  German, Pen and black ink, brush and watercolor. Framing lines in pen and black ink and brown watercolor.
Julius Schnorr von Carolsfeld
Ludwig Ferdinand Schnorr von Carolsfeld
ca. 1811–17
Six Crossbow Bolts, Steel, wood (oak), staghorn, pigment, Central European, possibly German
Central European, possibly German
early 16th century; 14.25.1576g, probably 17th or 18th century

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