Italian View: A Pathway and Arbor at the Base of Cliffs

1815–21

Not on view

By planting the viewer firmly on the ground, Salathé emphasizes the imposing height of the cliffs in this unusual landscape of the Roman countryside. The artist first traveled to Rome in 1815 and remained there until 1821. The Swiss draftsman later established himself as a printmaker in Paris, and he may have squared this drawing for the purpose of making a print, although the uneven nature of the grid is curious.

Artwork Details

Object Information

Overview

Signatures, Inscriptions, and Markings

Provenance

Exhibition History

Title: Italian View: A Pathway and Arbor at the Base of Cliffs
Artist: Friedrich Salathé (Swiss, Binningen 1793–1860 Paris)
Date: 1815–21
Medium: Graphite, squared
Dimensions: sheet: 5 15/16 x 8 7/16 in. (15.1 x 21.5 cm)
Classification: Drawings
Credit Line: Gift of Jeffrey Guerrier, 2005
Object Number: 2005.472
Curatorial Department: Drawings and Prints

More Artwork

By Friedrich Salathé

In the same medium

From the same time and place

Italian Landscape with Trees (recto), Friedrich Salathé Swiss, Watercolor (recto)<br/>Graphite, brush and gray ink (verso) — Italian Landscape with Trees (recto)
Friedrich Salathé
1815–21

Studies of a woman, her hands and arms and drapery, Wolfgang Adam Töpffer Swiss, Graphite, some red chalk, heightened with white chalk, on blue paper — Studies of a woman, her hands and arms and drapery
Wolfgang Adam Töpffer
late 18th–19th century

Madame Félix Gallois, Jean Auguste Dominique Ingres French, Graphite with touches of gold in oil to highlight jewelry, on buff wove paper. — Madame Félix Gallois
Jean Auguste Dominique Ingres
1852

Young Woman in the Vaudois after the Grape Harvest, Wolfgang Adam Töpffer Swiss, Watercolour, over a sketch in graphite or black chalk. Framing line in pen and dark brown ink, by the artist. — Young Woman in the Vaudois after the Grape Harvest
Wolfgang Adam Töpffer
1821

Study of Eleven Heads, Jacques de Gheyn II Netherlandish, Pen and three shades of brown ink with black chalk on laid paper; framing lines in pen and brown ink and graphite — Study of Eleven Heads
Jacques de Gheyn II
late 16th–early 17th century

Research Resources

The Met provides unparalleled resources for research and welcomes an international community of students and scholars. The Met's Open Access API is where creators and researchers can connect to the The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.

To request images under copyright and other restrictions, please use this Image Request form.

Feedback

We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please contact us using the form below. The Museum looks forward to receiving your comments.

Send feedback

Content Notice

The Metropolitan Museum of Art presents over 5,000 years of art from around the world, and our online collection reflects ongoing work conducted over the course of our more than 150-year history. You may encounter objects or images that may be inappropriate for some viewers or information that may be outdated.